Cream-colored cloth, complete with slipcase.
With numerous original woodcuts by Adrian Wilson.
This copy retains its chemise, which holds 50 or so characteristic examples of the work of the printer Adrian Wilson.
A fine and rare copy.
First edition, rare and valuable.
Contemporary full brown sheep binding. Spine with raised bands, gilt tooling. Binding with some surface wear. Losses to the joints at headcap and to the upper joint at tail. One corner rubbed.
First edition, one of 100 numbered copies on Hollande paper, the only large paper copies along with 5 on Japon.
Elegant brown morocco by G. Levitzsky, spine in six compartments, gilt roulettes to head- and tail-pieces, date at foot of spine, double gilt fillets to edges of covers, pastedowns with a frame of dentelles and quintuple gilt fillets, marbled pastedowns and endpapers, covers and spine preserved, top edge gilt.
Cover illustrated by Riou.
A very good copy in a handsome binding.
First edition, translated from German by Baron d'Holbach, illustrated with a frontispiece and 15 folding copperplate engravings.
Contemporary full calf binding. Decorated spine with raised bands. Red morocco title label. Headcaps worn with visible endbands. Joint of lower board cracked at head over first two compartments. Surface wear with losses to upper board. Two corners slightly bumped. Title label renewed.
Compilation of several works on glassmaking assembled and translated by Baron d'Holbach (his preface presents the different authors), notably the important treatise by Neri (1612) who first published the method of making colored glass, crystal glass... Neri's work served as the basis and foundation for all books that followed on the same subject. One will note, among the various notes and treatises, that of Henckel on how to use plants in the manufacture of glassware, and the anonymous one on the secrets of true porcelain. Finally, one will distinguish numerous recipes relating to the art of glass, notably that of cobalt blue, but also concerning metals, with the method of gilding iron, copper, silver, bronzing, the way to produce colors, to dye a reddish horse black...
Manuscript ownership inscription De Montmirail. 1806.
First collected edition, one of 15 numbered copies on pur fil paper, the only large paper copies.
A very good copy.
Rare.
First edition, one of 21 numbered copies on Hollande paper, the tirage de tête.
A fine copy.
First edition printed on strong laid paper containing the second fascicle of the Antiquities section, corresponding to chapter IX. (The first fascicle containing chapters I to VIII appeared in 1809 and the third in 1818)
Our copy lacks both the half-title page and the general title of the Description de l'Egypte.
Full vellum-style paper boards binding, smooth spine, black shagreen title label with a very slight loss.
New edition, following the princeps of 1473 in Bologna (under a different title). Very rare. Printer’s device of the Junta on the title page and the final leaf. Dedication to Hercules Gonzaga of Mantua. Not in Brunet. One copy in Oxford and one in the Italian catalogues, but none in the French catalogues nor in the Bibliothèque nationale de France.
Half calf binding, c. 1800. Spine with raised bands and gilt fillets. Brown morocco title-piece. Headcap trimmed. Rubbing to edges.
NB: This volume is available at the bookshop on request within 48 hours.
The first edition was published in 1578 in Geneva. Brunet II, 1076: 'Cet ouvrage piquant a été édité à Genève, en 1578, et non à Paris ; selon plusieurs bibliographes. L'auteur y a prodigué son immense érudition, mais en même temps s'y est permis certaines plaisanteries un peu hardies, qui lui attirèrent une verte semonse du conseil de Genève, par suite de laquelle il jugea prudent de s'absenter... Il en existe deux autres d'Anvers, 1579 et 1583, in 16, qui ne sont guère moins rares que la première, et dont le prix est assez élevé.' ["This piquant work was published in Geneva, in 1578, and not in Paris; according to several bibliographers. The author lavished his immense erudition upon it, but at the same time permitted himself certain rather bold jokes, which brought him a sharp rebuke from the Geneva council, as a result of which he judged it prudent to absent himself... There exist two others from Antwerp, 1579 and 1583, in 16mo, which are hardly less rare than the first, and whose price is quite high."]
Full calf binding mid-19th century. Ornate spine with raised bands, in the style of a 17th-century binding. Rubbing. Missing the lower right corner of leaf 97 with loss of a few letters from the last word.
Satirical dialogues, mocking court behaviors, fashion in dress and language (the fashion of pronouncing French words in the Italian manner for example, or linguistic conventions about titles). Henri Estienne conceals himself under the name of Jean Franchet. The drollery and mockery are often pushed quite far, and the whole reads with the greatest delight. The two dialogues are preceded by poems addressed to courtiers no less droll and satirical.