Le demi-solde
Handsome copy.
Autograph inscription signed by Jean Dutourd to Joseph Breitbach: "... ces petites histoires du temps que j'étais maigre..."
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First edition, one of 1050 numbered copies on bouffant alfa paper.
Publisher's binding after the original design by Paul Bonet.
Very handsome copy complete with its flexible cardboard slipcase.
New edition printed in 3,100 numbered copies on châtaignier paper, ours one of 100 hors commerce copies.
Publisher's full cardboard binding made according to Paul Bonet's original design.
Handsome copy.
First edition.
Former owner's name on upper left corner of title page, spine wrinkled.
Our copy exceptionally contains signatures of several members of the editorial committee of the Association des déportées et internées de la Résistance or former deportees to the Ravensbrück camp, including: Renée Mirande-Laval, Jacqueline Souchère-Richet, Hélène Renal, Rose Guérin, Jacqueline Rigault, Simone Gournay, Marie-Antoinette Allemandi-Clastres, some of whom have added their deportee registration number below their signatures.
First edition, one of 8 numbered copies on Chinese paper, the deluxe issue.
Bound in full red morocco, smooth spine, spine and boards decorated with a geometric design of black and gilt fillets representing interlaced mountain peaks in zigzag pattern, endpapers and pastedowns illustrated with an original lithograph signed in pencil by Germaine de Coster, following endpapers of red paper, original wrappers and spine preserved, top edge gilt; a very elegant contemporary binding signed by Hélène Dumas and Germaine de Coster.
This copy is further enriched with an original charcoal portrait of Jean Giono, signed by Robert Joël and mounted on a stub after the front wrapper.
A copy of the deluxe issue, magnificently bound in full morocco with a geometric design by Hélène Dumas, and with lithographed endpapers by Germaine de Coster.
First edition, one of 70 numbered copies on pure thread paper, ours being one of 15 hors commerce copies lettered under Ingres covers, deluxe copies after 2 reimposed on pure thread laid paper hors commerce reserved for Jacques Hébertot and 13 holland paper copies.
Minor marginal tears of no consequence to the covers.
Handsome and rare copy of this response by Albert Camus to Jean-Paul Sartre's "Les mains sales".
First edition, one of 48 copies on pur fil, the only deluxe copies.
Work decorated with illustrations by Jean Hugo.
Light rubbing to extremities of the slipcase.
Superb binding in dark exotic wood marquetry signed Pierre-Lucien Martin, dated 1962.
Binding in chocolate brown box leather with bands, smooth spine, gilt title lengthwise, first cover formed of a mosaic arrangement of dark wood pieces, with grain arranged in opposite directions, bearing the title engraved vertically and the author's name revealed in acrostic, second cover formed of a large panel of the same wood with unfolded grain bordered in chocolate box leather, endpapers and pastedowns of chocolate paper, top edge gilt over deckled edges, covers and spine preserved, slipcase of chocolate paper bordered in chocolate box leather, interior lined with brown felt, elegant ensemble signed Pierre-Lucien Martin and dated on the rear pastedown 1962.
Bibliothèque de La Pléiade edition printed on Bible paper.
Rhodoïd slightly yellowed as sometimes occurs.
Rich iconography.
Publisher's full brown grained sheepskin binding, orange top edge, smooth spine decorated with gilt fillets.
Fine copy complete with its rhodoïd, dust jacket and soft slipcase.
First edition, a Service de Presse (advance) copy.
A discreet restoration using a small adhesive piece on the verso of the first cover extending onto the first endpaper.
Autograph inscription signed by André Breton: "A Claude Aveline, hommage d'André Breton".
Nicknamed at 21 "the world's youngest publisher," Claude Aveline would publish from 1922 onwards, thanks to André Gide and Georges Duhamel, some fifty works. In 1934, he would engage in politics, alongside Henri Barbusse and Romain Rolland, in the anti-fascist movement then, from August 1940, in the Resistance first in Paris then in the free zone where he would miraculously escape arrest by the Gestapo in April 1944.