Music & Dance

First edition.
Half red shagreen binding with corners, spine with five raised bands decorated with fleurons and gilt fillets, marbled paper boards, marbled endpapers and pastedowns, two tears on leading edges, front cover preserved, top edge gilt.
Work decorated with illustrations in text and full-page, in black and white as well as in blue, green, red, mauve and sepia by Georges Cain, preface by Jules Clarétie, music by Jules Massenet.

New edition.
Publisher's full navy blue cloth bindings, smooth spines decorated with blind-stamped typographical motifs, blind fillet border on covers, three small discoloration spots on first cover of first volume, yellow paper endpapers and pastedowns, corners slightly bumped without consequence.
Work illustrated with numerous in-text engravings.
Bookseller's description label pasted to pastedown of first volume.
One repaired tear to half-title page of second volume, some minor foxing.

First edition, one of 500 numbered copies on vellum, the only printing after 20 on Holland paper.
Half black sheep binding, smooth spine decorated with gilt fleurons and showing traces of rubbing, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped.
Work illustrated with a frontispiece etching by Armand Rassenfosse, and decorated with illustrations including color plates by Henri Detouche, André des Gachons, Joseph Sattler and Ulm.
Our copy is complete with its publication prospectus.
Binding rubbed, handsome interior condition despite minor foxing without gravity.

Second edition, illustrated with two musical plates (examples of tunes that can be taught to canaries) and one depicting cages.

 

Contemporary binding in full speckled brown sheep. Ornate spine with raised bands. Red morocco title label. Joints cracked at head and foot. Corners bumped and rubbed. Scuffing. Scattered foxing. Yellow dampstain on the first six leaves.

 

Treatise and manual on breeding Canary birds in captivity: feeding, nesting, care, prices, varieties... These aviary birds were particularly appreciated for their beauty, colors and song.

 

First edition.
Half bottle-green shagreen binding, faded spine with five raised bands decorated with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped, illustrated cover preserved.
Work illustrated with watercolors, drawings and a preface by Léonce Burret.

New edition of the French translation established by Sébastien Albin.
Half black shagreen binding, spine with four raised bands decorated with black fillets, marbled paper boards, one joint fragile, marbled endpapers and pastedowns, speckled edges, contemporary binding.

First edition.
Half forest green shagreen binding, spine with five raised bands decorated with the gilt monogram of the great bibliophile Roger de Cormenin repeated five times, marbled paper boards, marbled endpapers and pastedowns, speckled edges, near-contemporary binding.
Provenance: from the library of Roger de Cormenin, son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert.
Handsome copy beautifully bound.

First edition, one of 15 numbered copies on Holland paper, the only deluxe copies.
Preface by Maurice Barrès.
Work illustrated with a portrait of the author by Paul Jobert as frontispiece as well as 107 pen drawings by Charles-Emile Carlègle
Small lacks to head of spine, light adhesive paper stains to heads and feet of endpapers, otherwise handsome full-margined copy.

First edition, one of 1500 copies on surglacé paper.
Signed autograph of Laurian Touraine enriched signing Emile Barbillat the Auvergne Robert Garric, "... as a token of the friendship between Berry and Massif Central ..."
Book decorated with illustrations of Berrichon artists, covers illustrated by Bernard Naudin.
Marginal foxing on the boards, first board of the second volume marginally shabby, first board of the fifth volume dated.

WIth 17 originale etchings by mile Grandjean, one of 85 numbered copies on papier moyen âge teinté.
A good copy.

Les Mémoires de Joséphine Baker recueillis et adaptés par Marcel Sauvage
Corrêa | Paris 1949 | 12 x 19 cm | original wrappers
New edition, one of 50 numbered copies on vélin Johannot, the only grand papier (deluxe) copies.
Illustrated cover.
Illustrations, some press clippings tipped in, which caused a clear fading, on half-title page.
A rare and good copy.

First edition printed on esparto paper.
Half hazel shagreen binding, spine with two raised bands decorated with a gilt fleuron, traces of rubbing to spine, date and double gilt fillet at foot, olive shagreen title-label, marbled paper boards, marbled endpapers and pastedowns, covers preserved, top edge gilt, contemporary binding.
Autograph inscription dated and signed by Marc Delmas to the poet Rosati Jean Ott.
Work illustrated with a portrait of the composer as frontispiece.

First edition, one of 50 copies on Japan paper, the only deluxe copies.
Publisher's soft blue-grey cardboard binding, smooth red cloth spine without lettering, top edge gilt, corners slightly bumped, endpapers and pastedowns of floral paper.
This is a legendary ballet in three acts and six tableaux based on a tale from the Comminges region by Charles Lomon set to music by Henri Büsser.
Small marginal paper lacks at head of second cover.
Handsome and rare copy.

First printing of the illustrations published in 5000 copies, ours being one of the copies on Arches vellum comprising the definitive state of the 50 color lithographs (n°1356).
The work is illustrated with 50 color lithographs by Jacques Pecnard, as well as a photograph of Ferré and Jacques Pecnard.
Slipcases slightly frayed at the top, otherwise a very handsome copy.

Reprinted by C. Richelet in a numbered edition of 29 copies on laid paper, ours bearing No. 1.
Half black morocco binding with corners, spine with five raised bands ornately decorated with double gilt compartments, gilt date at foot, light traces of rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, slight nick to top edge, corners slightly bumped, binding signed by Bauzonnet.
Rare.

Small reprint
Half black shagreen binding, spine faded with five raised bands set with gilt fillets, gilt date and place at foot, minor traces of rubbing to spine, one joint rubbed, marbled paper boards, marbled endpapers and pastedowns, corners very slightly bumped, top edge gilt, engraved bookplate pasted to verso of front board.
Rare.

First edition printed in 3000 numbered copies on Byronic paper.
Publisher's full cream cloth binding, smooth unlettered spine, with overlapping flaps.
Drawings by Hugh John Barrett. The disc is in very good condition.
Boards marginally soiled, handsome copy.

First edition, one of the rare lettered copies on laid paper, the only deluxe copies.
Contributions by C. Baudelaire with the first letter he wrote to Richard Wagner published and commented upon by André Suarès, Roland-Manuel, H. Lemonnier regarding Louis Vitet and the Marseillaise...
Issue illustrated with a portrait of A. Roussel by V. Barbey, a self-portrait by Baudelaire, as well as tailpieces, frontispieces and initials by O. Friesz, V. Hugo..
Minor lacks and tears to spine and joints, handsome interior condition. Issue complete with its musical supplement: "Fragment from the ballet Padmavati" by A. Roussel.

First edition.
Autograph inscription signed by Henri Filleul to vice-president of Sacem Monsieur Julsam.
Our copy is enhanced with a concert program given at the municipal theater of Saint-Omer by the Lille symphony orchestra in honor of Henri Filleul.
Handsome ensemble.

First edition printed in 500 numbered copies.
Very fine autograph inscription signed by Francis Casadesus to Monsieur Julsam, director of Sacem.
Spine and boards slightly and marginally sunned, some small spots to boards, handsome interior condition.

Second edition by Garnier in a new expanded format, after the first by Delloye in 1843, in 125 installments of 4 leaves comprising a notice, the score and 4 recto-verso pages of steel engravings (extraordinary compositions framing the song text), in addition to three frontispieces. Illustrations by Trimollet, Daubigny, Meissonnier... The first edition by Delloye contained only 84 installments and songs. Printed on heavy laid paper.
Half dark green morocco binding with corners signed Niedrée at foot. Spine with raised bands ornately decorated in grotesque style with stylized wavelets. Top edges gilt. Thin split to upper joint at head of volume 1 and at foot of volume 3. 2 corners of volume 3 slightly opened and pushed in. Some rare browning to margins of certain leaves. Handsome copy, uncut.
39 songs in volume 1, 32 in volume 2, 54 in volume 3, making 125 installments and songs, divided into war songs and patriotic songs, burlesque satirical songs and laments and rondeaux... One of the finest Romantic illustrated works, the material is abundant and rich, full of imagination and verve. This volume is above all one of Trimolet's principal works as an illustrator, whom Baudelaire particularly praises in his Curiosités esthétiques, in the chapter on Caricaturists. Carteret compares this production to the finest illustrated works of the 18th century.

Lyon edition of this famous songbook.
Scores at the end of each volume. 48 pages of scores in volume 1, 48 in volume 2, 38 in volume 3, 40 in volume 4.
Publisher's bindings, full contemporary red morocco. Spine with motifs in gilt. Red morocco title labels. Gilt tooling on the covers. Spines slightly faded.
A very fine copy.
Most of Volume I includes erotic and anacreontic songs. Volume II: chansons pastorales et poissardes, volume III: sujets particuliers et vaudevilles, volume IV: chansons libres et joyeuses.

First edition.
This edition is often mistakenly confused with the Garnier edition Chants et chansons populaires de la France (in one volume and in several), yet it is rigorously different both in illustration and content. It is illustrated with 48 steel-engraved plates printed in bistre after Gavarni, Travies... and numerous wood engravings.
Half brown shagreen. Spine with false raised bands decorated with thick and thin compartments. Wine-colored percaline boards. Edges gilt. Boards discolored in places (borders). Joints of volume 1 rubbed in places. Tissue guards browned. Occasionally some foxing in margins or around tissue guards. Overall quite fresh and clean.
The two volumes offer nearly 1400 songs covering all styles, often accompanied by historical and literary notes.

Score composed of two folio booklets (violino primo and violino secundo). Two title pages with engraved borders.
In sheets. Good copy.
Joseph Fodor, violinist and composer, was a pupil of Franz Benda, who was the most important German violinist of the second half of the 18th century. He made his career in Paris then left for Saint Petersburg.

NB: This work is available at the bookshop on request within 48 hours.

Second edition and first published by Cazin, with two volumes added; a first edition in 4 volumes was published in Geneva in 1782. Musical scores at the end of volumes. Only volumes 5 and 6 contain no musical score, the songs being sung to airs already noted in the other volumes, which are identified by the air numbers. 48pp. of musical scores in volume 1; 48pp. in volume 2; 38 in volume 3; 40 in volume 4.

Later brown half-sheep binding (1800). Smooth spine decorated with three fleurons and fillets. Red morocco title-label with roulettes. Red morocco volume label in a roundel. Marbled paper boards. Rubbing to headcaps and joints. Corners slightly bumped.

First edition. One frontispiece.

Contemporary full blonde sheep binding. Smooth spine decorated, red morocco title-label. Headcap worn. One hole at foot. 2 corners slightly bumped. Rubbing.

First edition.
Lullabies, nursery rhymes, riddles, sayings and quatrains...
Small lacks to foot of spine, one repaired tear to back cover, foxing to covers.

Edition printed in 210 numbered copies, ours one of 170 on Holland paper.
Bradel bindings in half olive morocco with corners, smooth spines, dates at foot, marbled paper boards, corners slightly bumped, marbled endpapers and pastedowns, original wrappers preserved, contemporary bindings.
Work illustrated with original etchings by E. Morin.
Occasional light worming, otherwise a handsome set attractively bound.

First edition, decorated with 6 figures drawn by Berlin and engraved by Devilliers. 80 pages of engraved music.
Contemporary full red straight-grained morocco binding. Smooth spine decorated with two butterflies and two fleurons. Frame border on boards. One tiny lack at foot. Rubbing. Scattered foxing. Handsome copy.
Song collection, whose songs are mainly drawn from operettas (Boieldieu, Piccini, Lemoine...). Although most of the texts are amorous laments, one notes an intruder: God save the king...

NB: This work is available at the bookstore on request within 48 hours.

First edition.
This is a collection of letters from prisoners gathered and published by the prison musical team.
Preface by Camille Mauclair.
Handsome copy.

First edition.
Plain paper cover.
Rare.

First edition.
Plain paper cover.
Rare.

First edition.
Plain paper cover.
Rare.

First edition.
Plain paper cover.
Rare.

First edition.
Plain paper cover.
Rare.

First edition.
Plain paper cover.
Rare.

The first edition, of which there were no deluxe copies.
Publisher's full dark blue boards, with the illustrated dust jacket complete, showing three small spots of discoloration of no consequence.
Signed and inscribed by Maurice Chevalier to Florence Gould.
Iconography, preface by Marcel Pagnol.
Handsome copy.

First edition, one of the rare copies on vellum of which no mention is made.
The title page tending to come loose, the half-title page apparently lacking in our copy, spine partially sunned.
Rare full-margined copy.

Second edition.
Bradel binding in half bronze cloth, smooth spine decorated with gilt floral motif, double gilt fillet at foot, red shagreen title label, marbled paper boards, small marginal stains on boards, top edge gilt.
Some light foxing.
Rare.

First edition of the French translation and introduction by Xavier Marmier.
A clear dampstain also affecting the margins throughout the text block, occasional foxing.

New edition.
Spine faded, front cover loose, some light foxing.
Rare.

Half brown shagreen binding, spine with 4 raised bands decorated with gilt dots, gilt title and volume number, gilt tools and double gilt fillets on the panels, black cloth pasted on boards, triple blind-stamped frame on boards, some small tears, traces of rubbing, fresh interiors, contemporary bindings.
Some leaves of the Chansons de Béranger Volume II are slightly loosened but still holding, some plates are detached but present. Volumes I and II each contain 53 steel engravings after Charlet, A. de Lemud, Johannot, Grenier, Jacque, Pauquet, Penguilly, De Rudder, Raffet and Sandoz.
Musique de Béranger is illustrated by Grandville, numerous full-page plates, in black and white. The work contains notated airs both old and modern, augmented with music for posthumous songs with airs composed by Béranger, Halévy, Gounod and Laurent De Rille.
Les Dernières chansons de Béranger, from 1834 to 1851, are expanded with a letter and preface by the author.
Handsome set of 4 volumes collecting the works of Béranger, richly decorated with illustrations by Grandville, Charlet, A. De Lemud, Johannot, Grenier, Jacque, Pauquet, Penguilly, De Rudder, Raffet and Sandoz, plates in black and white.

First edition of Pierre Quillard's poem set to music by Gustave Doret, with no mention of deluxe copies.
Two lacks at head and foot of spine, front cover tending to come loose, small corner lacks to covers, handsome interior condition. Rare.

First edition, of which there were no deluxe copies.
Signed and inscribed by the author.
Iconography.

First edition.
Iconography, preface by Maurice Chevalier.
Handsome copy.

First edition.
Spine of the second volume slightly worn, foxing to boards, attractive interior condition.
Illustrated.

First edition printed on ordinary paper.
Fine autograph inscription signed by the author.
Illustrations in and hors-texte.
Handsome copy.

Edition with some parts in first edition and illustrated with 186 drawings by the best artists of the period.
Half khaki shagreen binding with corners, spine with five raised bands set with gilt fillets decorated with double gilt compartments adorned with gilt decorative motifs, gilt initials at foot, light scratches on joints, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Edition expanded with 12 new songs with accompaniment by Pierre Létorey.
Illustrations by Giacomelli, Grandville, Viollat, Crépon, Riou, Worms...
Handsome copy.

The first edition, published in a small number of copies, of this offprint from the Revue du Monde catholique.
Manuscript gift inscription on the first endpaper, an angular lack at the head of the second cover.
Rare.

First edition.
Spine slightly warped with two small tears reglued at head and foot, copy almost entirely free from foxing.

First edition on ordinary paper, false statement of edition.
Author's inscription to the editor-in-chief of the historical review "Le miroir de l'histoire".
Our copy is enhanced with an autograph note from the author addressed to the periodical's editorial staff in anticipation of a favorable review of his work.

First edition, of which there were no deluxe copies.
Autograph inscription from the author.
Iconography, handsome copy.

First edition, an advance copy from the Service de Presse.
Author's autograph signature on the half-title page.
Small lacks to head of title page and printed dedication, light foxing mainly affecting the margins of some pages.

First edition, of which there were no deluxe copies.
A small tear to foot of spine slightly faded, small marginal tears without loss to front cover.

The first edition in French, of which there were no deluxe copies.
Handsome copy.

New edition on ordinary paper.
Illustrated cover.

New edition on ordinary paper.
Illustrated cover.

First edition.
Spine sunned, small tears with slight marginal lacks to boards.

Third edition partly in first edition as augmented with two airs with piano accompaniments by Mme Mainvielle-Fodor.
Half brown sheep binding with corners, smooth spine very slightly faded decorated with dotted and gilt fillets as well as blind fillets and showing small traces of rubbing, blind friezes framing the marbled paper boards, some traces of rubbing on the edges, contemporary binding.
Small scattered foxing, a printed stamp on the half-title page as bookplate.
Rare.

First edition of the French translation established by Alexandre Vialatte and Dora Kris, a Service de Presse (advance) copy.
No deluxe copies were printed.
Bookplate pasted to verso of front cover.

First edition on ordinary paper of the French translation established by Louis Schneider.
Signed autograph inscription by the translator.
Small lacks to head of spine which also has a small tear at foot.

First edition, a Service de Presse (advance) copy.
Autograph inscription signed by the author.

First edition printed in a small number of copies on laid paper.
Marginal worming to front board, handsome interior condition.
Rare.

First edition of this novel of "musical aesthetics".
About a Beethoven sonata, Venice, the Venetian aristocracy, a walk to Murano...
Signatures of Count d'Allon serving as bookplates at head of first cover and half-title page.
Scattered foxing.

First edition of this offprint, printed in a small number of copies.
Rare.

First edition published in a small number of copies of this offprint.
Autograph inscription signed by the author.
Small notation by the dedicatee at head of front cover, handsome copy.
Rare.

New edition.
A tiny marginal tear at the foot of the first cover, printed luthier's stamp on the latter, gift inscription on the half-title page.

First edition.
Illustrated.
A good copy.

First edition of the French translation established by Daniel Muller after the original Italian libretto by Bertati.
Inscription from D. Muller enhanced with an autograph musical stave.
Spine very slightly sunned, otherwise handsome copy.

First edition printed in 400 copies.
Autograph inscription by Duc de Monmorency.
With frontispiece portrait of the author's great-grandfather.
Spine and front board slightly and marginally faded, otherwise a handsome copy.

First edition.
Half cherry red sheep binding, smooth spine decorated with false raised bands set with gilt fillets, gilt roulettes at head and foot showing traces of rubbing, minor rubbing to joints, red cardboard boards with small stains, contemporary binding.
Work illustrated with 226 figures in the text.
Rare.

First edition printed in a small number of copies of this offprint from the Annuaire de l'Aube.
One joint cracked at head and foot.
Rare pamphlet.

First edition.
Illustrated.

First edition of this auction catalogue held from 26 to 29 May 1920.
Spine faded with two small lacks at head and foot, pale marginal dampstain at head of first cover also affecting the half-title page, covers slightly and marginally faded, handsome interior condition.
Hammer prices noted in pencil in margins.

First edition.
Inscription by Lily Bienvenu to a couple of friends who were her neighbors and who took in the famous Pianette as a boarder.
Accompanied by a collection of press articles printed and gathered in a fascicle all in praise of L. Bienvenu on which she has written another inscription in the same vein as the one described above.
Iconography and sheet music.
Handsome copy.

Second edition.
Publisher's full navy cloth binding, spine and front board decorated with gilt ornamental motifs. Gift inscription in ink on the half-title page.
Light worming at beginning and end of volume.

First edition, a Service de Presse (advance) copy.
Autograph inscription by the author, complete with publisher's (advertising) slip.

First edition on ordinary paper.
Index.

First edition, of which no deluxe copies are mentioned.
Eight photogravure plates.

New edition. A nice copy.

First edition.
Index at end.

First edition for which there was no mention of large paper copies.
A very good copy.

First edition.
Half caramel sheep binding, smooth spine decorated with gilt fillets, red shagreen title-label, original wrappers preserved.
Corner losses to wrapper boards, top margins of first pages backed for 1 cm, foxing.
Rare.

First edition, falsely stated second edition.
Rare copy.

First edition.
The origin of music, its importance among ancient peoples, music of the Greeks, of the Romans, the origin of plainchant, Gregorian chant, the bards, the troubadours, minstrelsy, music in France and England in the Middle Ages and the Renaissance, the Oratorio, opera, Lully, Bach and Handel, the fortepiano, the symphony, the founding of the conservatory, music in France in the nineteenth century among others.
Two small lacks at the head of both volumes, otherwise rare and handsome copies.

First edition of this issue entirely devoted to L. von Beethoven. Contributions by I. Stravinsky, R. Barthes, A. Kern among others. Photographic cover, handsome copy.

First edition.
About 'Die Meistersinger von Nürnberg' by R. Wagner and a study on musical discourse.
Handsome copy.

Second edition in French.
Spine broken, significant lack affecting the second cover, interior fresh despite some occasional foxing.

Edition of the year of the first edition.
Rondeau-preface by H. Delorme.
A slight marginal lack to the front cover, otherwise a handsome copy.

First edition, of which there were no deluxe copies of this play first performed on June 12, 1896.
A fine copy.