Imprimerie d'Aimé Vingtrinier

First edition of the French translation, illustrated with a frontispiece portrait of Iwakura Tomomi.

Contemporary binding in navy blue long-grain half morocco, flat spine decorated with gilt fillets and blind-stamped fleurons, red morocco lettering-piece running lengthwise, green cloth boards, minor fading and rubbing to covers, original blank wrappers preserved; modern binding.

Iwakura Tomomi (1825–1883) was a prominent figure of the Meiji era, whose influence played a key role in Japan's transformation.

Some handwritten annotations in ink and pencil on a pastedown, and an inscription in ink reading "Trautz (?) Kyoto. Jan 1935" on the endpaper.

Inscribed a

First edition (only three copies recorded in the CCFr: BnF, Lyon and Montpellier).

Blank spine split with small losses, a few instances of foxing.

The sole edition of this small, learned and appealing dissertation.

Paul Saint-Olive (1799–1879), engraver and contributor to the Revue du Lyonnais, was a tireless seeker of curiosities (cf. Vingtrinier (Aimé): Paul Saint-Olive, archéologue lyonnais, Lyon, 1877).

Signed autograph inscription by Paul Saint-Olive to Doctor Girard on the inside of the upper cover.