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Léon Amiel

Léon Amiel

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23 results
  1. [La marche des Hébreux sous la nuée divine] For the cloude of the Lorde was upon the Tabernacle by day, and fire was in it by night, in the sight of all the house of Israel thorowout all their journeys. (La nuée du Seigneur était de jour sur le tabernacle; et de nuit, il y avait un feu, aux yeux de toute la maison d'Israël, pendant toutes leurs marches) - The Story of Exodus
    Marc CHAGALL

    [La marche des Hébreux sous la nuée divine] For the cloude of the Lorde was upon the Tabernacle by day, and fire was in it by night, in the sight of all the house of Israel thorowout all their journeys. (La nuée du Seigneur était de jour sur le tabernacle; et de nuit, il y avait un feu, aux yeux de toute la maison d'Israël, pendant toutes leurs marches) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille

    CHAGALL Marc. For the cloude of the Lorde was upon the Tabernacle by day, and fire was in it by night, in the sight of all the house of Israel thorowout all their journeys – The Story of Exodus
    Amiel Léon, Paris, New-York 1966, 36 x 49.5 cm, one single leaf
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text litho
    €3,000
  2. [Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus
    Marc CHAGALL

    [Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original lithograph in color, one of the 15 prints printed on Imperial Japanese paper and reserved for the artist and his collaborators, only draw with 20 other Japan and 250 Arches paper. Unsigned proof, like all the events of this series, except the frontispiece.

    Superb test on Japan made especially for The Story of Exodus published in 1966, Chagall realized the 24 inset lithographs printed by Mourlot.
    Fernand Mourlot, undoubtedly the best artisan lithographer of the XXth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions
    Sold
  3. The story of exodus : Suite de 23 lithographies
    Marc CHAGALL

    The story of exodus : Suite de 23 lithographies

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|23 planches
    Original color lithographs, each one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japan and 250 on Arches paper. Unsigned proofs, as all proofs were in this series, other than the frontispiece.

    Superb proofs on Japan paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...added to their own expres
    Sold
  4. [Moïse brise les Tables de la Loi] Moses wrath waxed hote, and he cast the Tables out of his hands, and brake them in pieces beneath the mountaine - The Story of Exodus
    Marc CHAGALL

    [Moïse brise les Tables de la Loi] Moses wrath waxed hote, and he cast the Tables out of his hands, and brake them in pieces beneath the mountaine - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  5. [Moïse et les Tables de la Loi] He wrote in the Tables the wordes of the covenaunt, even the Ten Commandements - The Story of Exodus
    Marc CHAGALL

    [Moïse et les Tables de la Loi] He wrote in the Tables the wordes of the covenaunt, even the Ten Commandements - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.


    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “
    Sold
  7. [L'artiste à l'oeuvre, Betzalel sculpte l'Arche] Bezaleel made two Cherubims of golde, and the Cherubims spread out their wings, their faces were one towards another. Likewise he made the Candlesticke of pure golde. (Betsaleel fit deux chérubins d'or; Et les Chérubins étendaient leurs ailes, et leur visages se faisaient face. De même il a fait le Chandelier d'or pur) - The Story of Exodus
    Marc CHAGALL

    [L'artiste à l'oeuvre, Betzalel sculpte l'Arche] Bezaleel made two Cherubims of golde, and the Cherubims spread out their wings, their faces were one towards another. Likewise he made the Candlesticke of pure golde. (Betsaleel fit deux chérubins d'or; Et les Chérubins étendaient leurs ailes, et leur visages se faisaient face. De même il a fait le Chandelier d'or pur) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original lithograph in colors, one of 15 proofs on Japon Impérial paper reserved for the artist and his collaborators, the only printing along with 20 more on Japan and 250 on Arches paper. Unsigned proof, as with all the proofs in this series except the frontispiece.

    A superb proof on Japan paper produced especially for The Story of Exodus, which appeared in 1966 ; the 24 hors-texte lithographs printed by Mourlot were by Chagall.
    Fernand Mourlot was undoubtedly the finest lithographer of the 20th century and was thus both printer to, and friend of, the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...enriched both their ow
    Sold
  8. [Moïse, Aaron et les Tables de la Loi] Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses (De plus, on fit les vêtements d'office pour le service dans le sanctuaire; on fit aussi les vêtements sacrés pour Aaron, comme Le Seigneur l'avait ordonné à Moïse) - The Story of Exodus
    Marc CHAGALL

    [Moïse, Aaron et les Tables de la Loi] Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses (De plus, on fit les vêtements d'office pour le service dans le sanctuaire; on fit aussi les vêtements sacrés pour Aaron, comme Le Seigneur l'avait ordonné à Moïse) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille

    CHAGALL Marc. Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses – The Story of Exodus
    Amiel Léon, Paris, New-York 1966, 36 x 49.5 cm, one single leaf
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs
    Sold
  9. [Moïse et l'Ange] And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them. (Moïse examina tout le travail; et voici, ils l'avaient fait comme l'Eternel l'avait ordonné, ils l'avaient fait ainsi. Et Moïse les bénit) - The Story of Exodus
    Marc CHAGALL

    [Moïse et l'Ange] And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them. (Moïse examina tout le travail; et voici, ils l'avaient fait comme l'Eternel l'avait ordonné, ils l'avaient fait ainsi. Et Moïse les bénit) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille

    CHAGALL Marc. And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them – The Story of Exodus
    Amiel Léon, Paris, New-York 1966, 36 x 49,5 cm, one single leaf
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingl
    Sold
  10. [Sur le Sinaï, les tables de la Loi] He gave him Two Tables of the Testimonie, even tables of stone, written with the finger of God. (il lui donna les deux tables du témoignage, tables de pierre, écrites du doigt de Dieu.) - The Story of Exodus
    Marc CHAGALL

    [Sur le Sinaï, les tables de la Loi] He gave him Two Tables of the Testimonie, even tables of stone, written with the finger of God. (il lui donna les deux tables du témoignage, tables de pierre, écrites du doigt de Dieu.) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  11. [Le Veau d'Or] Then all the people pluckt from themselves the golden earerings, and they brought them unto Aaron who received at their handes, and fashioned it, and made of it a molten calfe. (Et tous ôtèrent les anneaux d'or qui étaient à leurs oreilles, et ils les apportèrent à Aaron qui les reçut de leurs mains, les façona et fit un veau en or fondu) - The Story of Exodus
    Marc CHAGALL

    [Le Veau d'Or] Then all the people pluckt from themselves the golden earerings, and they brought them unto Aaron who received at their handes, and fashioned it, and made of it a molten calfe. (Et tous ôtèrent les anneaux d'or qui étaient à leurs oreilles, et ils les apportèrent à Aaron qui les reçut de leurs mains, les façona et fit un veau en or fondu) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  13. [Moïse et le buisson ardent] Then the Angel of the Lorde appeared unto him in a flame of fire, out of the middes of a bush; and he looked, and beholde, the bush was not consumed. (Et l'Ange de l'Eternel lui apparut dans une flamme de feu, du milieu d'un buisson, et il regarda, et voici le buisson ne se consumait point.) - The Story of Exodus
    Marc CHAGALL

    [Moïse et le buisson ardent] Then the Angel of the Lorde appeared unto him in a flame of fire, out of the middes of a bush; and he looked, and beholde, the bush was not consumed. (Et l'Ange de l'Eternel lui apparut dans une flamme de feu, du milieu d'un buisson, et il regarda, et voici le buisson ne se consumait point.) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  14. [Le baton changé en serpent] He cast the rodde on the ground, and it was turned into a serpent, and Moses fled from it. (Il jeta la tige à terre, et elle devint un serpent. Moïse fuyait devant lui.) - The Story of Exodus
    Marc CHAGALL

    [Le baton changé en serpent] He cast the rodde on the ground, and it was turned into a serpent, and Moses fled from it. (Il jeta la tige à terre, et elle devint un serpent. Moïse fuyait devant lui.) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  15. [Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus
    Marc CHAGALL

    [Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  17. [Laisse partir mon peuple] Then Afterward Moses and Aaron went and sayde to Pharaoh, "Thus sayeth the Lorde God of Israël, Let my people go.". (Moïse et Aaron se rendirent ensuite auprès de Pharaon, et lui dirent: Ainsi parle l'Eternel, le Dieu d'Israël: Laisse aller mon peuple) - The Story of Exodus
    Marc CHAGALL

    [Laisse partir mon peuple] Then Afterward Moses and Aaron went and sayde to Pharaoh, "Thus sayeth the Lorde God of Israël, Let my people go.". (Moïse et Aaron se rendirent ensuite auprès de Pharaon, et lui dirent: Ainsi parle l'Eternel, le Dieu d'Israël: Laisse aller mon peuple) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  18. [Les Plaies d'Egypte] Then Moses stretched foorth his hande towarde heaven, and there was a blacke darkenesse in all the land of Egypt. (Moïse étendit sa main vers le ciel; et il y eut d'épaisses ténèbres dans tout le pays d'Egypte) - The Story of Exodus
    Marc CHAGALL

    [Les Plaies d'Egypte] Then Moses stretched foorth his hande towarde heaven, and there was a blacke darkenesse in all the land of Egypt. (Moïse étendit sa main vers le ciel; et il y eut d'épaisses ténèbres dans tout le pays d'Egypte) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  19. [Le Rocher d'Horeb] And thou shalt smite on the rocke, and water shall come out of it, that the people may drinke. (tu frapperas le rocher, et il en sortira de l'eau, et le peuple boira) - The Story of Exodus
    Marc CHAGALL

    [Le Rocher d'Horeb] And thou shalt smite on the rocke, and water shall come out of it, that the people may drinke. (tu frapperas le rocher, et il en sortira de l'eau, et le peuple boira) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  20. [Moïse et Josué] Then came Amalek and fought with Israel in Rephidim. And Moses sayed to Ioshua, 'Chuse us our men, and goe fight with Amalek. (Amalek vint combattre Israël à Rephidim. 9Alors Moïse dit à Josué: Choisis-nous des hommes, sors, et combats Amalek) - The Story of Exodus
    Marc CHAGALL

    [Moïse et Josué] Then came Amalek and fought with Israel in Rephidim. And Moses sayed to Ioshua, 'Chuse us our men, and goe fight with Amalek. (Amalek vint combattre Israël à Rephidim. 9Alors Moïse dit à Josué: Choisis-nous des hommes, sors, et combats Amalek) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  21. [Les tables de la Loi] Moses then came and called for the elders of the people, and proposed unto them all these things, which the Lorde commanded him. (Puis Moïse vint et appela les Anciens du peuple, et proposa devant eux toutes ces choses-là que l'Eternel lui avait commandées) - The Story of Exodus
    Marc CHAGALL

    [Les tables de la Loi] Moses then came and called for the elders of the people, and proposed unto them all these things, which the Lorde commanded him. (Puis Moïse vint et appela les Anciens du peuple, et proposa devant eux toutes ces choses-là que l'Eternel lui avait commandées) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
  22. [Moïse au candélabre] Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they may minister unto me in the Priests offices (Tu oindras Aaron et ses fils, et tu les sanctifieras, pour qu'ils soient à mon service dans le sacerdoce) - The Story of Exodus
    Marc CHAGALL

    [Moïse au candélabre] Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they may minister unto me in the Priests offices (Tu oindras Aaron et ses fils, et tu les sanctifieras, pour qu'ils soient à mon service dans le sacerdoce) - The Story of Exodus

    Léon Amiel|Paris • New-York [New York] 1966|36 x 49.50 cm|Lithographie(s)|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. “Picasso
    Sold
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