Budget-Friendly Gifts

First edition, one of 220 numbered copies on pure rag paper, the only deluxe issue.
Fine copy.

First edition, one of 55 numbered copies on Rives vellum, the deluxe issue.

A fine copy with wide margins.

First edition, one of 30 numbered copies on alfa paper, the only deluxe copies.

Spine very slightly faded, a pleasing copy.

First edition of this text dedicated to Jean-Paul Sartre, one of the 43 numbered copies on pure rag paper, the only large paper copies.
Beautiful copy.

First edition, one of 30 numbered copies on pure rag vellum, the only copies printed on deluxe paper.

A fine copy.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
Bound in red half shagreen with corners, spine with four raised bands framed by blind fillets, sides covered in gilt-effect paper, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt on witnesses.
A handsome copy in an attractive binding.

Rare first edition of the French translation, with no copies printed on deluxe paper.

Spine slightly sunned, a vertical shadow on the lower cover, internally clean and attractive.

First edition, one of 80 numbered copies on alfa paper, the only copies printed on deluxe paper.

A handsome and rare copy.

First edition, one of the copies printed on pur fil paper, the only deluxe issue.

Illustrated.

A handsome copy.

First edition, one of 110 numbered copies on alfa paper, this one not justified, the only copies printed on deluxe paper.

Bound in red half shagreen with corners, spine with four raised bands framed by black fillets, covers with gilt-patterned paper, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome copy in an attractive binding.

Illustrated with 16 phototype plates.

First edition, one of 240 numbered copies on pur fil paper, the only deluxe issue.

A handsome copy.

First edition, one of 110 copies printed on pure Lana wove paper, the only copies on deluxe paper.

Half maroon shagreen binding with corners, spine with four raised bands adorned with black fillets, gilt patterned paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome copy, finely bound.

First edition, one of 50 copies on pur fil, ours being one of 4 hors commerce copies, the only deluxe papers after 5 hors commerce copies on Arches.

Bound in burgundy half morocco with corners, spine with five raised bands ruled in black, cat's-eye patterned paper-covered boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, bookplate affixed to a pastedown, top edge gilt, untrimmed. A handsome unsigned binding, likely by Devauchelle.

First edition, one of 100 copies printed on pur fil paper, the only deluxe copies.

A handsome copy.

First edition, one of 100 numbered copies on pur fil, the only copies printed on deluxe paper.

A handsome copy, uncut.

First edition, one of 100 numbered copies on Johannot paper, the deluxe issue.
Fine copy.

First edition, one of 135 copies printed on pure rag Arches paper, the deluxe issue.

A handsome copy.

First edition, one of 165 numbered copies on pur fil d'Arches, deluxe issue.

A fine copy.

First edition, one of 55 numbered copies on pur fil d'Arches, the deluxe issue.

A handsome copy.

Inscribed and signed by Roger Peyrefitte to Monsieur Gorrée, with a dated autograph dedication.

First edition, one of 315 numbered copies on Arches wove paper, the deluxe issue.

A fine copy with full margins.

First edition, one of 45 copies on Vergé de Voiron, the only copies printed on deluxe paper.
Very handsome copy.

First edition, one of 135 numbered copies on pure wove paper, the only deluxe copies.
A handsome copy.
Signed autograph note by José Cabanis on the half-title.

First edition, one of 35 numbered copies on Neige vellum, the only deluxe copies.
Handsome copy.

First edition, one of 60 numbered copies on alfa paper, the only deluxe copies after 28 on pur fil.

A handsome copy.

First edition, one of 40 numbered copies on pur fil paper, the only deluxe copies.

A fine copy.

First edition of the French translation, one of 210 numbered copies on pur fil, the only deluxe copies issued.

A handsome copy, despite the boards being very slightly and marginally faded, as often.

First edition, one of 30 numbered copies on Lana wove paper, a deluxe issue.
Handsome copy, untrimmed, despite some occasional foxing to the deckle edges.

First edition, one of 100 copies numbered on Renage wove paper, the only deluxe issue.

Bound in burgundy half shagreen with corners, spine with four raised bands ruled in black, date gilt-stamped at foot, marbled paper boards, marbled endpapers, gilt top edge.

A handsome copy in an attractive binding.

First edition, one of 137 numbered copies on pure vellum paper, a deluxe issue following 80 copies on Montval paper.

A handsome copy.

First edition, one of 230 numbered copies on Vélin du Marais, the deluxe issue.

A handsome copy.

First edition, with no copies issued on deluxe paper.

Two unobtrusive creases to the front cover, a well-preserved copy.

Illustrated content.

Original vintage photograph, signed and dated by Jeanne Moreau, showing her alongside Raymond Pellegrin during the filming of "Les hommes en blanc" as part of the Caméra du lundi series.

Black and white vintage print, with printed stamp and notations on the verso.

Manuscript signature by Jeanne Moreau, dated, at the foot of the image.

First edition, one of 330 numbered copies on alfa paper.
Pleasant copy.

First edition, with no copies printed on deluxe paper.

A pleasing copy.

Signed autograph inscription from Yves Coppens to Emile Noël.

First edition on regular paper.
Pleasant copy.
Inscribed and signed by Jean d'Ormesson to Jacqueline Rendoing.




 

First edition, with no copies printed on deluxe paper.

A pleasant copy despite two small creases at the foot of the front cover.

Inscribed and signed by Jean Favier to the Belgian literary critic Pol Vandromme.

First edition on ordinary paper.
Pleasant copy despite some minor foxing to the edges, publisher's wraparound band preserved.
Inscribed by Jean d'Ormesson to the Belgian literary critic Pol Vandromme: "Bon noël ! cher Pol Vandromme, Bonne année ! et beaucoup d'amitiés de Jean d'Ormesson"



 

First edition on ordinary paper.
A handsome copy despite a few tiny spots on the front cover, with the promotional band preserved.
Inscribed by Jean d'Ormesson to the Belgian literary critic Pol Vandromme : "... les baisers les plus affectueux de Casimir et l'amitié reconnaissante de J.O."



 

New edition printed in 3,100 numbered copies on châtaignier paper, ours one of 100 hors commerce copies.
Publisher's full cardboard binding made according to Paul Bonet's original design.
Handsome copy.

First edition printed in a small number of copies, being the sixth booklet of the first series of the Cahiers de l'Ecole de Rochefort.

A rare and pleasing copy. René Debresse’s address has been added in black ink opposite the autograph inscription.

A valuable autograph inscription signed by Luc Bérimont to Jean Follain.

First edition, one of the press service copies.
Two small tears at the foot of the spine, two traces of adhesive tape having caused two small losses of paper to the versos of the boards.



.

First edition, one of the press copies.

Paper browned as usual.

Signed autograph inscription from André Dhôtel to the philosopher Raymond Bayer.

First edition, one of 355 numbered copies on wove paper, the only issue with 25 copies on Holland paper.
A pleasant copy.

First edition, with no deluxe paper copies issued, this being one of the publisher's review copies.

Inscribed copy, dated and signed by Georges Dumézil to Alfred Ernoul.

New edition.

Illustrated with engravings by Jean Hugo.

A pleasing copy.

Inscribed and signed by Anaïs Nin to the writer Christiane Baroche.

New edition, one of 30 numbered copies on Marais wove paper, the only deluxe paper issue.

A fine copy.

First edition, with no deluxe paper copies issued.

Spine and covers lightly and marginally sunned, as is often the case, with a small loss at the foot of the spine.

A scarce and pleasing copy, considering the poor quality of the paper.

First edition, one of 100 copies numbered on alfa paper, the only copies on deluxe paper.

Photographic vignette on the upper cover.

A rare and handsome copy.

First edition, one of 26 numbered copies on alfa paper, our copy one of 14 hors commerce copies, the only deluxe paper issue.

A rare and handsome copy.

First edition, one of 26 numbered copies on alfa paper, the only copies issued on deluxe paper.

A rare and attractive copy.

First edition of the French translation, illustrated with wood engravings, heliotypes, and vignettes.

Spine and covers slightly and marginally sunned.

Illustrated with 19 hors-texte plates reproducing works by Utagawa Hiroshige.

Our copy bears this signed autograph inscription from a member of the Japanese Embassy to an art lover: "Avec les vifs remerciements de l'Ambassade du Japon pour votre aimable concours. Soirée japonaise, le 11 février 1926, 2586e anniversaire de l'avènement de la dynastie impériale."

First edition of this lecture delivered to the Groupe d'Etude Sociales de Montpellier, for which no deluxe paper copies were issued.

A rare and pleasing copy.

Author's signed presentation inscription by Dr R. Vargas at the head of the upper cover: "A l'auteur de l' "Amour libre" affecteux hommage mon camarade, Dr Vargas (chez Mr Galtié Bd Henri IV, 18, Montpellier.)

First edition, one of 822 numbered copies on pur fil paper, the only deluxe paper issue after 109 reimposed copies.
A pleasing copy despite two small areas of sunning at the head and foot of the spine.

Rare first edition.

Small tears and losses to the head and foot of the spine, spine and covers marginally sunned.

Signed autograph inscription from Jacques Mesnil to Charles Albert.

Some manuscript corrections and reading marks in blue pencil in the margins of certain paragraphs.

First edition printed in a small run by the French Communist Party.

Minor, unobtrusive spotting to the lower cover, which also bears a small hole with loss of two letters on the verso.

A rare and pleasing copy.

New edition, partly original as revised and expanded.

Vertical creasing to the upper cover, a pleasant copy.

Illustrated with a photographic portrait of the author as frontispiece, together with three further plates.

Scarce pamphlet issued by the relief committee for political prisoners of the Russian penal camps in Grenoble.

First edition of the French translation, one of 75 numbered copies on ivory offset paper, our copy one of the few hors commerce copies numbered in pencil by Antoni Tapies, the only deluxe paper issue.

A very small stain to the upper edge, otherwise a fine copy complete with its illustrated dust jacket.

Illustrated.

Handwritten signature of Antoni Tapies at the colophon.

First edition, one of 60 numbered copies on Rives wove paper, the only issue after 10 copies on Arches.

A tear to the inner flap on the verso of the upper cover, a pleasant copy.

Illustrated with two original etchings by Jean-Gabriel Daragnès, including the frontispiece.

First edition of the French translation, one of 1,000 numbered copies on pur fil paper, the only issue with 10 copies on Auvergne paper.
Frontispiece with an original portrait of Blaise Cendrars by Riera, covers illustrated with an original lithograph by Orfeo Tamburi.
Spine and boards slightly and marginally sunned, as usually.

First edition, one of 535 numbered copies on Navarre laid paper, the only issue together with 10 copies on Japan paper.

Illustrated with a portrait of the author as frontispiece by Man Ray.

A fine copy despite a small, minor tear at the head of the spine.

Signed autograph inscription by Jacques Baron: " à Jeanne, Pierre et Jacques et X Collet. De tout coeur. Vraiment. Jacques."

First edition, with no deluxe paper copies issued.

Two small, insignificant tears at the head and foot of a joint.

A pleasant copy.

First edition, with no deluxe paper copies issued.

Two small, unobtrusive tears at the head and foot of a joint.

A scarce and pleasing copy.

First edition, of which no deluxe paper copies were issued.

A pleasing copy.

Signed autograph inscription from Georges Didi-Huberman to a couple of friends named Dominique and Danielle: "... cette trace d'année ombre. Je n'oublie pas vos paroles de coeur..."

First edition printed in 100 numbered copies on wove paper, this copy unnumbered.

Rare and fine copy.

First edition on ordinary paper.

A small stain at the foot of the upper cover.

Fine autograph inscription signed by Julien Gracq to Roger Schir: "...ce petit morceau de littérature discourtoise en m'excusant du peu de ménagements..."

New edition, issued a few months after the first edition.

Copy complete with its wraparound band : """Prix Goncourt 1970 à l'unanimité"

Autograph inscription signed by Michel Tournier to Monsieur Deslignières.

Rare first edition.

Small tears to the slightly sunned spine and to the margins of the covers.

First edition printed in a small number of copies.

A rare and pleasing copy.

First edition of this lecture delivered before the Russian Workers’ Society in Paris on 15 January 1887.

Minor corner losses to the boards, not affecting the integrity of the copy.

Rare.

Definitive edition.

Spine slightly sunned and a little cocked, a few spots to the boards.

Signed autograph inscription from Vercors to François Triboudeau.