First edition illustrated with a lithographed portrait of the author by Langlumé as a frontispiece (cf. Atabey 45. See Blackmer 60 and Weber 105 for the enlarged second edition, published the same year with a different frontispiece).
Half cherry calf binding, spine with four raised bands framed with gilt garlands, decorated with blind and gilt tooling, gilt rolls at head and tail, black morocco title-piece, marbled paper boards, endpapers and pastedowns, marbled edges, contemporary binding.
Some light foxing, blind-stamped ex-libris of Giannalisa Feltrinelli at foot of first endpaper. Repair to the outer margin of the last two leaves, not affecting the text.
Stay on the island of Elba, return to France, Waterloo, the Villefranche affair, the trial, stay in Switzerland, Constance, Munich, Dresden, Warsaw, Krakow, Galicia, Jassy, separation of the two brothers, Constantinople, Smyrna, Naxos, Athens, Janina, Ali Pasha, flight from Janina, passage through St. Maur Island, Corfu, Cattaro, Ragusa, Trieste, landing at Ancona, visit to Rome, stay in Livorno, Lucca, Genoa, Turin, and return to France.
"First Édition edited by two of his friends from Bacheville's notes (…) The two brothers were accused of conspiracy and fled France after the Restoration. Barthelemy joined Ali Pacha; Antoine travelled to Egypt, Persia and Arabia, to die in Muscat. The engraved frontispiece is a portrait of Antoine. The frontispieces in the two Éditions are not the same; that in the second Édition depicts the brother's separation" [Leonora Navari]. A handsome copy in a contemporary Romantic binding.