Denoël

First edition, one of 60 numbered copies on vergé d'Arches paper, deluxe copies ("tirage de tê").
Bound in brown half morocco, covers and spine preserved, top edge gilt, binding signed by Thomas Boichot.
Nice copy.

First edition on current paper.

Illustrated book of 6 vignettes by André Derain.
Very discreet restorations on the back and the boards of covers, tiny angular gaps in heads of the very first leaflets.
Precious autograph dedication signed by Antonin Artaud: "To my dear friend André Lhote the only living writer who knows how to speak about painting in a poetic and superior sense."

First edition on ordinary paper, false mention of the thirtieth edition.
Elegant half maroon morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, marbled pastedowns and endpapers, covers and spine (sunned) preserved, top edge gilt.
Autograph inscription by Louis-Ferdinand Céline.
A very good copy, nicely bound. 

First edition of the French translation, one of 1,000 numbered copies on pur fil, the only printing with 10 copies on Auvergne paper.
Frontispiece with an original portrait of Blaise Cendrars by Riera, covers illustrated with an original lithograph by Orfeo Tamburi.
Spine and boards slightly and marginally sunned, as is generally the case.

First edition illustrated with drawings by Jean-Jacques Sempé.

Publisher’s binding in full beige cloth, smooth spine, blue endpapers and pastedowns; a handsome copy complete with its illustrated dust jacket.

Dated and signed presentation inscription from Jean-Jacques Sempé to a woman named Christiane, embellished with an original drawing depicting a cyclist towing, in his trailer, an enormous flowerpot.

Rare first edition of the French translation, one of 350 numbered copies on alfa paper, the only deluxe copies aside from 50 on pur fil.

A dampstain at the center of the lower cover.
Rare

Partly first edition, one of 31 copies on pur fil paper, following only 5 on Japon and 10 on Hollande.
A well-preserved copy, notwithstanding slightly and partially toned endpapers, of no consequence.

Illustrated with a frontispiece portrait of the author drawn by himself.