Circus, Music-Hall, Entertainment

First edition, complete in 23 instalments, of the second series of this magic periodical (cf. Fechner, p. 503).

Text in two columns; each instalment, richly illustrated, comprises between 12 and 16 pages (20 for the final one).

Contemporary half-sheep bindings: the first volume in brown, the second in tan, the spines with four raised bands tooled with gilt ornaments, moiré-patterned paper sides, marbled endpapers and pastedowns, sprinkled edges; one original wrapper preserved. Bindings from the period, though mismatched in tone between the two volumes.

Complete collection of the second series of this Swiss periodical, whose first publication appeared in 1941–42 as the “j

Near-complete run of this scarce bi-monthly magic periodical.

Profusely illustrated (lacking only issues 1, 4 and 5 for the year 1947), Robelly having voluntarily ceased publication after issue 121.

Contemporary half sheep bindings in shades of fawn, brown or beige, spines with four raised bands gilt-tooled with floral ornaments, most spines faded or discoloured, a few minor rubs to some spines, marbled paper boards, endpapers and pastedowns, sprinkled edges; modest period bindings.

Robert Rouet, known as Robelly (1894–1975), was something of the historiographer of the "magician’s" profession, assembling a remarkable body of information and documentation.

At th

First edition, one of the rare copies printed on laid paper.
This issue consists of 4 pages and includes a comic strip by Achille Lemot alias Uzès : "L'honneur est satisfait".
Literary contributions by Albert Samain ("Une"), Rodolphe Darzens with the poem "Crainte d'aimer", George Auriol ("La mort du démon d'oubli"), Paul Cary ("Les deux sorties de ma tante"), Rodolphe Salis...
A handsome copy despite a few faint marginal dampstains.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name, of which it served as a record. It featured texts performed during the s

New edition illustrated with 2 photographic plates outside the text, with statement of print run.

Half cloth Bradel binding in burgundy, smooth spine, original illustrated and stained front cover preserved, marbled paper boards, modern binding.

Some marginal foxing.

The work is signed Chevalier X, the pseudonym of Captain Martin. Autograph inscription dated and signed by Captain Martin to Hardy (Jean Tardy, 1902–1987, the renowned illusionist): "A mon ami Hardy pour son grand succès du Casino du 12 mars 1929 Alger. Chevalier X alias Martin."

Newspaper clipping from the Tribune de Genève featuring a photograph of Uri Geller, highlighting his skills as a magician and metal bender.

Rare autograph by Uri Geller in black felt-tip pen on his photograph.

A substantially cropped print bearing the same penciled number on the back of our photograph (11214), is in the Reutlinger archives at the Bibliothèque nationale de France (Album Reutlinger de portraits divers vol. 53, p.3). We have been unable to find any other examples of this photograph in other public collections. A similar photograph belatedly dedicated to Maurice Chevalier went on sale in 2008.

A beautiful, sultry shot of

Reprint of a photograph showing a young Shirley Temple lying on a bed.

A fine copy.

Inscribed and signed in black felt-tip pen by Shirley Temple, dated 1988, to the renowned autograph collector Claude Armand.

Press clipping illustrated with a photograph depicting Josephine Baker on stage.

Horizontal central fold, minor tears of no consequence along the right margin of the clipping.

Inscribed and signed by Josephine Baker in black felt-tip pen a few months before her passing: "A Claude Armand ami de Jospéhine Baker 1975".

Black-and-white photographic postcard depicting Gilbert Bécaud.

Discography of Gilbert Bécaud printed on the verso, with minor paper losses.

Inscribed and signed by Gilbert Bécaud to the noted autograph collector Claude Armand: "A Claude Gilbert," enhanced with a small cat sketch in blue ballpoint pen.

Oblong color postcard depicting Charles Aznavour with his hands crossed under his chin.

A fine copy.

Signed by Charles Aznavour in black felt-tip pen in the right-hand margin of the card.

Provenance: from the collection of renowned autograph collector Claude Armand.

Original black and white portrait of Mistinguett wearing a hat.

Very slight, superficial scuffing to the margins, not affecting the image.

Vintage gelatin silver print. Printed stamp of the P. Apers photographic studio in Paris to the right margin of the image.

Inscribed by Mistinguett to André Saudemon, signed and dated in black ink, at the foot of the photograph.

Original black and white photograph by the Associated Press British showing Cliff Richard posing in Athens with the Acropolis in the background, taken on the occasion of the release of the film "Summer Holiday".

A fine example. Associated Press British label affixed to the verso. Autographs of actors Roy Castle and Lebbi Siffre below the image.

Cliff Richard’s autograph in black felt-tip pen in the left margin of the print.

Provenance: from the collection of renowned autograph collector Claude Armand.

First edition, one of the rare copies printed on laid paper.
This issue comprises 4 pages and features an illustration by Steinlen: "Le plus vexé des trois".
With literary contributions by Alphonse Allais ("Absinthes", dedicated to Adolphe Willette), Rodolphe Darzens with the poem "Le conseil de la chair", Camille de Sainte-Croix ("Paul Margueritte"), Louis Marsolleau ("Villon"), among others.
A handsome copy, despite a small paper flaw at the head of the first page due to a printing defect.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name, which it soug

First edition, one of the rare copies printed on laid paper.
This four-page issue is illustrated with drawings by Jean-François Raffaëlli.
Contains literary contributions by Alphonse Allais ("Episode"), Georges d'Esparbès ("Délila"), George Auriol ("Chroniques de province"), Rodolphe Darzens ("Pour celle qui boude")...
A handsome copy despite a faint dampstain to the center of the issue.
Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name, of which it served as the living memory. It featured texts recited during performances. The review also stands as an i

First edition, one of the rare copies printed on laid paper.
This issue comprises 4 pages and features an illustration by Steinlen: "Coqs et poule".
Literary contributions by Alphonse Allais with "Le pauvre bougre et le bon génie" dedicated to Henry Somm, François Villon with the poem "Rondel", George Auriol with "Au diable vert" dedicated to Steinlen, Rodolphe Salis...
A handsome copy.
Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, created to promote the famous cabaret of the same name and to serve as its memory. It published the texts performed during the shows. More broadly, it constitutes a major literary

First edition, one of the rare copies printed on laid paper.
This issue comprises 4 pages and includes a comic strip by Albert Robida: "Vient de paraître !"
Literary contributions by Alphonse Allais ("La bonne fille"), George Auriol ("La statue de César Dupeauprez"), and Gaston Méry ("Au parc Monceau"), dedicated to Albert Tinchant...
A pleasant copy, with only a few faint marginal spots.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name, of which it served as a lasting record. It published texts recited during the performances. The magazine stands as a s

First edition, one of the rare copies printed on laid paper.
The issue comprises 4 pages and features a comic strip by Godefroy: "Question de cabinet".
Literary contributions by Victor Meusy ("Les prunes de monsieur"), Alphonse Allais ("Le médecin (monologue pour Cadet)"), Rolla ("Tombes de fleurs")...
A faint dampstain along the left margin of the journal, otherwise a pleasing copy.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Émile Goudeau, published from 1882 to 1897 to promote the famous cabaret of the same name, acting as its living archive. It published the texts performed during the shows and stands as a major literary and artistic testimony o

First edition, one of the rare copies printed on laid paper.
This four-page issue features a comic strip by Louis-Christian, known as Döes: "La bonne galette".
Includes literary contributions by Francisque Sarcey on "La Terre" by Emile Zola, Charles Cros "Psaume CCCCXXXIV", Alfred Béjot "Épitre à Allais", Georges Auriol "Malabar", among others.
One tear with loss and some light staining to the margins of the covers.
Le Chat Noir was a weekly review founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name and to serve as its chronicle. It featured the texts recited during performances and constitu

First edition, one of the rare copies printed on laid paper.
This issue comprises 4 pages and features a comic strip by Steinlen, "Du dernier bien avec le général", as well as drawings by Henry Somm on the facing page.
Literary contributions by Alphonse Allais, "La forêt enchantée" dedicated to George Auriol, Raoul Gineste "Les vieux chats", and José Rolla "A l'église"...
A well-preserved copy, despite a few faint marginal stains.
Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897 to promote the famous cabaret of the same name, of which it served as a record. It featured texts performed during the shows and stands

First edition, one of the rare copies printed on laid paper.
This four-page issue features a large double-page illustration by Steinlen.
Literary contributions by Alphonse Allais (“Bébert”), Pimpinelli (“Pose de lapin”, dedicated to Albert Tinchant), and Narcisse Lebeau (“Paravent”)...
Some marginal tears and stains.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name, which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinct

First edition with all first printing  features, one of the press copies.

Exceptional presentation copy inscribed by the author to the famous singer Yvette Guilbert, to whom Céline himself sang and offered one of his scandalous compositions, “Katika la putain,” [Katika the Whore] later renamed “À Nœud coulant” [With a Slipknot"] "A madame Yvette Guilbert en témoignage de ma profonde admiration. LFCéline.” 

Beneath Céline's inscription, the actor Fabrice Luchini added: “A Yvette Guilbert in memoriam. FLuchini” ; and on the half-title, actor Jean-François Balmer wrote in turn: “Merci en bon vo

Second illustrated edition, with 68 wood engravings within the text.

The first leaf bears, on its verso, a few lines of music (the recto is blank). On the final leaf, the same score reveals, when folded, lines of writing: "Les notes musicales qui servent de Frontispice à cet Ouvrage, ressemblent parfaitement au Discours & à la Musique ci-dessus. C'est la manière de plier le papier qui fait paraître l'un & disparaître l'autre" (cf. Fechner, p. 152).

Paris: Chez l'Auteur, Granger, Bailly, Lesclapart, Hardouin & Gattey, Varin, Lagrange [Printed by Veuve Hérissant], 1786. Octavo (in-8), 2 ff. n. ch., pp. [v] to xix, 328 pp., 1 folding unnumbered leaf in accordion format, 68 woodcu

First edition (a reprint was issued in 1963) of one of the two major works by Marcel Sarrazin, known as Vassal, now considered one of the leading French-speaking 'mentalists'—a modern term borrowed from English (cf. Fechner, p. 554). Only 2 copies listed in the CCF (BnF and Sainte-Geneviève).

Small stains to the lower right corner of the title page, otherwise a well-preserved copy.

Contemporary half tawny sheep binding, spine with four raised bands and gilt fleurons, minor rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, original front wrapper preserved, sprinkled edges, very slight rubbing to corners.

Illustrated with in-text figures after drawi

Original inscribed photograph showing Yves Montand dressed as a cowboy and pointing a revolver in his right hand.

Yves Montand is slightly facing forward. Vintage silver gelatin print. 
On the verso, Yves Montand's name is misspelled twice.

Autograph inscription signed by Yves Montand at the bottom of the photograph: "Pour Michel amicalement Y.Montand."


 

A further compilation bringing together several successes of the troubadour from Sète, including "Le temps ne fait rien à l'affaire", "Dans l'eau de la claire fontaine", "La traîtresse", "La ballade des cimetières"; "La complainte des filles de joie", "Tonton Nestor - La noce de Jeannette", "Le temps passé" and "La fille à cent sous".

A pleasant copy despite very slight rubbing to the margins of the sleeve.

A name and an initial in blue ballpoint pen at the head of the second panel of the sleeve.

Manuscript signature of Georges Brassens in the left margin of the front panel of the sleeve.

Press clipping comprising a photograph of Joséphine Baker in stage costume, signed and dated by her in black felt-tip.

A fine example.

New compilation of the celebrated songs by the troubadour from Sète, including "La mauvaise réputation", "Le parapluie", "Le petit cheval", "Le fossoyeur", "Le gorille", "Corne d'auroch", "La chasse aux papillons" and "Hécatombe".
Inevitable creasing and light rubbing along the margins of the record sleeve.

A small ballpoint pen doodle in blue ink on the lower cover.
Autograph signature of Georges Brassens in the lower right margin of the upper cover.

A new edition, published anonymously, of the French translation.

Half black cloth binding with corners, spine without lettering, rubbed with small losses to the cloth at the joints, marbled paper boards, soiled original wrappers preserved, contemporary binding.

This rare Strasbourg printing escaped Sabin. It is in fact an adaptation of Struggles and Triumphs, the autobiography of the remarkable Phineas Taylor Barnum (1810–1891), first published by him in 1869.

Widely regarded as the father of the modern circus, Barnum was also a consummate master of spectacle and publicity. His conquest of Europe, accompanied by “General” Tom Thumb, measuring just 63 cm in he

First edition, one of the rare copies printed on laid paper.
This 4-page issue features a comic strip by Steinlen: "La mauvaise aventure de Maigriou."
Includes literary contributions by Charles Cros (“Pour en avoir le coeur net”), Charles Chincholle (“Les jours d’absinthe”), George Auriol (“La saint Charlemagne”), François Coppée (“L’esclave ivre”), ...
A well-preserved copy.
Le Chat Noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famed cabaret of the same name, of which it served as a living memory. It featured the texts performed during the shows. The publication also stands as a sign

Black-and-white photographic postcard depicting a young Charles Trenet wearing a hat.

A handsome example. Charles Trenet’s discography with Columbia printed on the verso.

Inscribed and signed by Charles Trenet: "Pour monsieur Thézard souvenir joyeux de Niort. Charles Trenet."

Photographic postcard by Studio Philips, depicting Johnny Halliday in black and white, holding his guitar in his right hand, resting it on his shoulder.

The verso features the artist's discography, with minor text loss at the head and foot. A well-preserved example.

Bold blue ink signature by Johnny Halliday.

Colour photographic postcard depicting Fernand Raynaud holding a crate of oranges, with a sign reading: "Ici on vend de belles oranges pas chères."

On the verso, a blue ballpoint signature of Fernand Raynaud has been affixed.

Inscribed and signed by Fernand Raynaud in red felt-tip pen: "Merci Claude. FRaynaud."

Provenance: from the collection of the distinguished autograph collector Claude Armand.

Color photographic postcard depicting Johnny Hallyday, a guitar in his right hand, balancing on a locomotive.

Photographic postcard produced by Philips studios.

Signed in Johnny Hallyday's hand in the upper left margin.

First edition, with no mention of deluxe paper copies.
Half red marbled sheep binding, spine faded with four raised bands decorated with a gilt floral motif, light rubbing to the bands, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, front cover preserved, modest contemporary binding.
Rare signed and inscribed copy by the author Colette Andris to Jean Blavet.
Novelist, music-hall performer and actress, a forgotten and short-lived muse of the Roaring Twenties music-hall, Colette Andris (the pseudonym of Pauline Toutey) managed to write three novels between 1929 and 1935, with a lot of autobiographical elements. She would die in the prime o