Writers & Painters

First edition illustrated with 48 color lithographs by the author, one of a few named copies on japon reserved for the principal collaborators of the publication, ours specially printed for the celebrated bibliophile Colonel Sickles, deluxe issue.

This copy is complete, as stipulated in the justification, with the duplicate set of lithographs in black and in color.

The work is also illustrated with 40 decorated initials designed by the prestigious bookbinder Paul Bonet.

This is Maurice de Vlaminck's most important illu

First edition illustrated with 15 original copperplate engravings, including 10 in color, by Maurice de Vlaminck, one of 250 numbered copies on Arches laid paper.

The work is also illustrated with 2 portraits by Amedeo Modigliani depicting Maurice de Vlaminck and his wife.

Full Empire green morocco binding, spine with two prominent raised bands extending as triangles in blind on the covers, spine decorated with three gilt lozenges with gilt title and separated by a transverse gilt bar, marbled paper endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers and spine preserved, top edge gilt, Empire green morocco-edged slipcase, marbled paper boards

Edition illustrated with 10 original color lithographs hors-texte by Jean-Gabriel Domergue, one of 40 numbered copies on Rives vellum.
Half red morocco binding with bands, smooth spine, date gilt at tail, boards, endpapers and pastedowns of moiré and gilt effect paper, covers and spine preserved, top edge gilt, contemporary binding signed Gauché.
The work is also ornamented with 26 illustrations in the text, in one or two tones, as chapter headpieces, tailpieces in red by Jean-Gabriel Domergue.
Handsome copy containing the full suite of 18 in-text illustrations.
Manuscript annotation in blue ballpoint pen on the title page: unique copy.
Indeed, on two hors-texte

First edition printed with 750 numbered copies on Arches Velin and planned for the exhibition of Léger's works organised at the Louis Carré gallery from 19 November to 31 December 1954, for which the catalogue has been published only two years after the retrospective.

Work illustrated with original lithographs by Fernand Léger: 6 unpaged colour plates, two of which are double pages, 5 black and white unpaged plates and 10 within the text.

A beautiful copy despite slight rubbing to the caps.

First edition, one of 450 numbered copies on Holland paper.
Work illustrated with 35 original woodcuts by Fernand Siméon.
Full brown morocco binding, smooth spine decorated with a vertical band of black mosaic morocco, black roulettes on the headcaps, slight rubbing to the upper headcap, gilt title struck to the center of the first cover, covers decorated with a large diamond and a wide horizontal band of black mosaic morocco, endpapers and pastedowns of paper with gilt floral motifs and moiré effect, frame of vertical and horizontal bands of black mosaic morocco on the pastedowns, covers and spine preserved, top edge gilt, double black fillets on the leading edges, slipcase wit

First edition, one of 480 numbered copies on laid paper, only grands papiers (deluxe) copies besides 20 Arches and 100 service de presse (advance) copies on laid paper.
Our copy is complete with the rare vignette etching drawn and engraved by Hans Bellmer printed 'en sanguine' present in only around 200 copies.
Preface by Jean Paulhan.
Spine very lightly faded.
A beautiful copy of this masterpiece of erotic literature.

Autograph letter card signed by the painter Pierre Puvis de Chavannes to the engraver Emile Boilvin.
The painter addresses a resigning member of the Société nationale des beaux-arts, which Puvis de Chavannes had founded and was in charge of the Salon du Champ de Mars, a dissident event from the official Salon des artistes français: "Cher Monsieur Boilvin, c'est avec le plus vif regret que je vous vois vous séparer d'une société où vous ne comptiez que des admirateurs et des amis. Qu'il soit fait selon votre désir, mais encore une fois, votre démission nous cause à tous un réel chagrin. Cordialement, P. Puvis de Chavannes" ["Dear Mr. Boilvin, it is with the dee

Signed autograph letter by the painter Théodore Rousseau, one page on a folded sheet.

“My dear Sir,

I shall do my utmost to send you my painting today; by early tomorrow morning it will be fully framed, ready to hang. Believe me, if I kept you waiting, it was not out of vanity; I had a difficult task to complete in a limited time. until tomorrow morning, and thank you for all the kindness I have experienced from the administration. Yours entirely devoted,
Th. Rousseau”

Edition printed in 50 numbered and justified copies on Arches paper by Bonaventure Fieullien, ours printed for André Bocquetin with his bookplate pasted on a guard.
Pleasant copy.
This calligraphed album, engraved and printed on his hand presses by Bonaventure Fieullien (Franciscan monk who studied at the Academy of Brussels under the direction of the Belgian painter Oswald Poreau and who worked in sculpture, stained glass and painting, but who was especially recognized for his remarkable and spectacular illustrated books with amazing idiosyncratic lettering) was illuminated by Madeleine Smets-Lefrancq.
Signatures of Bonaventure Fieullien

Magnificent and unpublished handwritten letter signed by Fernand Léger about American jazz and colours, addressed to Gaston Criel, author of a pioneering essay on “Swing.”
The painter looks back on his exile in the United States from 1940 to 1945, talks about Louis Armstrong and of his captivating discovery of experimental jazz in New York, in the company of the Afro-American painters of the Harlem Renaissance.

29 lines in black ink, written on one leaf.

The hand-written letter is presented under a half forest green morocco chemise, green paper boards with a stylised motif, endpapers lined with green lamb, slip case lined with th

Significant letter written by René Magritte to André Bosmans, dated 9 January 1965 and signed with his initials. 35 lines in black ink on one leaf with the heading “René Magritte 97, rue des Mimosas, Bruxelles 3 Téléphone 15.07.30”. Several words crossed out and passages underlined. 

Published in the Lettres à André Bosmans 1958-1967, Seghers I. Brachot, 1990, pp. 407-408
A letter that is both comical and of great philosophical depth, in which the Surrealist painter René Magritte tackles the question of the imagination and inspiration. In it there is a very pertinent analysis of the issues of aesthetics and of modern thinking, while the painter

One of the most magnificent letters by Fernand Léger

A fabulous handwritten letter by the painter Fernand Léger, written on the front line during the Battle of Argonne, addressed to the Parisian art trader Adolphe Basler.
92 lines in black ink, four pages on a double leaf, dated 28 May 1915 by Léger.
The handwritten letter is presented with a half forest green morocco chemise, green paper boards with a stylised motif, endpapers lined with green lamb, slip case lined with the same morocco, the piece is signed by Goy & Vilaine.
The letter was chosen for Cécile Guilbe

First edition on current paper.

Illustrated book of 6 vignettes by André Derain.
Very discreet restorations on the back and the boards of covers, tiny angular gaps in heads of the very first leaflets.
Precious autograph dedication signed by Antonin Artaud: "To my dear friend André Lhote the only living writer who knows how to speak about painting in a poetic and superior sense."

First edition, one of 15 numbered copies on Hollande paper, the leading copies.
This copy with the original frontispiece lithograph by André Masson.
Hors-texte illustrations by André Masson.
A very good and rare copy.

First edition, one of 100 hors commerce numbered copies on BFK de Rives paper, the only grand papier (deluxe) copies with 662 other copies on BFK de Rives paper.
Precious copy inscribed and dated October 1966 by Beckett to his friend the painter Geer (Van Velde) and his wife Lise.
Nice copy.
“What to say of the sliding planes, the shimmering contours, the cut-out figures in the fog, the balance that any little thing can break, breaking and re-forming themselves under our very eyes? How to talk about the colors that breathe and pant? Of the swarming stasis? Of this world without weight, without force, without shadow? Here everything moves, swims, fells, c

First edition of the author's French translation, one of 50 numbered copies on vélin d'Arches paper, an hors commerce copy, the only large paper copies with 292 other vélin d'Arches paper.
Precious copy inscribed and dated December 1972 by Samuel Beckett to his friend the painter Geer (Van Velde) and his wife Lise.
Spine and back cover slightly discolored.

What to say of the sliding planes, the shimmering contours, the cut-out figures in the fog, the balance that any little thing can break, breaking and re-forming themselves under our very eyes? How to talk about the colors that breathe and pant? Of the swarming stasis? Of this world without weight, w

First edition printed in 51 copies numbered and initialled by the author on Whatman.
Playful and striking signed presentation inscription from Jean Ajalbert to Henry Fèvre: "... ex-écrevisse de rempart, ces vers de l'auteur des bastions..."
Illustrated with an original lithograph by Paul Signac as frontispiece.
Minor spots on the lower cover, a rare and handsome copy.

First edition of the german translation by Paul Celan, printed on vergé.

Slight foxings, not serious, on one cover of the slipcase.
A good copy.
Autograph inscription, signed and dated, by Paul Celan to the surrealiust painter Edgar Jené and his wife : "Für Erica und Edgar Jené herzlich, Paul Celan. Paris, am 30. Oktober 1960".

First edition of only 100 copies, numbered by Pierre-Eugène Clairin on pur fil de Lana paper, plus a few hors commerce copies.
Text by Albert Camus.
With 7 etchings, 2 drypoints and three original lithographs (one in colors) by Pierre-Eugène Clairin, who has signed eight of the illustrations in pencil.
A little light marginal worming, a good copy complete with its chemise and slipcase (with flaps).
Rare.

First edition, one of the review copies.

Spine slightly sunned, minor marginal spots on the front cover.
Precious autograph inscription signed by Maurice de Vlaminck to his Montmartre friend Pierre Mac Orlan: "... son vieux copain..."