Marc Barbezat

First edition, one of 32 numbered copies on nacré Japon, the tirage de tête.
Bound in full embossed khaki leather, smooth spine without lettering, the title of the work and the author's name in gilt on the front cover reproducing the calligraphy of the original wrapper, publisher’s name and place in gilt on the back cover likewise reproducing the calligraphy of the rear wrapper, endpapers and pastedowns of wood-grain effect almond paper, wrappers and spine preserved, top edge gilt; slipcase covered with wood-grain effect almond paper, echoing the binding and bearing on the covers the same features as the binding.
A few small spots of foxing on the spine and upper edge, slightly affecting the boards, internally very clean.
A rare copy, spectacularly and perfectly presented.

First edition, one of the small number of copies printed on Johannot paper, the only deluxe copies.
Contributions by Jean Genet "Miracle de la rose", E. Hemingway "La cinquième colonne", F. Kafka "Paraboles", L.R. Des Forêts "Le bavard"...
Cover designed by Jean Martin.
A pale marginal stain at head of front endpaper, otherwise a handsome copy.

First edition, one of the small number of copies printed on Johannot paper, the only deluxe copies.
Contributions by Robert Emmet Sherwood "La forêt pétrifiée", Olivier Larronde "La nappe au cerf", Mouloudji "La cellule" and "Les sargasses"...
Cover designed by Jean Martin.
Spine sunned, endpapers lightly and partially shadowed without consequence.

First edition, one of the copies printed in small number on Johannot paper, the only deluxe copies.
Contributions by P. Cheney "La môme vert-de-gris", G. Stein "Langage et littérature américains", D. Baker "Le jeune homme à la trompette", E. Hemingway "C'est aujourd'hui vendredi", W. Faulkner "Wash", H. Miller "Mona"...
Cover designed by Jean Martin.
A pale marginal dampstain at head of first cover, endpapers very lightly shaded.

Second edition of 2200 numbered copies on pur fil paper.
Tiny insignificant spots to upper covers, a good copy.

First edition, one of 32 numbered copies on nacré Japon, deluxe issue.
Original lithographed cover by Alberto Giacometti.
A very fine copy.

Edition of wich no leading copies exists.
Binding of open sand cardboard editor, smooth back silent.
Precious autograph signed by the author: "To you Albert Camus / Mouloudji.."
Small marginal foxing on the last guard.

First edition, one of 400 numbered copies on pur fil, the only printing along with 2 Japon.
Illustrated cover with a lithographie of Emile Picq.
A small tear in the margin, without lack, to head of spine and upper cover, endpapers slightly shaded.

First edition printed to 475 numbered copies on pur fil.
Publisher's Bradel binding of beige paper over paper boards, the author's name in red to the spine.
Foxing to the last endpaper, otherwise a good copy.

New edition printed on alfa.
A good copy.

New edition.
Spine slightly faded as usual, a good copy.

First edition, one of 475 numbered copies on pur fil paper eserved to the subscribers, the only printing.
Publisher's Bradel binding over paper boards.
Two small stains, not serious, on the spine, otherwise nice copy.

First edition of the opening text, one of the few copies on Johannot paper, the only printing.
This volume also includes Jean Genet's 'Les bonnes' and Boris Vian's 'Les poissons morts.'
A fine copy, as new, complete with its errata leaf.

First edition printed in 400 numbered copies on pur fil and reserved to the subscribers.
Cover illustrated with a lithograph by E. Picq.
Small stains to covers, endpaper very slightly faded, otherwise a rare and good copy.