Jules Didot

New edition with clarifications and historical notes by Pierre-René Auguis, illustrated with 2 folding plates located in the volumes dedicated to music, volume 16 contains the complete score of Devin du Village.
Half navy blue calf bindings, smooth spines decorated with gilt and blind fillets, marbled paper boards, pastedowns and endpapers.
Spines very lightly faded and rubbed, headcaps rubbed, sometimes significant foxing.

Imprimerie de Jules Didot l'aîné | Paris 1828 | 7.5 x 11.4 cm | publisher's binding
First edition, with title vignette, 6 plates and 12 vignettes for the Souvenirs calendar.
Gilded paper boards, slipcase. Covers
and spine decorated with silk painted in colors with dancing figures surrounded by friezes and floral motifs to spine, all edges gilt.
Silk slightly peeling on lower cover of case, head of joint of case with 1.2 cm crack, silk of case slightly soiled, a little foxing.

First edition, published by Pierre-Simon Ballanche, of the intimate correspondence of Louise-Adélaïde de Bourbon, known as Mademoiselle de Condé, addressed to her friend the Marquis Nicolas-Louis Magon La Gervaisais. It contains 2 letters of 4 pages each, in facsimile.
Contemporary binding in full glazed blue calf, smooth spine decorated with geometric compartments and gilt dentelles, gilt frames and fleurons in the corners on the boards, gilt striations on the corners, gilt floral roulette framing the pastedowns, all edges gilt.
Manuscript notation in pen on the half-title.

New edition from La collection des classiques français, illustrated with a portrait and a folding map of Spain. Fine edition with classical typography and wide margins.

Full glazed wine-red calf bindings, sky blue title and volume labels, smooth spines richly decorated with cathedral tools and rolls, boards stamped in blind with a large central monastic medallion, a blind border frieze and a second in gilt, boards with slight worm damage, marbled edges.

Magnificent romantic binding by a great binder of the period.

It should be noted that the preface by the Comte de Neufchâteau, academician, is actually by Victor Hugo (then aged 16); the count found it so remarkably written that he published it as is. Furthermore, all the footnotes are also by Victor Hugo.

Fine copy in a magnificent contemporary romantic binding signed by Vogel.