Connaissance de la déesse
Work illustrated, as frontispiece, with a portrait of the author by Edouard Vuillard.
Foreword by Paul Valéry.
Handsome copy.

Wove paper, invented by James Whatman for the English publisher John Baskerville, is distinguishable by the absence of chain and wire lines in its overall finish.
It earned its French name “papier vélin” for its similar appearance to the ancient vellum skin that preceded the invention of paper. Over the centuries, some very rare copies were still printed on vellum calfskin, as a special order for distinguished patrons.
Smooth and satiny, generally perfectly white, wove paper is homogeneous, without grain or texture. The reader appreciates its clarity rather than its innate beauty. The frequently attached term "Pur fil", means "abundant" (but rarely an exclusive composition) in linen and hemp, like the rag papers of yesteryear. Its supple feel invites insatiable reading and is ideal for the discovery of unknown texts and new authors.
First collected edition, one of 15 numbered copies on pur fil paper, the only large paper copies.
A very good copy.
Rare.
First edition, one of 100 numbered copies on vellum, ours unnumbered, the only deluxe papers after 15 copies on Japon.
Illustrated with a frontispiece drawing by Salvador Dalí.
Precious signed autograph presentation from Paul Eluard to René Char : « Exemplaire de mon ami René Char. Paul Eluard. »
First edition of the author's French translation, one of 50 numbered copies on vélin d'Arches paper, an hors commerce copy, the only large paper copies with 292 other vélin d'Arches paper.
Precious copy inscribed and dated December 1972 by Samuel Beckett to his friend the painter Geer (Van Velde) and his wife Lise.
Spine and back cover slightly discolored.
What to say of the sliding planes, the shimmering contours, the cut-out figures in the fog, the balance that any little thing can break, breaking and re-forming themselves under our very eyes? How to talk about the colors that breathe and pant? Of the swarming stasis? Of this world without weight, w
First edition printed in a small number of copies on laid paper.
Precious and rare signed autograph inscription from Paul Lintier: " A mon vieux Béraud avec toute mon amitié..." ["To my old friend Béraud with all my friendship..."]
Preface by Henri Béraud.
Work illustrated with a frontispiece portrait of Adrien Bas by Francisque Laurent.
Three lacks to spine, small marginal lacks to boards which also show a light dampstain, handsome interior condition.
Provenance: from Henri Béraud's library on the Île de Ré.
First edition, one of 13 numbered copies on vélin pur fil Lafuma-Navarre paper, the only large paper copies.
A very good, unsophisticated copy.