Judaica

Deluxe first edition on Oikos paper, limited to 200 copies, this copy being one of 5 presentation copies signed by the publisher and enriched with unpublished documents relating to the discovery of the manuscript.

Swiss binding with exposed stitching, smooth cloth spine, illustrated boards and slipcase.

Original French translation of the last manuscript recovered from a deportee assigned to the Sonderkommandos.

Marcel Nadjary (1917-1971), a Greek Jew from Thessaloniki, deported to Auschwitz in the spring of 1944, was assigned to the Sonderkommando. He wrote a...

Uncommon first edition.

An early controversy over the skin color of the first known anthropoids, marked by sharply divided opinions rooted as much in common preconceptions as in anthropological analysis.

All participants in the debate were recognized authorities in their respective fields: Pierre-Toussaint Marcel de Serres de Mesplès (1780–1862) in geology; Pierre Lacour (1778–1859) in art history and techniques; and Charles Des Moulins (1798–1875) in botany.

Minor tears and slight losses at the corners of the wrappers, without affecting integrity.

Manuscript ex-libris “La Neufville” at the head of the front cover.

First edition, one of 50 numbered copies on alfa, only deluxe copies. Some light foxing, mainly on the endpapers.

Rare signed presentation copy in French: “To my friend René Jasinski, in token of gratitude and friendship, these few scenes of Jewish life in New York. T. Twersky”, with a sentence in Hebrew translated by the author in French on a laid-in leaf: “Translation of the Hebrew inscription: sixth day of the week ‘Pekoudè’, year 5692 since the creation of the world, in the holy community of Paris”, (Friday, 4 March 1932 according to our calculation).

First edition, with no copies printed on deluxe paper.

Minor spots to the covers, not affecting the condition.

Inscribed and signed by Georges Didi-Huberman to a friend named Annick.

Rare first edition.

Contemporary full black cloth, spine gilt-stamped with a floral tool, double gilt fillet at foot of spine, red shagreen lettering-piece, blue paper endpapers and pastedowns, sprinkled edges, slightly frayed corners, contemporary binding.

A pleasing copy.

Very rare signed and inscribed copy by Georges Gilles de la Tourette: “À mon cher confrère et ami le Dr Diamantberger. Gilles de La Tourette.”

Good edition, published by J.B. Carpzov, illustrated with a frontispiece and a copper-engraved map of Judea in the text (see Graesse IV, 209).

The work includes numerous passages printed in Hebrew.

See Röhricht, p. 240, for a separate edition of the geographical and topographical prefaces to each gospel ("chorographia").

Contemporary full stiff ivory vellum binding, smooth spine, large later-added brown morocco title label mounted on the back, bookplate pasted on the inside cover, red edges.

Some black stains on the boards.

This is the author's most important work; he also dedicated two other volumes to the Acts of the Apostles and the Epistles of Saint...

First collected edition. No deluxe paper copies issued.

Publisher’s binding in full green cloth, flat spines, with their dust jackets designed by Adam Rusak, showing only minor and insignificant marginal tears.

Rare presentation copy dated May 1, 1992 and signed by Solzhenitsyn to USSR émigré journalist and writer Sam Yossman, on the title page of the first volume.

First edition, numbered copies on vélin pur fil, most limited deluxe issue.

A handsome copy complete with the publisher’s announcement slip.

Rare and important presentation copy inscribed by Irène Némirovsky: "A Benjamin Crémieux hommage de l'auteur. Irène Némirovsky". Némirovsky died in Auschwitz in 1942, and Crémieux in Buchenwald in 1944.

Crémieux had published a glowing review of Némirovsky’s first novel, David Golder. Its film adaptation by Julien Duvivier was among the earliest French talkies. On this short stories collection fittingly titled Films parlés (Talking Films) Némirovsky, the émigré writer, paid homage  to Crémieux...

First edition on ordinary paper, with the printed dedication to Marshal Pétain.

Discreet restorations to the spine.

Our copy is housed in a chemise and slipcase of navy blue half morocco, smooth spine lettered with author, title, and date in palladium, decorated paper boards, grey paper pastedowns, slipcase trimmed with matching navy morocco and decorated paper sides; binding signed by Boichot.

An exceptional copy inscribed by General de Gaulle to...

First edition of the French translation, one of 44 numbered copies on pur fil, the only copies printed on deluxe paper.

Spine very slightly sunned without consequence, bookplate affixed to the verso of the front cover, a handsome copy.

Rare example of this propaganda leaflet published by the Nazi Occupier, which became the most iconic image of the Resistance. This smaller version of the famous Affiche Rouge features the poster on the recto and a paragraph on the verso castigating « l'Armée du crime contre la France » ("the Army of Crime against France"). It opens with accusations against the « rêve mondial du complot juif » ("the global dream of the Jewish conspiracy") and claims that « si des Français sabotent, pillent et tuent (...) ce sont toujours des juifs qui les inspirent » ("if Frenchmen sabotage, loot, and kill (...) it is always Jews who inspire them").
A...

Original inscribed photograph portrait of Emile Zola. Original albumen paper print on cardboard bearing the stamps of the Eugène Pirou studio, rue Royale, Paris.

Signed and inscribed by Emile Zola to Otto Eisenschitz: "à M. Otto Eisenschitz / cordialement / Emile Zola".




 

First edition, illustrated with several reproductions, including a photograph of Genss's library as frontispiece. One of two hundred numbered copies, signed by Julius Genss on the limitation leaf. Only three copies on WorldCat (UCL, Staats- und Universitätsbibliothek Bremen and Humboldt-Universität zu Berlin).

Grey laid paper wrappers, title label mounted to the front cover. Weak stitching, minor soiling to the covers, light corner creasing to the covers and leaves.

A rare copy printed in small numbers of the autobiography of an esteemed Estonian book collector. The provenance of his vast collection, first pillaged by the Nazis, is being actively...

First edition of the French translation and adaptation prepared by Edmond Haraucourt, one of 10 numbered copies on Holland paper, the only deluxe paper issue.

Bradel binding in half tobacco percaline, smooth spine decorated with a gilt floral motif, date and double gilt fillet at foot, hazelnut shagreen title label showing some rubbing, marbled paper boards, wrappers with small marginal losses at corners and spine preserved, contemporary binding.

A few small foxing spots.

Music by Gabriel Fauré.

First edition, one of 40 numbered copies on alfa paper, our copy not specifically numbered, issued as the only deluxe paper copies.

A few small spots of foxing, mainly affecting the edges and the endpapers, which show two small traces of adhesive paper.

First collected edition of Paul Celan’s German translation of the poems of Ossip Mandelstam, whom he deeply admired.

Publisher’s original full white cloth, smooth spine, a copy complete with its dust jacket, which shows a few small tears at the head of the spine.

Valuable dated and signed autograph inscription from Paul Celan to his friend, the poet and translator of his works Lydia Kerr: "Für Lydia Kerr, herzlich, 12.2.1963. Paul Celan."

First edition of this biblical poem later set to music by Mondonville (cf. Barbier II, 970; Cioranescu 63676).

Jean-Joseph Cassanéa de Mondonville (1711–1772), violinist, conductor and composer, wrote several operas, oratorios and pastorals, as well as works for harpsichord and sacred music.

He directed the Concert spirituel between 1755 and 1762.

Claude-Henri de Fusée de Voisenon (170–1775), a friend of Voltaire, a familiar figure in the salons and much in favour with Madame de Pompadour, was elected to the Académie française in 1762.

He left a body of dramatic works, novels and tales.

A date inscribed at the head of the title-page, which shows small spots...

First edition of this substantially abridged French adaptation of Johann David Michaelis's Mosaisches Recht, published in Bordeaux in 1785 under the name of M. Senger.  Quatro; xii pp., 2 unnumbered leaves of preface and contents, 270 pp., one unnumbered privilege leaf.

Contemporary full mottled tan calf, smooth spine richly gilt in compartments with floral tools, dark green calf lettering-piece, gilt rolls at head and foot, covers framed with a triple gilt fillet, marbled endpapers and pastedowns, sprinkled edges. Restorations to spine and joints, internally a pleasing copy.

Original colour lithographed poster depicting Jean Jaurès as an elephant sitting on a chair and holding a bottle of “water from the Jordan”. Until then portrayed as a dog – caricaturists mocking his aggressiveness – Jean Jaurès is here, for the first time, represented as an elephant. It is a question here of highlighting his potbelly and his pachyderm silhouette, but we can, nevertheless, highlight the great dignity of this massive personality with a high gaze. The water from the Jordan is held on one of his hoofs and alludes to the rumour that he had his son baptised in the scared river, thus acting against his anticlerical policy. Despite the caricaturist's desire to...

Original lithographed color poster depicting Théophile Delcassé as a circus poodle.
Transverse folds and minor marginal tears without loss.

Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense color caricature portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

The fragility of the paper and the imposing format of these...

Original color lithographed poster depicting Georges Leygues as a donkey.
Transverse folds and minute marginal tears without loss.

Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense satirical color portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

The fragility of the paper and the imposing format of these extremely violent...

Original color lithographed poster depicting Louis Lucipia as a dog wearing a masonic sash.
Transverse folds and minute marginal tears without loss.

Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense satirical color portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

The fragility of the paper and the imposing format of these...

Original color lithographed poster depicting Joseph Reinach in the guise of a king slumped on his throne.
Transverse folds and minute marginal tears without loss.

Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense satirical color portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

The fragility of the paper and the imposing...

Original color lithographed poster depicting Jude Philipp in the guise of a vulture nailed to a wall.
Transverse folds and minute marginal tears without loss.

Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense satirical color portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

The fragility of the paper and the imposing format...

First edition.
Contemporary full vellum binding. Raised bands to spine. Hebrew title handwritten in ink. Two small wormholes at foot. Two defects with loss to the band of the third compartment and to the upper joint of the fourth compartment.
Hebrew-Latin dictionary compiled by Zanolini, professor of Oriental languages at the seminary of Padua.