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First issue, illustrated with 28 original burin engravings by Camille Paul Josso, one of 375 copies on vélin de Lana.
Cream wrappers with folded-in flaps, red suede cloth publisher's chemise and slipcase.
Chemise and slipcase somewhat soiled and scratched, corners bumped, a few edges chipped.
Illustrated edition with 20 original black engravings by Marianne Clouzot, one of 675 copies printed on Lana wove paper.
Slipcase spine sunned, joints rubbed, boards uniformly and lightly toned, internally in very good condition.
Illustrated edition featuring 20 original colour engravings by Marianne Clouzot, issued in a limited edition of 375 copies on Rives wove paper.
Spine of the chemise and boards of the slipcase lightly sunned at the margins, as is usually the case, the boards evenly and lightly toned, a fine copy internally.
Our copy is further enhanced by an original blue ballpoint drawing by Marianne Clouzot depicting the profile of a nun, accompanied by a signed autograph inscription to Etienne Crémieu-Alcan.
Illustrated edition featuring 25 original colour watercolours by Lucien Boucher, printed in an edition of 750 copies on Rives wove paper.
As is usually the case, the chemise spine and the slipcase boards are lightly sunned at the edges, the boards uniformly and lightly toned; a fine copy internally.
Illustrated edition with original colour engravings by Marianne Clouzot, one of 575 copies printed on Rives wove paper.
As is generally the case, the chemise spine and the slipcase boards are lightly sunned, the boards evenly and slightly toned, otherwise a fine copy internally.
Illustrated edition with 16 original colour engravings by Emilio Grau Sala, printed in an edition of 350 copies on Rives wove paper.
Spine of the chemise and boards of the slipcase marginally sunned, as is usually the case, boards evenly and lightly toned, a fine copy internally.
Illustrated edition with a frontispiece and 19 black vignette illustrations in the text by Marianne Clouzot, one of 675 numbered copies printed on vélin de lana.
Full caramel box binding, smooth spine, the illustrator’s name gilt at the foot, moiré-effect paper endleaves and doublures, cold-ruled fillet frames to the doublures, original covers and spine preserved, top edge gilt, slipcase with inner flaps in caramel box with bands, moiré-effect paper sides, the slipcase edged in caramel box with moiré-effect paper panels; binding slightly later, signed Gavallet.
Like the 50 numbered copies printed on Arches paper, our copy exceptionally includes, at the end of the volume, a...
