First edition, one of 15 numbered copies on vellum, the only deluxe issue.
Fine and uncommon copy.
First edition, with no copies issued on deluxe paper.
A handsome copy.
With Pierre Bourdieu’s signed presentation inscription to the anthropologist Emmanuel Terray.
First edition of the French translation, with no issue on deluxe paper.
Minor surface scuffs along the margins of the front wrapper.
With a fine signed presentation inscription by Italo Calvino: "A Michel Tournier avec le souvenir de Italo Calvino. Mai 1974."
First edition, with no deluxe paper issue.
The covers are faintly and marginally toned; a pleasing copy overall.
Moving and precious presentation copy signed by Jacques Julliard: "Pour Simone Veil à elle qui a été de tous les combats contre ce fascisme qui vient... pour lui dire estime et amitié. Jacques Julliard."
First edition of the French translation, issued without any large-paper copies.
A handsome copy, complete with its original promotional band: "Calvino et la préhistoire-fiction."
Inscribed, dated, and signed by Italo Calvino to Pascal Pia.
First edition, with no deluxe copies printed.
Spine faded with a small tear at the foot.
Inscribed by Roland Barthes to Pierre Dumayet.
First edition of the French translation, for which no deluxe copies were issued.
Precious autograph presentation inscription signed by Italo Calvino to his friend, the Argentine photographer José María “Pepe” Fernández.
Our copy is further enriched with an original photograph by Pepe Fernández depicting Italo Calvino leaning on a stack of books.
Signed by the photographer at the foot of the image, with handwritten notes and Pepe Fernández’s stamp on the verso.
Double autograph signature of Pepe Fernández on the front endpaper and the title page as presentation inscriptions, spine faded.
First edition, with no deluxe copies printed.
Publisher's full blue cloth binding, smooth spine, copy complete with its photographic dust jacket, showing minor tears at the head and tail of the spine without loss.
Text by Françoise Dolto, photographs by Alecio de Andrade.
Inscribed and signed by Françoise Dolto and Alecio de Andrade on the front free endpaper.
First edition, one of 175 numbered copies on alfa paper, the only copies printed on deluxe paper.
A fine copy.
First edition of the French translation, one of 60 numbered copies on Arches laid paper, the only copies printed on deluxe paper.
Very fine copy.
First edition, one of 35 numbered copies on Neige vellum, the only deluxe copies.
Handsome copy.
First edition, one of 105 numbered copies on vélin neige, the only deluxe copies issued after 12 on pur fil.
Handsome copy.
First edition, one of 230 numbered copies on Vélin du Marais, the deluxe issue.
A handsome copy.
First edition on ordinary paper of the French translation by Philippe Jaccottet.
A handsome copy of this work, which was adapted for the screen by Volker Schlöndorff in 1966.
First edition, of which there were no deluxe copies.
Two angular fold marks on the back cover.
Fine and humorous autograph inscription signed by Erik Orsenna to Bernard Kouchner: "Cher Bernard, la voici, la voilà, la terreur de Jean-Edern, la [comédie française], en deux mots brefs : la studebaker était une jolie voiture et Matignon un beau manège. Avec mon amitié. Le coupeur Erik." (Dear Bernard, here it is, here it is, Jean-Edern's terror, the [French comedy], in two brief words: the Studebaker was a pretty car and Matignon a beautiful riding school. With my friendship. The cutter Erik.)
