Constructomania (Épinal Prints)

Épinal print, colored lithograph, small format, printed on soft paper.
Very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to build various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular imagery, a folk art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood blocks: the stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical style change, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, colored lithograph, small format, printed on soft paper.
Very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to build various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular imagery, a folk art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood blocks: the stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical style change, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, small format, printed on flexible paper.
Very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This type of toy developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagery of Épinal has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate public of the countryside.
Originally, the image is engraved on a wooden block and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, small format, printed on flexible paper.
Very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This type of toy developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagery of Épinal has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate public of the countryside.
Originally, the image is engraved on a wooden block and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, small format, printed on flexible paper.
Very handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This type of toy developed and endured until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular imagery, a folk art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, small format, printed on flexible paper.
Very handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This type of toy developed and endured until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular imagery, a folk art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, small format, printed on soft paper.
Very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern should be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This type of toy developed and lasted until the Second World War.
Once sold by peddlers, images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to mass-produce this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular imagery, a folk art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead casts were made from the engraved wood blocks: stereotypes, which allowed for increased production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Two tears to right margin affecting the print, slight lack to left margin, corners folded.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and lasted until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, small format, printed on flexible paper.
Very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or scenes of life. The Épinal imagery published several series of cut-out models including the "Large Constructions" in the format of 39 x 49 cm, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This toy model developed and lasted until the Second World War.
Formerly sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, small format, printed on soft paper.
Very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Formerly sold by peddlers, the Images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood: the stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Corners very slightly bumped, otherwise very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Formerly sold by peddlers, the Images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood: the stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Light creases at the upper corners, pen inscription in the upper right corner, otherwise very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern should be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved woods: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, using a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Pen cross in upper right corner, otherwise very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern should be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved woods: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, using a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Missing corners, significant tears in right and lower margins with loss but without damage to the print, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in imagery, popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored by means of stencils. In the 19th century, lead castings are made from the engraved wood: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Significant tear in upper left section restored, folds in lower right corner with tears, slight folds to upper right and lower left corners, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in imagery, popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored by means of stencils. In the 19th century, lead castings are made from the engraved wood: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Tear with lack to left margin not touching the print, light creases in lower corners, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to build various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plank and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Light crease marks in corners, otherwise very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to build various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plank and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light fold marks in the lower corners, otherwise very fine condition, colors very well preserved.
These sheets are constructions or cardboard models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Marginal tears not affecting the print, small tears to left corners, colors very well preserved.
These sheets are constructions or cardboard models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal image, color lithograph, large format, printed on heavy paper.
Fold marks in the upper corners, otherwise very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern should be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead casts are made from the engraved woods: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal image, color lithograph, large format, printed on heavy paper.
Very light fold marks in the corners, otherwise very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern should be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead casts are made from the engraved woods: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, colour lithograph, large format, printed on heavy paper.
Very light traces of creasing in the corners, otherwise very fine condition, colours very well preserved.
These plates are cardboard constructions or models, onto which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theatres or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then coloured using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, colouring was still done by stencil, using a machine that could colour 300 images per hour, the Aquatype.

Image d'Épinal, colour lithograph, large format, printed on heavy paper.
Tear to left margin with very slight damage to the print, light tear to lower margin, colours very well preserved.
These plates are cardboard constructions or models, onto which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theatres or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then coloured using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, colouring was still done by stencil, using a machine that could colour 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Very slight fold marks in the corners, otherwise very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or scenes of life. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood: the stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Very slight fold marks at corners, otherwise very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or scenes of life. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood: the stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal Image, color lithograph, large format, printed on heavy paper.
Very slight fold marks at lower corners, otherwise in very fine condition with very well-preserved colors.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern is meant to be cut out and then assembled to build various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles as subjects. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings called stereotypes were made from the engraved wood blocks, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Épinal Image, color lithograph, large format, printed on heavy paper.
Very slight fold marks at corners, otherwise in very fine condition with very well-preserved colors.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern is meant to be cut out and then assembled to build various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles as subjects. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings called stereotypes were made from the engraved wood blocks, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Slight marginal tear on the left side, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and persisted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead moldings are made from the engraved wood: the stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and persisted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead moldings are made from the engraved wood: the stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal image, color lithograph, large format, printed on heavy paper.
Upper right corner slightly folded, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and persisted until the Second World War.
Once sold by peddlers, Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved woods: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal image, color lithograph, large format, printed on heavy paper.
Very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and persisted until the Second World War.
Once sold by peddlers, Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved woods: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Upper left corner very slightly bumped, otherwise very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Left corners very slightly bumped, otherwise very fine condition, colors very well preserved.
These sheets are constructions or cardboard models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular art imagery born in the 15th century mainly intended for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, medium format, printed on heavy paper.
Very fine condition, colors very well preserved.
These sheets are constructions or cardboard models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular art imagery born in the 15th century mainly intended for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light creases in lower right corner, tiny marginal tear on left side, colors slightly faded.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood: the stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light tear in upper margin, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood: the stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light crease to lower left corner, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The imagerie d'Épinal published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagerie d'Épinal takes its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved woods: the stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light creases at the corners, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The imagerie d'Épinal published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagerie d'Épinal takes its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved woods: the stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on strong paper.
Significant marginal tears with damage to the print in various places, creases at the corners, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in popular imagery, a folk art born in the 15th century mainly intended for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on strong paper.
Very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in popular imagery, a folk art born in the 15th century mainly intended for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which made it possible to increase production. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Images d'Épinal, color lithographs, large formats, printed on heavy paper. The two prints are stapled together.
Slight folds in the upper right corner of the first plate, otherwise very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and persisted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done using stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, small format, printed on flexible paper.
Lower left corner folded, slight fold to lower right corner, minor tear to upper margin, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and persisted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done using stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern is to be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagery of Épinal has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: the stereotypes, which make it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Tear to lower margin not affecting the print, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern is to be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagery of Épinal has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: the stereotypes, which make it possible to increase production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Imagerie d'Épinal published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the Images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. The Imagerie d'Épinal has its origins in imagery, a popular art form born in the 15th century primarily intended for the illiterate rural public.
Originally, the image was engraved on a wooden block and printing was done using a hand press. It was then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Very slight tear to upper margin not affecting the print, otherwise very fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Imagerie d'Épinal published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the Images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. The Imagerie d'Épinal has its origins in imagery, a popular art form born in the 15th century primarily intended for the illiterate rural public.
Originally, the image was engraved on a wooden block and printing was done using a hand press. It was then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Very fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and lasted until the Second World War.
Once sold by peddlers, Images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography is adopted, which induces a radical change in style, with finer drawings. In 1900, coloring is still done by stencil, thanks to a machine that can color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, medium format, printed on heavy paper.
Creases at the upper and lower right corners, slight tear in the right margin not touching the print, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Imagerie d'Épinal published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Imagerie d'Épinal has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved woods: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

American Express: 1st sheet - Locomotive; 2nd sheet - Tender and baggage car; 3rd sheet - Wagon.
Image d'Épinal, color lithograph, medium format, printed on heavy paper. 3 sheets stapled together.
Left corners of the three sheets very slightly bumped, colors slightly faded.
These sheets are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out and then assembled to construct various objects or life scenes. The Imagerie d'Épinal published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Imagerie d'Épinal has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved woods: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light marginal foxing, otherwise handsome condition, colors very well preserved.
These plates are constructions or cardboard models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagery of Épinal has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light marginal foxing, otherwise fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until World War II.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings called stereotypes were made from the engraved wood blocks, which increased production. In 1820, lithography was adopted, which induced a radical style change with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light marginal foxing, otherwise fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until World War II.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings called stereotypes were made from the engraved wood blocks, which increased production. In 1820, lithography was adopted, which induced a radical style change with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Marginal foxing, otherwise handsome condition, colors very well preserved.
These plates are constructions or cardboard models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or scenes of daily life.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. The imagery of Épinal takes its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light marginal foxing, otherwise handsome condition, colors very well preserved.
These plates are constructions or cardboard models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or scenes of daily life.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. The imagery of Épinal takes its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Light and marginal foxing, otherwise fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and persisted until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins from imagery, a popular art born in the 15th century intended primarily for the illiterate public of the countryside.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed for increased production. In 1820, lithography was adopted, which induced a radical style change, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Light marginal foxing, a small repaired tear in right margin not touching the engraving, otherwise fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal print works published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and endured until the Second World War.
Formerly sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal print works published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and endured until the Second World War.
Formerly sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
A tiny corner chip, otherwise handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in popular art imagery born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood: the stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical style change, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Light marginal foxing otherwise handsome condition, two tears restored in margin not touching the engraving, otherwise handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in popular art imagery born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden board and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood: the stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical style change, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal Image, color lithograph, large format, printed on heavy paper.
Light marginal foxing otherwise fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published with subjects including architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This type of toy developed and endured until the Second World War.
Formerly sold by peddlers, Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Épinal Image, color lithograph, large format, printed on heavy paper.
Light marginal foxing otherwise fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published with subjects including architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This type of toy developed and endured until the Second World War.
?Formerly sold by peddlers, Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light marginal foxing otherwise handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins from imagery, a popular art born in the 15th century intended primarily for the illiterate public of the countryside.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Very light marginal foxing otherwise handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins from imagery, a popular art born in the 15th century intended primarily for the illiterate public of the countryside.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Very light marginal foxing, otherwise handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins from imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wood block and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring is still done by stencil, thanks to a machine that can color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Small tears restored with tiny lacks to margins not affecting the engraving, otherwise handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins from imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wood block and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring is still done by stencil, thanks to a machine that can color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Very light marginal foxing, two small inconsequential tears to right margin, otherwise handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published with subjects including architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. Épinal imagery takes its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Very light marginal foxing, otherwise handsome condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published with subjects including architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. Épinal imagery takes its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Formerly sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to mass-produce this type of image, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from bestselling novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to increase. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Small tears with minor lacks to lower margin, not affecting the image, otherwise fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Formerly sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to mass-produce this type of image, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from bestselling novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to increase. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light foxing and minimal tears in left margin, otherwise handsome condition, colors very well preserved.
These plates are constructions or cardboard models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "home theater" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagery of Épinal has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Light foxing, otherwise fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This toy model developed and persisted until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This toy model developed and persisted until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Light marginal foxing, otherwise fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagery of Épinal has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings called stereotypes were made from the engraved wood blocks, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The imagery of Épinal has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings called stereotypes were made from the engraved wood blocks, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal printing house published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular imagery, a folk art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image was engraved on a wooden plate and printing was carried out using a hand press. It was then colored using stencils. In the 19th century, lead castings were made from the engraved wood: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithograph, large format, printed on heavy paper. Fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal printing house published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular imagery, a folk art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image was engraved on a wooden plate and printing was carried out using a hand press. It was then colored using stencils. In the 19th century, lead castings were made from the engraved wood: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Fine condition, colors very well preserved. These plates are cardboard constructions or models, on which a pattern was printed.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Formerly sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. The Épinal imagery takes its origins in imagery, popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood: the stereotypes, which allowed production to be increased. In 1820, they switched to lithography, which induced a radical change in style, with finer drawings. In 1900, coloring was still done with stencils, using a machine that could color 300 images per hour, the Aquatype.

Épinal Image, color lithograph, large format, printed on heavy paper.
Repaired tears to left margin slightly affecting the engraving and with small lacks, otherwise fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins from imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal Image, color lithograph, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins from imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Small tears and marginal lacks not touching the engraving, otherwise handsome condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Imagerie d'Épinal published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from bestselling novels. The Imagerie d'Épinal has its origins in popular imagery, a folk art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored by means of stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Lacks to lower margin not touching the engraving, otherwise handsome condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Imagerie d'Épinal published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from bestselling novels. The Imagerie d'Épinal has its origins in popular imagery, a folk art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored by means of stencils. In the 19th century, lead castings are made from the engraved wood blocks: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Tiny tears to lower margin, otherwise fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate public of the countryside.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, ships and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This toy model developed and endured until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century, lead castings were made from the engraved wood: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Image d'Épinal, color lithograph, large format, printed on heavy paper.
Small repaired tears to upper margin, and small lacks of no consequence, otherwise fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to build various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This model toy developed and lasted until the Second World War.
Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithography, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and persisted until the Second World War.
Once sold by peddlers, the Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular imagery, a folk art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings called stereotypes were made from the engraved woodblocks, allowing increased production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Épinal print, color lithography, large format, printed on heavy paper.
Fine condition, colors very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes.
The Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and persisted until the Second World War.
Once sold by peddlers, the Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular imagery, a folk art born in the 15th century intended mainly for the illiterate rural public.
Originally, the image is engraved on a wooden block and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings called stereotypes were made from the engraved woodblocks, allowing increased production. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.

Épinal print, colour lithograph, large format, printed on thick paper.
A tiny marginal lack without any damage to the print, otherwise very fine condition, colours very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to build various objects or life scenes.
The Épinal printing house published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theatres or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of print in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular art born in the 15th century intended primarily for the illiterate public of the countryside.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then coloured by means of stencils. In the 19th century, lead casts were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, colouring was still done by stencil, thanks to a machine that could colour 300 images per hour, the Aquatype.

Épinal print, colour lithograph, large format, printed on thick paper.
A small repaired tear in the margin (2 cm) without any damage to the print, otherwise very fine condition, colours very well preserved.
These sheets are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to build various objects or life scenes.
The Épinal printing house published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theatres or "théâtre chez soi" also enjoyed great success. This toy model developed and lasted until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of print in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in popular art born in the 15th century intended primarily for the illiterate public of the countryside.
Originally, the image is engraved on a wooden block and printing is done using a hand press. It is then coloured by means of stencils. In the 19th century, lead casts were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, colouring was still done by stencil, thanks to a machine that could colour 300 images per hour, the Aquatype.