First Editions on Wove Paper

First edition of some parts, one of 43 numbered copies on pure thread paper, the only deluxe copies.
Spine very lightly yellowed without consequence, three small black spots on the spine.

First edition, one of 43 numbered copies on pure thread paper, the only deluxe copies.
Spine very lightly yellowed without consequence.

First edition, one of 60 numbered copies on pur fil paper, the only deluxe copies.
Spine very lightly yellowed without consequence, small crease marks to board margins.

First edition, one of 84 numbered copies on pur fil paper, the only deluxe copies after 1 Chamois copy reserved for the author.
Spine lightly sunned without consequence, otherwise handsome copy.

First edition, one of 55 numbered copies on pure laid paper, the only deluxe copies.
Handsome copy despite the spine slightly yellowed without consequence.

First edition, one of 57 numbered copies on handmade paper, the only deluxe copies.
Handsome copy despite small and light black stains on the boards.

First edition, one of 55 numbered copies on pure linen paper, deluxe copy.
Spine slightly yellowed.

First edition, one of 43 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without significance.

First edition, one of 63 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without significance.

First edition, one of 68 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without significance.

First edition, one of 65 numbered copies on pur fil, the only deluxe copies.
Handsome copy.

First collected edition, one of 105 numbered copies on wove paper, the only deluxe copies.
Two shadows left by the justification bookmark.
Handsome copy despite the spine very slightly yellowed without gravity.

First edition, one of 58 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy despite the spine and boards being slightly and marginally shaded.

First edition, one of 43 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy despite the spine and boards being slightly and marginally shaded, a small stain on the front board.

First edition, one of 45 numbered copies on laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 65 numbered copies on wove paper, the only deluxe copies.
Handsome copy.

First edition, one of 43 numbered copies on pure thread paper, the only deluxe copies.
Fine copy despite the spine very slightly browned without any severity.

First edition, one of 55 numbered copies on pure thread paper, the only deluxe copies.
Fine copy despite the spine and boards slightly and marginally shaded.

First edition, one of 60 numbered copies on laid paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 43 numbered copies on laid paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 65 numbered copies on pure thread paper, the only deluxe copies.
Some worming to spine, otherwise handsome copy.

First edition, one of 110 numbered copies on pur fil, the only deluxe copies after 25 on Holland paper.
Handsome copy despite the spine slightly yellowed and a crease to the lower right margin of the first cover.

First edition, one of 61 numbered copies on pur fil, the only deluxe copies.
Handsome copy.
After spending his youth in Oran, Claude de Fréminville met Camus in preparatory class at Algers during the 1932-1933 school year, before pursuing his university studies in Paris. It was in France that he joined the Communist Party, and encouraged Camus to do the same, which he did the following year. He planned to create with André Belamich and Albert Camus a political-literary magazine, la nouvelle journée, sponsored by Giono, which would be a bridge between Europeans and Muslims. In 1938, he was part of the editorial team of Rivages, which Charlot published and printed. In 1939, during a temporary eclipse of éditions Charlot, he founded with Camus the ephemeral éditions Cafre (CAmus-FREminville) and published a translation of 333 Coplas populaires andalouses.
After the war, he worked as a journalist in Paris, notably as editor at Europe 1 under the name Claude Terrien.
He died in January 1966.

First edition, one of 55 numbered copies on pur fil, the only deluxe copies.
Handsome copy of this work whose hero is an aspirant observer, aviator in a French squadron based in Italy, during the First World War.

First edition, one of 90 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite the slightly yellowed spine without gravity.

First edition, one of 43 numbered copies on pur fil vellum, the only deluxe copies.
A handsome copy despite the spine being slightly yellowed without consequence.

First edition, one of 65 numbered copies on pur fil paper, the only deluxe copies.
A handsome copy.

First edition, one of 48 numbered copies on pure linen paper, the only deluxe copies.
Fine copy despite the spine being slightly yellowed.

First edition, one of 48 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy.

First edition, one of 58 numbered copies on laid paper, the only deluxe copies.
Handsome copy despite the spine being slightly yellowed without consequence.

First edition, one of 58 numbered copies on laid paper, the only deluxe copies.
Handsome copy despite the spine being very slightly yellowed without consequence.

First edition, one of 105 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite very slight and insignificant yellowing to spine.

First edition, one of 80 numbered copies on pur fil, deluxe copies after 25 Auvergne.
Handsome copy despite very slight and insignificant yellowing to spine.

First edition, one of 60 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy despite small black spots on the back cover.

First edition of this text dedicated to Jean-Paul Sartre, one of 43 numbered copies on laid paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 65 numbered copies on laid paper, the only deluxe copies after 8 on Holland paper.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 55 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite the spine being very slightly yellowed without consequence.

First edition, one of 55 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite the spine being very slightly yellowed without consequence.

First edition, one of 30 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy.

First edition, one of 53 numbered copies on pure linen paper, the only deluxe copies.
Fine copy despite the spine very lightly yellowed without consequence.

First edition, one of 53 numbered copies on wove paper, the only deluxe copies.
Four small brown spots to left margin of second cover, otherwise handsome copy of this work dedicated to Albert Camus.

First edition, one of 43 numbered copies on wove paper, the only deluxe copies.
Handsome copy despite the spine very lightly yellowed without consequence.

First edition, one of 43 numbered copies on pur fil, the only deluxe copies.
A handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 95 numbered copies on pur fil, the deluxe copies after 18 on Holland paper.
A handsome copy despite the spine very slightly yellowed without consequence.

First edition of the author's first work, one of 55 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 60 numbered copies on pur fil, the only deluxe copies.
Handsome copy.

First edition, one of 43 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy despite the spine being very lightly yellowed without significance.
Presentation by Jean Cocteau.

First edition of the author's first work published under the auspices of Albert Camus, one of 56 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy despite the spine being very lightly yellowed without significance.
French writer born in Mostaganem and engaged in the Algerian independence struggle, Jean-Pierre Millecam was, due to threats to his security in Tlemcen, exfiltrated by the F.L.N. to Morocco in 1956.

First edition, one of 60 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without gravity.

First edition, one of 1,345 numbered copies on pur fil, ours one of the 135 octavo copies, the only deluxe copies.
Handsome copy.

First edition, one of 106 numbered copies on pure thread paper, the only deluxe copies after 25 on Holland paper.
Handsome copy despite very light and harmless yellowing to spine.

First edition, one of 43 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy despite very light and harmless yellowing to spine.

First edition, one of 230 numbered copies on pur fil, the only deluxe copies with 2 on Japan paper.
Two fold marks to lower right margin of front cover.
Handsome copy.

First edition, one of 56 numbered copies on handmade paper, the only deluxe copies.
The work illustrated with 4 hors-texte illustrations by Camille Bryen.
A handsome copy.

First edition, one of 68 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 55 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 85 numbered copies on pure linen paper, the only deluxe copies after 15 on Holland paper.
Preface by Julien Lanoë.
Handsome copy.

First collected edition and partly in first edition, one of 260 numbered copies on pure linen paper, deluxe copies after 28 on Holland paper.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 55 numbered copies on handmade paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 60 numbered copies on handmade paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 65 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy despite the spine being very slightly yellowed without consequence.

First edition, one of 43 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy despite the spine being very slightly yellowed without consequence.

First edition, one of 45 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite two adhesive paper discharges with minimal paper lacks on the first endpaper.

First edition, one of 130 numbered copies on pure thread paper, deluxe copies after 25 on Holland paper.
Fine copy.

First edition, one of 63 numbered copies on pure thread paper, the only deluxe copies.
A handsome copy despite the spine being very lightly sunned without significance.

First edition, one of 43 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy.

First edition, one of 53 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy despite the spine very lightly sunned without consequence.

First edition, one of 55 numbered copies on pure thread paper, the only deluxe copies.
Fine and rare copy of this work which was adapted for cinema in 1967 by Tony Richardson, assisted by Christian de Chalonge and Norman J. Warren, starring Jeanne Moreau, Orson Welles, Ian Bannen and Vanessa Redgrave.

First edition, one of 45 numbered copies on pure laid paper, the only deluxe copies.
Spine and boards lightly and marginally sunned without consequence, otherwise a handsome copy.

First edition, one of 28 copies on Madagascar paper from Navarre paper mills, deluxe copy.
Half-binding in glazed brown box calf with bands, smooth spine with six compartments separated by gilt fillets and decorated with diagonal applications of glazed brown and ivory box calf, gilt date at foot of spine, light grey kromekote paper boards, covers and spine preserved, top edge gilt on witness, slipcase with brown glazed box calf borders, binding signed by Jean-Paul Miguet.
Superb copy very elegantly bound by Jean-Paul Miguet.

First edition, one of 130 copies on laid Arches paper, ours specially printed for the President of the French Republic Alexandre Millerand, the only deluxe copies.
Work illustrated with 18 plates and 1 map.
Library shelf label pasted at foot of endpaper.
Autograph inscription signed by General Charles Mangin to President of the Republic Alexandre Millerand on the shaded endpaper.

First edition, one of 29 numbered copies on Lana laid paper, ours one of 14 hors commerce copies, the only deluxe copies.
Very handsome copy.

First edition, one of 30 numbered copies on pure laid paper, the only deluxe copies.
Handsome copy despite the spine being lightly sunned.

First edition, one of 35 numbered copies on pure laid paper, ours bearing N°1, the only deluxe copies.
Spine and boards lightly and marginally sunned, otherwise handsome copy.

First edition, one of 200 numbered copies on white laid paper, the only deluxe copies.
Covers partially sunned, light foxing to endpapers.
Rare copy complete with its illustrated dust jacket which shows minor marginal tears of no consequence.
The work was magnificently adapted for cinema in 1982 by Claude Chabrol with Michel Serrault and Charles Aznavour in the leading roles.

First edition, one of 100 numbered copies on pure linen thread paper, the only deluxe copies.

Rare and handsome copy complete with its illustrated dust jacket which shows minor scuffs to head and foot of spine.

The work was adapted for cinema in 1957 by Phil Karlson with Dianne Foster and Richard Conte in the principal roles.
 

First edition printed in 750 numbered copies on vélin du Marais paper.
Rare autograph inscription signed by Henri Michaux to the critic and art publisher Tériade: "Souvenir d'amis. A Teriade H. Michaux."
Tériade, whose real name was Stratis Eleftheriadis, arrived in Paris in 1915 and discovered Parisian bohemia early on, making the acquaintance of Christian Zervos. He participated in the creation of the famous surrealist magazine Minotaure for which he served as artistic director until 1936. He also founded, with Maurice Raynal, the magazine La bête noire then the magazine Verve to which the greatest artists of the 20th century contributed, such as Pablo Picasso, Marc Chagall, Georges Braque, Fernand Léger, Joan Miro, Pierre Bonnard, Henri Matisse... Tériade also published several art books, bringing together the most important poets and artists of the second half of the 20th century, including the sublime Jazz illustrated by Henri Matisse, a masterpiece of the illustrated book.
Very rare and handsome copy of this moving text with an autograph inscription from the author, considering that he had the entire print run withdrawn from sale.

First edition of the French translation by John E. Jackson, one of 44 numbered copies on Arches laid paper, ours being one of 33 copies with an original engraving by Miklos Bokor, deluxe copies after 11 other Arches laid paper copies enhanced with an original drawing.
Our copy includes, as frontispiece, the original engraving numbered and signed in pencil by Miklos Bokor.
Very handsome copy.

First edition, one of 100 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite the partially shadowed endpapers.

First edition, one of 100 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy despite minor rubbing at head of spine.

First edition, one of 29 numbered copies on pure rag paper, the only deluxe copies.
Iconography.
Handsome copy.

First edition, one of 55 numbered copies on wove paper, the only deluxe copies.
Worming to the spine, the first gathering was poorly cut, which caused some marginal lacks, another gathering with stains in the margin.
Provenance: from the library of sculptor and visual artist Arman with his bookplate pasted on a pastedown.

First edition, one of 50 numbered copies on white laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 56 numbered copies on pure thread paper, ours one of the 6 hors commerce lettered copies, the only deluxe copies.
Two small wormholes on the first endpaper.
Rare and handsome copy of this collection of short stories comprising: La femme du pilote, Le doigt de Barraquier, Valérie s'en va, L'épingle en fer à cheval, Le nègre s'est endormi, Le deuil de Fonsine, L'homme à barbe, Le bateau d'Emile and Le Baron de l'écluse ou la croisière du Potam.
This last story was masterfully brought to the screen in 1960 by Jean Delannoy with Jean Gabin and Micheline Presle in the leading roles.

First edition for each of the volumes with print runs varying from 297 to 1,250 numbered copies on pur fil paper, the only deluxe copies along with the reimposed ones.
Some spines lightly sunned.
A rare and handsome set.

First edition, one of 60 numbered copies on pure laid paper, deluxe issue.
Handsome copy.

First edition, one of 56 numbered copies on pure Lafuma-Navarre laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 105 numbered copies on pur fil, the only deluxe copies.
Spine lightly sunned.
Autograph tribute signed by Roger Grenier on the half-title page.