Editions des Cahiers Libres

First edition, a Service de Presse (advance) copy.
Some light foxing affecting mainly the edges.
Precious signed autograph inscription from Pierre-Jean Jouve to Marcel Jouhandeau.

First edition on current paper.
Marginal stings on the boards, a trace of crease at the head of the second board, two tears in the heads of the boards.
Autograph tribute signed by René Laporte.

First edition, one of 450 numbered copies on Holland paper, the only deluxe copies after 15 Japan.
Work illustrated with a portrait of François Mauriac by Uzlac.
Endpapers lightly and partially shaded, otherwise handsome copy.

First edition, one of 2000 copies on vélin Omnia, the only printing with 25 japon, this copy an advance (service de presse) copy non numbered.
Autograph inscription signed by André Breton to Dominique Braga.
Cover illustrated by Max Ernst.
One joint slightly folded, nice copy retaining its advertising slip.

First edition, one of 600 numbered copies on vellum, the only deluxe copies after 20 Japan and with some hors commerce copies.
Work illustrated with a frontispiece portrait of Philippe Soupault by Alexandre Alexeieff.
Minor tears of no consequence at head and foot of spine, otherwise a handsome copy.

First edition, one of 400 numbered copies on vellum, ours unnumbered but justified S.P.
Handsome copy.

First edition, review copy.
Signed autograph Tristan Tzara J. Van Heeckeren.
Back insolated, marginally weak and brittle sheets as usually.

First edition on ordinary paper.
Handsome autograph inscription from André Breton to Marcel Jouhandeau : "... avec la profonde estime et la vive sympathie d'André Breton [with the profound respect and lively sympathy of André Breton]."
A few reader's marks and sections highlighted in pencil, probably by the dedicatee, in margins of some leaves.
Paper yellowed as usual.

First edition, one of 2000 copies on vélin Omnia, the only printing with 25 japon, this copy an advance one, non numbered.
Autograph inscription signed by André Breton to Pierre Lagarde.
Cover illustrated by Max Ernst.
Spine and covers marginally sunned, copy retaining its advertising slip.

First edition, one of 50 numbered hors commerce copies on Japan paper, deluxe issue with 25 Normandy and 25 China.
Spine and boards slightly and marginally faded as usual, otherwise handsome copy.

First edition, one of 500 numbered copies on vellum, the only printing along with 12 Japan and 77 vellum copies.
Handsome copy despite small stains to the lower right margin of the first cover.
Autograph inscription signed by Eugène Jolas to Monsieur R. Harlong.

First edition, one of 700 numbered copies on laid paper, the only issue with 30 on Japan paper.
With frontispiece portrait of the author by Hoffmeister.
Spine lightly sunned.
Autograph inscription signed by Pierre Mac Orlan to Alin Laubreaux.
Born in New Caledonia, Alin Laubreaux was a writer and journalist principally known for his theatrical reviews published in the ultra-collaborationist, anti-Semitic and fascist newspaper Je suis partout.
Hated by a good part of the Parisian artistic milieu, he was publicly slapped in June 1941 by Jean Marais whom he had called "l'homme au Cocteau entre les dents" after having savaged the playwright's latest play La machine à écrire. The scene was freely adapted by Louis Malle in his Dernier Métro. Alin Laubreaux was also accused of having played a significant role in the arrest by the Gestapo, then in the deportation of poet Robert Desnos whom he execrated and who had also slapped him some years earlier. At the Liberation, he fled to Spain and was sentenced to death in absentia in 1947.

First edition, one of 1200 numbered copies on vellum, only print with 18 Japan.

first edition on plain paper.
Signed autograph signed by Lise Deharme: "For the charming directors of the" Duke of Saint-Simon "enriched with a humorous and second autograph dedication of the author in red ink:" Death to the people sellers of autographed books and deep sympathy ".
A hitch in the back of the back, a light spot on the bottom of the first board.

First edition in French, a numbered copy on vélin alfa paper.
A good copy.

Edition, review copy.
Precious autograph signed by Pierre Jean Jouve to Léon-Paul Fargue.
First flat slightly curled back with a small, clear wetting minor Length.

First edition, one of 1200 numbered copies on Lafuma, the only printing with 30 Japan paper.
With a frontispiece portrait of the author by Adolf Hoffmeister.
A very good copy.

First edition, one of 30 numbered copies on Japon, this one not justified, tirage de tête.
Tiny marginal foxings, not serious, on the spine and the lower cover, a good copy.

First edition, one of 2000 numbered copies on vélin Omnia paper, the only printing with 25 on Japan paper. Cover illustration by Max Ernst. A few spots to margins of spine, a very good copy.

First edition on ordinary paper.
A good copy.

First edition, one of 900 numbered copies on alfa paper.
Two small lacks at head and foot of spine, otherwise handsome copy.

First edition, one of 600 numbered copies on Holland paper, the only deluxe copies with 30 on Holland paper.
Handsome copy.

First edition, one of 680 numbered copies on Arches laid paper, the only issue with 25 copies on Japan paper.
Illustrated with 13 drawings and a frontispiece by L. Cadène.
Small stains to spine and at foot of second cover, handsome interior condition.

First edition, one of 800 numbered copies on Outhenin-Chalandre paper, the only issue with 20 on Japan paper.
Autograph inscription by the author.
Spine and boards slightly and marginally faded, handsome interior condition.

First edition, one of 400 numbered copies on vellum, ours unnumbered but justified S.P.
Two pale dampstains at head and foot of first cover, small red color offsetting (from the cover color) on last endpaper, handsome interior condition.

First edition, one of 500 numbered copies on vellum, the only printing with 12 Japan and 77 Lafuma.
Inscribed by the author's wife to a couple of her friends.
Spine restored with cracking and a small lack at foot, three small marginal stains of no consequence on the boards, handsome interior condition.

First edition, one of 150 numbered copies on alfa paper, the only issue with 10 on Holland paper and a few hors commerce copies.
Inscribed by the author to one of his friends. Small stain at foot of spine, otherwise handsome copy.

First edition, one of 700 numbered copies on Outhenin-Chalandre paper, the only issue with 20 laid paper copies.
Spine very lightly sunned, endpaper very lightly foxed, otherwise handsome copy.

First edition, one of 35 numbered copies on Holland paper, deluxe copies after 10 on Japan nacré.
Very handsome copy.

First edition, one of the numbered copies on Lafuma paper, the only deluxe copies after 30 Japan.
Portrait of the author by Adolf Hoffmeister, cover foxed.
Interior foxing.

First edition, one of 800 numbered copies on laid paper.
Spine and top margins sunned.

First edition.
Contributions by A. Fontainas, A.M. Gossez, Dr M. Dide on the aesthetics of the insane, R. Laporte among others.
Light worming to covers, otherwise handsome and rare copy.

First edition. Contributions by R. Tapie, L.H. Dumas, E. Ripert among others. Handsome and rare copy.

First edition. Contributions by A. Fontainas, F. Viélé-Griffin, T. George-Roux among others. A handsome and rare copy.

First edition. Contributions by C. Vildrac, R. Laporte, C. Acanthe, C. d'Eternod among others. A handsome and rare copy.

First edition. Contributions by R. Dunan, E. Zavie, F. Hellens, Melot du Dy among others.

First edition. Contributions by T. Varlet, F. Hellens, R. Guiette, R. Delas on M. Ravel, P. Courthion on A. Lhôte, D. Rops among others. Spine and boards slightly and marginally sunned, otherwise a handsome and rare copy.

First edition. Contributions by M. Jacob, M. Arland, M. Jouhandeau, R. Guiette on B. Cendrars, E.F. Léopold on M. Proust, R. Laporte among others.

First edition, one of 875 numbered copies on Lafuma paper, the only issue with 30 copies on Japan paper.
The work illustrated with a portrait of the author by E. Hubert.
Handsome copy despite light marginal worming affecting the front cover.

New edition, one of 425 numbered copies on Arches laid paper.
Spine and boards very slightly and marginally faded as usual, handsome interior condition.

First edition, one of 220 numbered copies on Holland paper, the only issue with 25 on Normandy.
Handsome copy with unfaded covers.

First edition, one of 1200 numbered copies on vélin, the only printing with 18 Japon.

First edition, one of 1000 numbered copies, the only printing with 10 Japon.
Spine faded, otherwise a good copy.