Nagel

First edition, one of 25 lettered copies on alfa paper, deluxe issue.
Full leather binding in imitation snakeskin, smooth spine, marbled endpapers and pastedowns, covers preserved, elegant unsigned binding.
Illustrated with 16 plates and 13 illustrations in the text.
A pleasant copy.

First edition, one of 500 numbered copies on vellum alma paper, the only deluxe copies.
Handsome copy.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies after 20 on Arches paper.
Light spotting to boards, endpapers very slightly shadowed, handsome copy.

First edition in French, one of 100 numbered copies on American laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 50 numbered copies on vélin alma, the only deluxe copies.
Spine and boards marginally sunned, spine with a light dampstain at foot.

Edition on current paper, false entry of second edition.
Signed autograph Tristan Tzara Francis Cohen.
Yellowed paper as usually.

First edition, review copy.
Signed autograph of Fabre Roger Caillois: "... tribute of great cultural and literary sympathy ..."

First edition, one of 50 numbered copies on pur fil paper, the only large paper copies.
Preface by Jean Cocteau.
A good copy.

First edition, one of 500 numbered copies on vergé paper, the only large paper copies after 20 on Arches paper and 50 on alfa paper.
Marginal spots to spine and covers.

First edition on ordinary paper.
Autograph inscription from Stephen Hecquet to Jacqueline Durnerin.
Two small tears to foot of the covers.

First edition printed on ordinary paper.
Signed autograph inscription from Stephen Hecquet to Jacqueline Durnerin: "... ce livre qui n'en est pas un..." ["... this book which is not one..."]
Handsome copy.

First edition, one of 50 numbered copies on vergé américain, the only large paper copies.
A rare and very good copy.

First edition, of which there were no deluxe copies.
Work illustrated with 12 plates.
Annotations mostly in pencil on the front free endpaper, otherwise a handsome copy of these very interesting memoirs by the author.

First edition, one of 500 numbered copies on pur fil paper, the only deluxe issue.
A handsome copy of this screenplay written by Jean-Paul Sartre in 1943, published in 1947 and immediately adapted for the screen by Jean Delannoy, starring Micheline Presle and Marguerite Moreno in the leading roles.

First edition, one of 500 numbered copies on laid paper, the only deluxe copies after 20 Arches and 50 alfa.
Handsome copy.

First edition, one of the review copies service.
Back insolated, a clear spot at the head of the first board.
Precious autograph dedication signed by Stephen Hecquet Marcel Aymé.

First edition on ordinary paper.
Two small traces of sunning to head and foot of spine, otherwise a good copy.

First edition on ordinary paper.
With an autograph inscription from Maurice Merleau-Ponty to the professor Georges Blin and his wife.
Back slightly yellowed.

first edition on paper current, whimsical mention third edition.
Signed autograph from Marcel Pagnol to his friend Dr. Samoil "... in memory of Monte Carlo (and much else) ..."
Back slightly insolated without gravity.

First edition, one of 100 numbered copies on vergé américain, the only large paper copies.
With an autograph inscription from Marcel Pagnol to madame Goguay Degrenan.
A very good copy.

First edition, one of 100 numbered copies on vélin du Marais, the only large paper copies.
A very good copy.

Edition of the year of the original, mentions fifth edition.
Signed autograph author Andre Walaquin.
Back slightly irradiated, very slight traces of a marginal film that covered the front cover of our copy, a small shadow in feet the last guard and the colophon page.

First edition, one of 100 numbered copies on vélin du Marais paper, seuls grands papiers.
Autograph inscription from Marcel Pagnol to André Prunier in pencil on half-title.
A good copy.

First edition, one of 500 numbered copies on vergé paper, the only large paper copies with 20 on Arches paper and 50 on alfa paper.
Tiny spots, not serious, to the covers, a good copy.

First edition of the French translation on ordinary paper.

Third edition. Beautiful copy.

First edition, one of 500 numbered copies on laid paper, the only deluxe copies with 20 on Arches and 50 on alfa.
Tiny worming without consequence on boards and spine, handsome interior condition.

First edition in French on ordinary paper established by Benjamin Goriély, from a limited edition of only 50 alfa deluxe copies printed.
Handsome copy.

First edition, one of 125 numbered copies on alfa, the only deluxe copies with 40 on Arches.
Handsome copy.