Some "tirages de tête" (most limited deluxe issues)

First edition, one of 56 numbered copies on pur fil, the only large paper copies.
A fine copy.

First edition, one of 25 numbered copies on Annam de Rives paper, the most limited deluxe paper issue.
Spine and boards very slightly and marginally faded without any gravity, tiny marginal tears without loss to boards, full-margined copy.

First edition, one of 32 numbered copies on nacré Japon, the tirage de tête.
Bound in full embossed khaki leather, smooth spine without lettering, the title of the work and the author's name in gilt on the front cover reproducing the calligraphy of the original wrapper, publisher’s name and place in gilt on the back cover likewise reproducing the calligraphy of the rear wrapper, endpapers and pastedowns of wood-grain effect almond paper, wrappers and spine preserved, top edge gilt; slipcase covered with wood-grain effect almond paper, echoing the binding and bearing on the covers the same features as the binding.
A few small spots of foxing on the spine and upper edge, slightly affecting the boards, internally very clean.
A rare copy, spectacularly and perfectly presented.

First edition, one of 50 numbered copies on Lana royal, the only large paper copies.
A good copy.

The definitive edition, first in parts, one of 25 numbered copies on vélin d'Arches paper, the only large paper copies.
Illustrated.
One small insignificant lack to foot of spine, a few small wormholes principally to endpapers, two tiny marginal tears without lack to lower cover, internally good.
Rare.

First edition, one of 108 copies reimposed in quarto format, ours being one of the 100 nominative copies numbered in Roman numerals, part of the tête de tirage.
Bound in half green long-grain morocco, flat spine very slightly faded, wrappers and spine preserved.
A handsome copy.

First edition, one of 70 numbered copies on vélin de Rives, the only large paper copies.
A very good and rare copy with good margins.

First edition, one of 105 numbered copies on vélin aravis, the only large paper copies.
A rare and good copy.

First edition printed to 500 numbered copies.
A very good copy.

First edition, one of 50 numbered copies on alfa paper, the only large paper copies.
Autograph inscription from Paul-Marie de la Gorce.
A very good copy.

First edition, one of 19 numbered copies on Hollande, the only deluxe paper issue.
A fine copy with full margins.

First edition, one of 30 numbered copies on Hollande paper, the only deluxe copies.
Precious autograph inscription from the author to his friend Fernand Vandérem, to whom the work is dedicated and in which he evokes the world of horse racing.
Handsome copy.

First edition, one of 100 numbered copies on vélin de Rives, the only large paper copies.
A rare and good copy with edges preserved.

Second edition printed on Holland paper and partly in first edition as it was revised, corrected and expanded.
Half aubergine shagreen binding, spine with five raised bands set with gilt stippling decorated with double fillets and gilt fleurons, marbled paper boards with some minor scuffs, marbled endpapers and pastedowns, top edge gilt.
Handsome interior condition almost entirely free from foxing.

First edition, one of 50 numbered copies on pur fil paper, the only deluxe copies.
Half turquoise morocco with corners, smooth spine faded, decorated with a gilt cartouche enhanced with gilt floral motif, double gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Precious signed autograph inscription from Louis Arraou to Louis Loucheur.
Rare minor worming affecting mainly the endpapers.
Handsome full-margined copy attractively bound.

First edition, one of 25 numbered copies on Ingres paper, the deluxe copies after 3 Japan and 25 other Ingres.
Our copy, as stipulated in the justification page, is complete with its offprint which consists of an illustration.
Illustrations hors-texte by Xavier Collet.
Signatures of the author and illustrator on the justification page.
Handsome copy.

First edition, one of 40 numbered copies on pur fil, tirage de tête.
A very good copy.

First edition, one of 1000 numbered copies on Rives paper, the tirage de tête.
Richly illustrated.
A very good copy.

First edition, one of 25 lettered copies on Arches vellum justified by the author, deluxe copy.
Autograph inscription signed by Jean-Marc d'Anthoine.
Preface by Nicolas Beauduin, work illustrated with original compositions by Pierre Matossy.
Rare and handsome copy.

First edition printed on Lana paper.
Work illustrated with 11 original color compositions hors-texte by Commander Margot as well as numerous in-text drawings.
Introduction by General Du Breuil.
Two slight lacks at foot of spine, a small light stain of no consequence at foot of front cover, otherwise a handsome copy.

First edition, one of 50 numbered copies on pur fil, the only large paper copies.
Four slight traces of black ink in the margins of four leaves, a good copy.

First edition, one of 40 numbered copies on Japan paper, the only printing with 3 on Auvergne paper.
Autograph inscription from Robert Ganzo to a friend.
A rare and good copy.

First edition, one of 156 numbered copies on Holland paper, deluxe copy.
Signed autograph inscription from Robert Ganzo to a close friend, André Lecoeur.
A small and light dampstain at foot of spine which also has a tiny tear of no consequence.
Handsome full-margined copy.

Illustrated edition, one of 78 copies on Japan paper, our copy being one of 12 hors-commerce copies nominally printed specially for Gaston Morancé, from the deluxe issue.
Our edition is illustrated with numerous and beautiful color illustrations in and out of text by George Barbier.
First cover with folded illustrated cover in colors by George Barbier. Spine slightly sunned with a small stain.

First edition, one of 45 numbered copies on Marais paper, the tirage de tête
This copy has a slipcase and chemise in half navy blue shagreen over marbled paper boards by T
Boichot, spine with title, author and date in palladium
A good copy
Rare.

First edition, one of the few copies printed on Hollande van Zonen paper and reserved for the author, deluxe copy.
Half red morocco binding with corners, spine with five raised bands, date and initials gilt at foot, marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt on deckled edges, elegant binding signed by J.P. Miguet.
Fine autograph inscription signed by René-Louis Doyon to his close friend Magdeleine Martin: "... qui suit les traces du Christ dans les livres et ses reflets dans les hommes." ["... who follows the traces of Christ in books and his reflections in men."]

First edition, one of 31 numbered copies on pur fil paper, the only deluxe copies.
Iconography.
Boards very lightly and marginally sunned without gravity, handsome interior condition.

First edition, one of 40 hors commerce copies printed on Rives paper by machine, ours specially printed for Marcelle Martineau who would become the wife of René-Louis Doyon, deluxe copy.
Full aubergine morocco binding, spine faded with four raised bands and bearing slight scratches, gilt date at foot, gilt roulettes on endpapers, double gilt fillets on edges, frame of wide gilt dentelle and aubergine morocco fillet on endpapers, endpapers and pastedowns of mouse-colored moiré silk, covers and spine preserved, all edges gilt; slipcase edged with matching morocco and mouse-colored felt interior, elegant binding signed by R. Blaizot. Work illustrated with an original drypoint by R. Drouart as frontispiece.
Furthermore, our copy is enhanced with three fascicles... and the wedding announcement of René-Louis Doyon with Marcelle Martineau at the end.
Unique copy in perfect condition.

First edition, one of 30 copies lettered in Roman characters on Hollande, tirage de tête.
A very attractive copy.

First edition, one of 20 numbered copies on Hollande paper, the only large paper copies.
A fine copy.

First edition, one of 200 numbered copies on pur fil, tirage de tête.
Illustrated with 195 heliogravures, a very good copy retaining its dustjacket.

First edition, one of 10 numbered copies on Madagascar paper, the only deluxe copies along with 10 on Japan paper.
Grateful signed autograph inscription from Doughmani to a friend who supported him from his early days.
Rare collection of portraits of players sketched by the artist.
Light marginal fold marks of no consequence, handsome copy.

First edition, one of 19 numbered copies on Hollande, the only large paper copies.
Elegant light brown morocco Jansenist binding by Devauchelle, spine in six compartments, date at foot of spine, gilt roulettes to head- and tail-pieces, green morocco endpapers, pastedowns of green calf, gilt fillet to edges of covers, covers and spine (spine slightly sunned) preserved, all edges gilt ; chemise (with flaps) of light brown half morocco, lined with light brown suede ; slipcase trimmed with light brown morocco, lined with light brown suede.
Handsome autograph inscription from Louis Pergaud to Alfred Machard : "...au romancier nerveux, sobre et puissant que j'admire et que j'aime. Fraternellement. Louis Pergaud."
A superb copy in a remarkable lined binding Roger Devauchelle.

First edition, one of 26 numbered copies on Hollande, tirage de tête.
Small glued tears, not serious, to head and foot of the joints, a good copy.

Edition illustrated with 6 engravings in-fine and original boards by Fernand Michel, one of 100 numbered copies on Chiffon Lana paper and signed by the typographer, author and artist, the only printing.
Fine printing by Jean Vodaine presented in sheets, under ivory embossed paper covers, half black cloth boards, illustrated covers with manuscript title, unpaginated (24 ff.).
Autograph signed dedicatory poem by Fernand Michel on verso of front cover, light scuffs with small paper lacks to rear board.
Rare.

First edition of the French translation, one of 40 numbered copies on Holland paper, head print.
Guards very slightly and partially shaded, nice copy at all margins.

Illustrated with original color etchings hors texte by Jean Bruller, one of 50 numbered copies on Japon impérial paper, the tirage de tête.
With 11 original etchings, of which 1 frontispiece, as well as 10 original initials and 10 ornaments by Jean Bruller.
This copy, like all copies of the tirage de tête, is complete with its suite of first-state etchings, its suite in black and white and an original drawing by Jean Bruller.
Additionally, there is the third state of a rejected etching.
Four small traces of adhesive paper to head and foot of endpapers, otherwise a fine copy.
Rare.

First edition in French, one of 85 numbered copies on alfa paper, ours unnumbered, one of 10 hors commerce copies, the only deluxe copies.
Spine slightly sunned, otherwise handsome copy.

First edition, one of 150 numbered copies on Japan paper, the only deluxe copies.
Half black box calf binding with corners, smooth spine, original wrappers and spine preserved, top edge gilt, retaining deckled edges.
Our copy contains only one state of the original drypoint by Steinlen.
A handsome copy in excellent condition.

First edition strictement hors commerce and of 60 numbered copies on Lana, this one for the actress Simone Renant.
Spine and covers slightly spotted and sunned in the margins.

First edition, one of 111 numbered copies on chiffon de Lana, the only large paper copies.
A fine copy.

First edition, published under the pseudonym of Claudinet and illustrated with original erotic engravings by André Dunoyer de Segonzac, one of 250 numbered copies on vergé d'Arches paper, the only printing.
With 9 free compositions by André Dunoyer de Segonzac, consisting of 2 attractive original hors texte etchings, one title vignette heightened in red showing a bird on a phallus, one vignette on the justification leaf showing a naked woman and five culs-de-lampe with erotic motifs.
Spine slightly faded, slight marginal traces of adhesive paper to endpapers, bookseller's catalogue label pasted to final pastedown, but otherwise a good copy.
Rare.

First edition, one of 30 numbered copies on vélin moulin du Pombié, tirage de tête.
A rare and very attractive copy.

First edition of the French translation, one of 75 numbered copies on alfa, the only large paper copies.
A very good copy.

First edition, one of 50 numbered copies on Arches, tirage de tête.

First edition, one of 50 numbered copies on Arches, this one hors commerce, tirage de tête.
Signed by the author on justification page.
A very good copy.

First edition, one of 30 numbered copies on Lana paper, deluxe copy.
Spine sunned, small light marginal stains on boards, slight corner loss to front board, handsome interior condition despite minimal worming affecting some margins.

First edition, one of 50 numbered copies on Japan paper, ours unnumbered, the only deluxe copies.
Small tears without consequence to head and foot of spine.
Our copy is complete with the etching by Léopold Flameng here in double state as with all deluxe copies.
Rare and handsome full-margined copy.

First edition, one of 47 numbered copies on pur fil paper, the only large paper copies.
Spine slightly warped, tiny traces of marginal tears to covers, with tiny lacks, not serious, rare spots mostly affecting endpapers.
A rare large paper copy.

First edition, one of 23 numbered copies on Arches vellum, the only deluxe copies.
Two light traces of sunning at head and foot of spine without consequence, endpapers very slightly and marginally aged without any concern, handsome copy.

First edition, one of 75 numbered copies on Hollande, the only large paper copies.
Endpapers shaded, otherwise a rare and good copy with edges preserved.

First edition, one of 5 numbered copies on Japan paper, deluxe copy.
Half mint green morocco with corners, spine with five raised bands set with gilt fillets and decorated with triple gilt compartments, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant binding signed by Semet & Plumelle.
Rare and very handsome copy in perfect condition.
Provenance: from Albert Natural's collection of French Swiss poets which he assembled from the nineteen twenties.

First edition, one of 10 numbered copies on Japan paper, deluxe copy.
Half chocolate morocco binding with corners, spine with five raised bands set with gilt fillets decorated with triple gilt compartments, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, elegant binding signed Semet & Plumelle.
Rare and very handsome copy perfectly bound.
Provenance: from Albert Natural's collection of Swiss Romand poets which he assembled from the twenties onwards.

First edition printed in only 30 copies on Hollande paper.

Half morocco, spine very slightly faded, covers preserved, top edge gilt.

Handsome autograph inscription signed by Francis Carco to a relative.

Exceedingly rare.

First edition, one of 80 numbered copies on Arches paper, deluxe issue.
Front cover lightly shaded at head, otherwise a handsome and rare copy.
Our copy includes, as frontispiece, the signed and numbered color etching by Jacques Hérold.
Manuscript signature of Claude Sernet on the justification page.

First edition, printed in 200 numbered de luxe copies printed on pink paper.
Illustrated silver upper cover.
Contributions from A. Breton, G. Goldfayn, R. Benayoun, Man Ray, B. Péret, J. Schuster, F. Valorbe, and others.
This copy is enriched with the signatures of all the contributors.
Retaining its 5 “filmomanies symptomatiques”.
A good and rare copy.

First edition, one of 44 numbered copies on Holland paper, deluxe copy.
Very handsome copy.

First edition, one of 26 numbered copies on Hollande, tirage de tête.
A nice copy.

First edition, one of 35 numbered copies on pur fil, the only deluxe paper issue.
Illustrated.
A fine copy.

First edition, one of 20 numbered copies on pur fil, the only large paper copies.
A very attractive copy with good margins.

First edition, one of 43 numbered copies on Hollande paper, the tirage de tête.
A fine copy.

First edition, one of 25 numbered copies on Rives, tirage de tête. Illustrations to text.
Copy in new condition.

First edition, one of 50 numbered copies on Rives, the tirage de tête.
Small spots to some edges, otherwise a good, well-margined copy.

First edition printed in a small number of copies on Holland paper of this offprint.
Bradel binding in half morocco-grained hazelnut sheep, smooth spine with slight traces of rubbing, date at foot, marbled paper boards, original wrappers preserved, contemporary binding signed by Franz.
Handsome copy.

First Gallimard edition printed a few months after the first edition published by 'Au sans pareil', one of 54 numbered copies on Japan paper, deluxe copy.
A marginal stain affecting the entire length of the front cover, handsome interior condition.

First edition of the French version, in verse and prose, established by Jean Richepin, one of the rare copies on salmon-colored paper of which no mention is made.
Light lacks to the spine, one joint cracked at foot, tears and small corner lacks to the boards, small lacks to some deckled edges, which is almost inevitable given the fragility of this paper.
Rare full-margined copy.

First collected hors commerce edition printed in 100 numbered and hand-justified copies on Holland paper.
Preface by Abel Bonnard.
Frontispiece with an original silver gelatin print by Wladimir Rehbinder mounted on cardboard, portrait of the countess
Light worming to spine marginally affecting boards, handsome interior condition.
Rare.

First edition, one of 30 copies on Hollande, the only large paper copies.
Endpapers and title page slightly faded, otherwise a fine copy with good margins.
Rare.

First edition, one of 30 numbered copies on pur fil du Marais, the only large paper copies with some hors commerce copies, as well on pur fil du Marais.
A slight trace of angular to upper cover, a good copy.

First edition, one of 10 numbered copies on Japon, tirage de tête.
A rare and good copy.

First edition of 51 numbered copies, initialed by the author on Whatman paper.
Modern pastiche Bradel binding of paper boards by T. Boichot, black morocco title piece, covers preserved.
With an original frontispiece lithograph by Paul Signac.
Worming to covers, a little foxing.
Rare.

First edition, one of rare numbered copies on Hollande, of wich we don't know exactly the number, the only large paper copies.
Spine faded, not serious, otherwise a rare and good copy.

First edition, one of 50 copies numbered and initialed by the author on Madagascar paper, the only deluxe copies.
Marginal foxing affecting the endpaper as well as the half-title and title pages, a tiny marginal perforation at the head of the front cover, slight marginal discoloration at the head of the back cover.
Rare deluxe copy of this novel inspired by the theories developed by Sigmund Freud on sexuality.

First edition, one of the rare copies on Hollande paper of which no mention is made.
Half red shagreen binding, spine with five raised bands decorated with blind fillets, some minor rubbing to edges, contemporary binding.

First edition, one of 23 numbered copies on vélin d'Arches paper, the only large paper copies.
A very good copy.

First edition in French, one of 250 numbered copies on alfa paper, the only deluxe copies.
Bookplate on the endpaper.
Handsome copy.

First edition, one of 18 numbered copies on pur fil, the only deluxe copies.
Iconography.
Spine and boards slightly and marginally sunned, a shadow on the half-title page and occasional light foxing.

First edition, one of 100 numbered copies on vélin paper, the tirage de tête.
Autograph inscription from Jean Galtier-Boissière.
A very good copy.

First edition, one of 52 numbered copies on Montval, deluxe copy.
Handsome full-margined copy despite a small reattached tear at head of spine and a shadow on the endpaper.

First edition, one of 30 numbered copies on Hollande, deluxe copies. Very handsome copy.

First edition, one of 17 copies on Hollande, this one not justified, tirage de tête.
A very attractive copy.

First edition, one of 145 numbered copies on pur fil d'Arches, tirage de tête.
A very good copy.

First edition, one of 45 numbered copies on vélin pur fil, the only large paper copies.
One small stain, not serious, to upper cover, a good copy.

First edition, one of 80 numbered copies on alfa mousse paper, the only large paper copies.
Autograph inscription from André Chaumeix on endpaper, a very good copy.

First edition of the French translation established by Valéry Larbaud, one of 108 numbered copies on Lafuma Navarre paper, reimposed in Tellière quarto format, deluxe issue.
Handsome copy.

First edition, one of 100 numbered copies on Holland paper, the only deluxe copies.
With a frontispiece photographic portrait of the author by Dujardin reproduced in photogravure.
Les Lundis socialistes is composed as follows: I. Le Socialisme dans le passé. ~ II. Le Socialisme Idéaliste. ~ III. Les Socialistes de Transition. ~ IV. Le Socialisme Réaliste. ~ V. Le Collectivisme Moderne. ~ VI. Les Réformes Sociales Urgentes. ~ VII. Perspectives.
Some light worming to covers, otherwise a handsome full-margined copy.