Paris

First edition in French, of which there were no deluxe copies.
Handsome copy.
Rare autograph inscription dated and signed by Nanni Balestrini to Jean-Baptiste Para.

First edition printed on ordinary paper.
Work illustrated with sketches by Victorine Séauve.
Handsome copy.
Autograph inscription dated and signed by Abram Krol to his friend the poet Charles Dobzynski.

First edition, a service de presse (advance) copy.
Light worming to slightly sunned spine.
Precious autograph inscription signed by Henri de Montherlant: "A Charles Maurras avec mon ancienne admiration." ["To Charles Maurras with my longstanding admiration."]

First edition printed on laid paper.
Boards slightly soiled, a crease mark at foot of front board.
Precious signed autograph inscription by Jean Lorrain: "A Charles Maurras homme lumineux ces contes gris de souris et de mystère" ["To Charles Maurras luminous man these gray mouse and mystery tales"]

First edition, of which only 30 copies were printed on deluxe paper, a Service de Presse (advance) copy.
Spine slightly creased.

First edition, one of 120 numbered copies on white Rives vellum, deluxe copies after 10 hors commerce Annam copies.
Work decorated with a frontispiece portrait of the author by André Lhote.
A handsome and rare copy.

First edition on ordinary paper.
Work decorated with a portrait and an autograph of A. Jarry.
Some light foxing.

First edition, one of 300 numbered copies on pur fil paper, the only deluxe copies along with 5 Japan and 25 Holland.
Spine slightly sunned.

First edition, one of 346 numbered copies on Madagascar paper, the only deluxe copies along with 12 Japan and 16 Holland.
Some minor worming.

First edition, richly illustrated with 75 figures, 40 in volume 1 (including the frontispiece) and 35 in volume 2 (including the frontispiece) and with a folding map of Palestine. Entirely printed on watermarked laid paper "Vie de J.C.". "Fine edition of this esteemed work; it is adorned with 75 rather attractive engravings, made after the principal paintings of the three schools which relate to the text. The first printing is particularly sought after" (Brunet).
Full straight-grained navy morocco binding of the period, slightly later, ca 1825, Restoration, attributable to Thouvenin according to the stamp on the upper cover (Roth, Catalogue N°9, 1946, N°256). Smooth spines richly decorated with different gilt ornamental motifs in 2 compartments with a small central cross and blind border, with gilt roulettes at tail and head. Covers decorated with a large central blind Restoration stamp, a first gilt border with various stamps, a second blind border with palmettes. Roulette on the headcaps, stamps and roulettes on the leading edges and rich interior border. Edges gilt. Title and volume labels gilt. Splendid condition, in the rarest state, apart from very slight traces of sunning on the spine of volume 2, the joints of volume 2.
Sumptuous unsigned master binding perfectly executed, attributable to Thouvenin.
Father François de Ligny, of the Society of Jesus created this paraphrase on the life of Jesus based on the Gospels, and ancient texts, adding his reflections and commentaries.

First edition illustrated with 24 steel engravings after the Rouargue brothers (views, animated historical scenes) and 12 hand-colored and gummed wooden plates of military costumes, as well as numerous wood-engraved vignettes in text. One folding colored map with plans of the principal cities. The work had been published for the first time in 1844, it was continued until the year 1853 in this edition with some parts in first edition.
Publisher's full red morocco binding signed Tripon. Spine with raised bands decorated with ornamental compartments of foliage. Gilt title. Large central gilt plaque, quintuple framing fillet and thick framing fillet. Interior frieze. All edges gilt. White watered silk endpapers darkened. Some pale foxing on paper that has remained quite white except for a few leaves with scattered worming.
Geography and History of Algeria From the first establishments of the Carthaginians until the capture of General Randon's expedition in 1853.

First edition of the French translation established by Claude Couffon with the Spanish text en regard.
Handsome copy despite two slight tears at head and foot of spine.
Autograph inscription signed by Claude Couffon to poet Charles Dobzynski enhanced with an autograph inscription signed by Rafael Alberti enriched with a drawing depicting a sailboat, a fish, a starfish and a sun.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Handsome copy illustrated with reproductions of works by Robert Lapoujade.
Fine dated and signed autograph inscription from Robert Lapoujade to Jean Bardet, co-founder of Editions du Seuil, expanded with an original drawing.

First edition printed on ordinary paper.
Illustrated cover.
One tear at the foot of the spine.
Signed autograph inscription from Pierre Mille to Jean Morienval.

First edition of this thesis submitted for the doctorate in law at the University of Paris.
Light marginal worming to boards.
Rare.

First edition.
Contributions by Henri Michaux "Le livre des situations étranges", René Char "Congé au vent", Franz Kafka "Joséphine la cantatrice", Federico Garcia Lorca "Yerma", John Steinbeck "Johny l'ours", Georges Hugnet "Chansons nettes", Alfred Jarry "L'objet aimé"...
Handsome copy.

First edition on ordinary paper.
Handsome copy.
Fine autograph inscription signed by Alain Bosquet to his friend the poet Charles Dobzynski: "... en amitié, admiration et gratitude, depuis quelques décennies." ["in friendship, admiration and gratitude, for some decades."]

First edition in French.
Handsome copy.
Autograph inscription signed by Adonis to Charles Dobzynski.

First edition.
Publisher's full grey cloth binding, smooth spine, with the illustrated dust jacket.
Fine copy despite small marginal tears on the dust jacket skillfully repaired with adhesive pieces.
Work illustrated with reproductions of works by Alain Le Yaouanc.
Our copy is enhanced with two signed autograph inscriptions by Alain Le Yaouanc, dated 1979 and 1993, to the poet Charles Dobzynski, embellished with two original drawings, one of which has suffered a tear that has undoubtedly removed the name of a previous dedicatee with a violence that leaves one wondering about the nature of this mysterious first recipient.
The first endpaper also bears an original composition by Alain Le Yaouanc.
Rare copy triply enhanced with original works by Alain Le Yaouanc.

First edition on ordinary paper.
A transverse fold mark on the first cover.
Autograph inscription dated and signed by Jean-Pierre Luminet to the poet Charles Dobzynski: "... grand-maître de l'opéra comique..." ["... grand master of comic opera..."]

First edition on ordinary paper.
Small marginal tears at head of spine and on boards.
Autograph inscription signed by Henry Malherbe to Edouard Schneider: "... ami sensible, équitable et fin..." ["...sensitive, fair and refined friend..."]

Edition of the same year as the first edition.
Handsome copy.
Autograph inscription signed by Hervé Bazin to Gaston J. Viala.

Edition illustrated with original illustrations by Jean Oberlé, stated thirteenth edition.
Handsome copy despite minor foxing to edges.
Autograph inscription signed by Renée Dunan to Georges Pioch: "... ces historiettes presque édifiantes..." ["... these almost edifying little stories..."]

First edition illustrated with 8 engravings, after photographs, and some figures in-text.
Contemporary brown half-shagreen binding. Spine with raised bands in Jansenist style. Spine uniformly darkened. Some scattered pale foxing. Good copy.
Engraved bookplate with the arms of De Masur.
Travel account through Japan by a French naval officer. Yokohama, Yeddo, Nikko, Osaka, Kyoto, Nagasaki and Shanghai. The journey relates the classic vision of a Westerner visiting Japan, describing customs, rites and everything that could appear exotic to him, such as theater, Geishas, samurai, ronin, kites... The account contains numerous anecdotes.

First edition of the French translation established by Eugène Guillevic, of which there were no deluxe copies.
Publisher's binding in full red boards, smooth spine.
Handsome copy.
Autograph inscriptions signed by Maria Banus and Eugène Guillevic to the poet Charles Dobzynski.
Manuscript note by Maria Banus on the half-title page.

First edition.
Marbled paper boards. Smooth spine with black sheep title-label running lengthwise. Lacks at head and foot. Yellow wrappers preserved.
89 tables.

First edition.
Contemporary half dark green shagreen binding. Smooth spine. Gilt title. Original wrappers preserved. Rubbing.
69 tables, 190 entries.

First edition in French.
Small wormholes to the first leaves and at the foot of the second cover.
Issue illustrated with a McKenna cover.
Other contributions by Keith Laumer "Invasion mentale", William Ley "D'autres candidats pour l'espace ?", Philip José Farmer "Les blasphémateurs".

First edition, one of 15 copies on Holland paper, deluxe copy.
Spine slightly warped, light foxing.
A full-margined copy.

First edition on ordinary paper.
Handsome copy.
Autograph inscription signed by Michel Butor to poet Charles Dobzynski: "... pour lui mettre la tête à l'envers (signature de l'autre côté)." ["... to turn his head upside down (signature on the other side)."]

First edition, a Service de Presse (advance) copy.
Spine sunned.
Autograph inscription signed by Michel Butor to his friend, art critic Georges Raillard, accompanied by a set of ink stamps repeating several times the words: amitiés, affections, bonne chance, salut, bon voyage... ["friendships, affections, good luck, greetings, bon voyage..."]

Edition published two months after the first edition.
Handsome copy despite minor foxing to the edges and complete with its publisher's wraparound band.
Autograph inscription signed by Michel de Saint-Pierre to Gaston J. Viala: "Ce roman où j'ai voulu parler de tradition et de fidélité." ["This novel in which I wanted to speak of tradition and fidelity."]

First edition on ordinary paper.
Handsome copy.
Autograph inscription signed by Bertrand Poirot-Delpech to Gaston J. Viala.

First edition, one of 500 numbered copies on Cleopatra laid paper, the only deluxe copies.
Publisher's red cloth Bradel binding, smooth spine, black paper endpapers and pastedowns.
Handsome copy.

First edition, one of 60 numbered copies on Arches laid paper, ours one of 10 hors commerce copies numbered in Roman numerals, deluxe copy.
Bradel binding in half red morocco, smooth spine, gilt date at foot, pebbled paper boards, covers and spine preserved.

Provenance: from the library of Maître Mikkelsen, Louis-Ferdinand Céline's lawyer during his exile and incarceration in Denmark.

We present, accompanying our copy, a certificate signed by the expert Bernard Portheault, attesting to the prestigious provenance of this volume.

First edition. The first edition was so rapidly exhausted that a new one had to be printed a few months later.
Contemporary half red shagreen binding. Spine with raised bands decorated with 3 fleurons and blind fillets, gilt title and volume number. Some traces of rubbing. Handsome copy, almost free from foxing, with fresh paper.
These famous letters were addressed to Jenny (Jeanne Françoise) Dacquin from 1841 to 1870, the last of which was written two hours before the author's death. Hippolyte Taine's preface constitutes one of the first and best testimonials about the writer. While Mérimée complained of being unable to devote time to a true work, he unknowingly conceived his ultimate masterpiece with this collection of letters.
Library stamps on title page: Ecole Cardinal Pie, Montmorillon. Bibliothèque diocésaine, Poitiers.

Edition illustrated with 29 original compositions by François Schommer (including the cover), one of 75 deluxe numbered copies on Japan or Marais laid paper, ours on Japan paper, deluxe issue.
Full blue morocco binding, spine very lightly sunned with five raised bands set with gilt dots and decorated with gilt interlaced designs, date and place gilt at foot, gilt roulettes on headcaps, wide frame of fifteen gilt fillets in interlaced pattern on boards, marbled endpapers and pastedowns, frame of gilt fillets in interlaced pattern on pastedowns, double gilt fillets on edges, covers preserved, top and fore edges gilt, engraved bookplate pasted on one pastedown, elegant English binding very slightly later dated 1913 and signed Zaehnsdorf, Hungarian binder established in London.
Each illustration, in double state in our copy, was engraved with burin and etching by Léon Boisson.
Handsome copy perfectly executed in a very slightly later English binding.

first edition on current paper, false mention of ninth edition.
Small gaps in the margins and at the bottom of the last sheets of the book without any damage to the text.
Autograph signed by Jean Paulhan to Gaston J. Viala containing a quote: "When the traveler falls in love with the country he is traveling, the result in his remarks is a certain disorder, which makes them poorly judged."

This volume brings together volumes 25 to 27 corresponding to the first quarter of 1836.
Contemporary half speckled brown sheep binding. Smooth spine decorated with roulettes and fillets. Brown sheep title label. Crowned cipher at foot. Light rubbing. Fine copy, perfectly fresh.

Victor Hugo in 1836 by Nisard, Fragment of Jocelyn by Lamartine, Napoleon by Edgard Quinet, Philosophical Doubts by Nodier, Xavier Marmier, Léon Gozlan, Jules Janin; Salon of 1836, by Roger de Beauvoir.

First printing of the illustrated edition. One of 100 deluxe copies on Japan or China paper, here on China paper No. XLIII numbered by hand and justified. General printing of 600 copies. 24 engravings in 3 states, line, in black, in colors, totaling 72 illustrations. The stones, as stipulated in the printing notice, were destroyed.
Contemporary half orange morocco binding with corners signed Strobants. Raised band spine decorated with mirror irons set in a succession of compartments, roulettes at head and tail. Top edge gilt. Covers and spine preserved. Some foxing on the title page and in the margins, but very rare.
Engraved armorial bookplate by Malatesta: Bibliothèque de Monsieur H. Del Monte.
Painter, engraver and illustrator, Alexandre Lunois remained renowned for his color lithographic washes. To interpret his own drawings, he employs an almost forgotten process, treating the stone with a brush dipped in lithographic ink, in other words like a wash. The textures, nuances, color contrasts obtained distinguish his style. The result is a contrasted and violent style, which perfectly illustrates orientalism, as seen in Fortunio, a true painter's book and one of his major productions. He delights in giving different states of his engravings whose deep blacks are remarkable. About an orientalist plate, Edmond de Goncourt notes in his journal: "A very remarkable plate is a lithograph by Lunois entitled Danseuses espagnoles dans la danse. A plate of the greatest character escaping Japanese imitation through the intensity of tones, the raw blue of the background, the yellow, the frank red, the blacks of nocturnal shadow in full figure."

First edition for which it was not drawn from large papers.
Pleasant copy, a few reading marks in pencil in the margins of certain sheets.
Autograph signed by Jean Ristat to his friend the poet Charles Dobzynski: "For Charles Dobzynski, my friendship ..."

first edition on current paper.
Back slightly passed.
Autograph signed by Raph Feigelson to poet Charles Dobzynski.

First edition abundantly illustrated with 1110 in-text wood engravings and 47 hand-colored lithographs by Mesnel after the author's photographs.
Contemporary half-glazed black calf binding with small corners. Smooth spine decorated with 4 fleurons. Restorations to headcaps and joints, blue percale boards renewed, corners renewed. Light marginal dampstains on first and last leaves of the table. Scattered foxing mainly in the margins.
One of the most famous works on fishing, and certainly the most exhaustive ever published.

First edition of the exhibition catalogue held from December 18, 1979 to April 14, 1980 at the Centre Georges Pompidou.
Handsome copy.
Rich iconography.

first edition on current paper.
Illustrated book of numerous reproductions of engraved works by Abram Krol.
Preface by Dominique Daguet.
Iconography.
Autograph dated and signed by Abram Krol to his friend the poet Charles Dobzynski: "... two decades of a copper plowman, friendly."

First edition of the French translation prepared next to the Arabic text by André Velter and the author.
Pleasant copy.
Autograph signed by Adonis to Charles Dobzynski.

first edition on current paper.
Pleasant copy.
A handwritten correction by the author page 49.
Beautiful autograph dedication signed by Gaston Baissette to the poet Charles Dobzynski: "... to the cadet who gives a lesson of things to his elders, to the creator of cosmogonies, to the poet of the world of tomorrow. His friend who admires him."

First edition, on current paper, of the French translation prepared by Milos Sova.
Preface and adaptation by Jean Marcenac.
Publisher's binding in full yellow cardboard, smooth back, full copy of its jacket identical to the boards.
Some reading marks in black ink on the margins of certain pages.
Beautiful autograph shipment dated and signed by Vitezslav Nezval, in French, to his friend the poet Charles Dobzynski: "To the great poet Charles Dobzynski with my memory of an unforgettable meeting in Paris. Fraternally, his friend Vitezslav Nezval. Paris, 28 IV 54 . "
Our copy is also enriched with this beautiful autograph signed by Jean Marcenac to his friend: "For my brother Charles because his genius (sic) the beauty of his heart. With the faithful tenderness of Jean Marcenac."

first edition printed in 500 numbered copies on Auvergne.
Pleasant copy of this poem which consists of a typographic exercise in three colors and which unfolds in the manner of the famous "Liberty" by Paul Eluard
Autograph shipment dated by Pierre Seghers to his friend the poet Charles Dobzynski.

First edition in French.
Half green sheep binding, smooth warped spine decorated with triple gilt fillets, marbled paper boards with surface wear, marbled endpapers and pastedowns, corners slightly bumped, speckled edges, contemporary binding.
Occasional foxing, copy slightly trimmed.

First edition for which it was not drawn from large papers.
Pleasant complete copy of his prayer to insert.
Autograph dated and signed by René Depestre to the poet Charles Dobzynski and his wife Eliane: "... who are always welcome in the affection, loyalty and admiration of their old friend."

First edition on ordinary paper.
Spine and boards lightly and marginally sunned, small adhesive paper residue at head and foot of endpapers.
Autograph inscription dated and signed by Michel Butor to his friend, art critic and Nouveau Roman specialist Georges Raillard on the half-title page, enhanced with an original fold on the facing endpaper.

First edition, one of the review copies service.
Back and boards slightly and marginally exposed, small discharges of adhesive paper at the heads and feet of the guards.
Autograph dated and signed by Michel Butor to his friend the art critic and specialist in the New Roman Georges Raillard written on the false title page and keeps it in front by means of an original folding: "... a few pages the evening before falling asleep ... "

first edition printed in 150 numbered copies, ours one of 50 out of business.
Pleasant copy despite the marginally and slightly sunny boards at the top.
Autograph signed by Bernard Vargaftig to his friends Charles and Eliane (Dobzynski).

First edition of this catalogue of the exhibition held at the Centre Georges Pompidou from July 12 to November 6, 1978.
Numerous contributions.
Iconography.
Handsome copy.

first edition.
Iconography.
Autograph signed by Jean-Pierre Luminet to the poet Charles Dobzynski.

First edition for which it was not drawn from large papers.
Beautiful illustrated copy of drawings by Gianni Burattoni.
Autograph signed by Jean Ristat to the poet Charles Dobzynski who was a close friend of Louis Aragon.

Rare collection of five tracts and eleven original posters from the Italian Campaign gathered under a half green percaline binding with smooth unlettered spine and marbled paper boards:
- Proclamation - The Emperor to the French people: 3 pages on a folded sheet, imperial printing house, May 1859
- Speech pronounced by His Majesty the Emperor at the opening of the Legislative Session of 1856, on March 3, 1856: 4 pages on a folded sheet, imperial printing house, March 1856
- Speech pronounced by His Majesty the Emperor at the opening of the Legislative Session on February 4, 1861: 4 pages on a folded sheet, imperial printing house, February 1861
- Speech pronounced by His Majesty the Emperor at the opening of the Legislative Session of 1858, on January 18, 1858: 7 sewn pages, imperial printing house, January 1858
- Speech pronounced by His Majesty the Emperor at the opening of the Legislative Session on March 1^st, 1860: 4 pages on a folded sheet, imperial printing house, March 1860
- Poster "Army of Italy - Order of the day": imperial printing house, May 1859
- Poster "Army of Italy - Telegraphic dispatch. Novara, June 4, 11:30": imperial printing house, June 1859
- Poster "Army of Italy - Proclamation": imperial printing house, June 1859
- Poster "Army of Italy - Proclamation": imperial printing house, June 1859
- Poster "Army of Italy - Combat of Melegnano (Marignan)": imperial printing house, June 1859
- Poster "Army of Italy - Telegraphic dispatch. The Emperor to the Empress. Cavriana, June 24, 1859, 9:15 in the evening": imperial printing house, June 1859
- Poster "Army of Italy - Order of the day. At the imperial headquarters, at Cavriana, June 25, 1859": imperial printing house, June 1859
- Poster "Army of Italy - Proclamation": imperial printing house, July 1859
- Poster "Army of Italy - Telegraphic dispatch. The Emperor to the Empress. Valeggio, July 11, 1859": imperial printing house, July 1859
- Poster "Army of Italy - Telegraphic dispatch. The Emperor to the Empress. Desenzano, July 13, 1859, 11:03 in the morning": imperial printing house, July 1859
- Poster "Speech by H.M. the Emperor to the great bodies of the State, pronounced at the Palace of Saint-Cloud, July 19, 1859": imperial printing house, July 1859
Some paper lacks to boards, otherwise documents in very good condition despite small marginal tears without loss on the last folding poster.
We have been unable to find any copies of these documents in public archives.

First edition.
Half red shagreen binding, spine with five raised bands decorated with double blind-stamped compartments, spine showing traces of rubbing, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Some foxing in margins of most leaves.

First edition, one of 790 numbered copies printed on alfa paper.
Handsome copy.

first edition on current paper.
Small spots in the middle of the back.
Autograph signed by Jean d'Ormesson to poet Charles Dobzynski.

first edition printed in 150 numbered copies, ours not justified.
Rare and pleasant copy.
Illustrated book of 3 drawings by Gisèle Celan-Lestrange.
Autograph signed by Martine Broda to poet Charles Dobzynski.

First edition, one of the numbered copies on "bouffant" paper.
Pleasant copy despite a tiny stain at the top of the first board.
Autograph dedication signed by René Char to poet Charles Dobzynski.

first edition on current paper.
Pleasant copy despite the slightly thinned back.
Autograph dedication signed on full page by Jean-Pierre Attal to his friend the poet Charles Dobzynski.

first edition on current paper.
Illustrated book of five drawings by André Masson.
Pleasant copy.
Autograph signed by André Frénaud to the poet Charles Dobzynski: "... attentive to the great upheavals of history with its hopes and disappointments ..."

First edition of the French translation for which no large papers were printed.
Pleasant copy.
Autograph signed by Adonis to Charles Dobzynski.

First edition, on current pope, of the French translation.
Pleasant copy.
Autograph dated and signed by Adonis to Charles Dobzynski.

First edition for which it was not drawn from large papers.
Beautiful copy illustrated with a frontispiece by Gianni Burattoni.
Autograph signed by Jean Ristat to the poet Charles Dobzynski who was a close friend of Louis Aragon: "... or how not to finish with the Alexandrian - for example -"

First edition, one of 35 numbered copies on pure Madagascar thread, head print.
Bookplate pasted on the back of the first cover.
Tiny foxinges on the head without consequence, preserved witnesses, beautiful copy.

First edition illustrated with 50 plates (7 for volume 1, 12 for volume 2, 13 for volume 3, 5 for volume 4 and 13 for volume 5).
Half black Russia morocco bindings, smooth spines richly decorated with gilt fleurons and blind-stamped motifs, pebbled paper endpapers and pastedowns.
Scattered foxing.

Illustrated edition of 8 original etchings by Jacques Villon including 2 in color, one of 150 numbered copies on Arches paper vellum.
Back of the shirt and partially exposed case covers.
Pleasant copy.
Autograph signatures of Jacques Villon and Robert Ganzo at the justification of the draw.

first edition on current paper.
Publisher's binding in full black cardboard, smooth back.
Illustrated book of reproductions of works by Michel Mousseau.
Pleasant copy.
Autograph signed by Zeno Bianu to the poet Charles Dobzynski: "For Charles - on the lookout for anything that hatches - with the attention of Zeno." enriched with an original two-color drawing by Michel Mousseau on the opposite page.

first edition on current paper.
Nice complete copy of his jacket with a slightly lightened back.
Autograph signed by Yves Bonnefoy to the poet Charles Dobzynski.

Edition with some parts in first edition. Autograph inscription from the author: "A mon cousin et bon ami Sicard. Auguste Barbier." ["To my cousin and good friend Sicard. Auguste Barbier."] Followed by a note: "Après la mort de M. Sicard, M. Auguste Barbier est venu à Angers et a donné ce livre à M. Selou, notaire." ["After the death of M. Sicard, M. Auguste Barbier came to Angers and gave this book to M. Selou, notary."] Iambes is augmented with 3 unpublished poems and the collection Lazare appears for the first time.
Contemporary half green Russian leather with corners. Smooth spine decorated with a large central decorative panel, roll tool at foot. Gilt title and date. Rubbing to corners. Some pale foxing and browning.
Very handsome copy.
Les Iambes initially appeared in 1832 and remains the author's best-known collection, which made him immediately famous and made him the spokesman for the July 1830 Revolution, and one of the essential figures of Romanticism. "This collection ranks him among the greatest combat poets between Agrippa d'Aubigné and Victor Hugo" (Laffont-Bompiani, Dictionnaire des Oeuvres). Hugo said he found in Iambes "astonishing verses that no one else will ever write again" and Baudelaire that he was "naturally a poet and a great poet." The series of poems on social misery, Lazare, which completes the work is one of Barbier's greatest successes and makes the entire collection the most important published by the author, in an inspiration that the poet, for many critics, would never surpass again.

NB : Cet ouvrage est disponible à la librairie sur demande sous 48 heures.

Illustrated edition of 14 original vignettes of Hermine David, one of the numbered copies on vellum from the Marais, ours one of the 14 literates comprising an original drawing signed by Hermine David , a series of vignettes on Japan and a colored suite with hand by Hermine David , head print.
Beautiful copy.

first edition on current paper, mention of third edition.
Ex-dono of Charles Dobzynski at the head of the title page.
Enriched autograph signed by René Lacôte to his friend the poet Charles Dobzynski: "... with the keen friendship of his comrade ..."

First edition.
Complete third year in 12 issues of this extremely rare scholarly review founded and directed by Paul Nadar. Each copy includes at least two plates outside the text, including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... Among the numerous subjects treated, one will find chronophotography, color reproduction, skies in photography, The pilgrimage to Mecca (very beautiful heliogravure plate outside the text of the grand çalat ceremony)... "We believe we are advancing progress by interesting the public even more in this entirely French discovery of Photography..." ["Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie..."]. Thus Paul Nadar concluded his introduction as presentation of this precious review, containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe, P. Nadar explains the absence of a luxury photography review in France, contrary to the magnificent foreign publications.
Some rare and minimal marginal dampstains and small tears of no consequence, otherwise very handsome uncut copies forming a set of remarkable rarity.

first edition on current paper.
Illustrated book of reproductions of works by Joan Miro.
Pleasant copy.
Autograph dedication signed by Alain Jouffroy to poet Charles Dobzynski.

first edition on current paper.
Pleasant copy.
Autograph signed by Alain Bosquet to his friend the poet Charles Dobzynski.

First edition, one of the review copies service.
Pleasant copy.
Autograph dedication signed by René Char to poet Charles Dobzynski.

first edition on current paper.
Pleasant copy.
Affectionate autograph signed by Alain Bosquet to his friend the poet Charles Dobzynski and his wife Eliane.

First edition illustrated with 32 original lithographs by Marti Bas, one of 200 numbered copies on grand vélin d'Arches, the only issue after 20 Japan and 30 grand vélin d'Arches.
Handsome copy.

First edition, one of 110 numbered copies on vellum from the Marais, only print after 20 vellum from Montval and 10 vellum from Auvergne.
Illustrated book of chisels with bullfighting subjects by Madeleine Melsonn including 9 full-page and 4 in headers and dead ends.
Partially insolated boards, otherwise pleasant and rare copy.
Autograph dedication signed by Henri de Montherlant to Doctor Bocquentin: "... this pleasure and this fear that often ends up in billiards ..." enriched by an autogrape signature signed by Madeleine Melsonn.

First edition of the French translation for which it was not drawn from large papers.
Book illustrated with a drawing by Marc Chagall.
Autograph signed by one of the translators J. Gottfarstein to the poet Charles Dobzynski.

first edition on current paper.
Iconography.
Pleasant copy.
Autograph dedication signed by Yves Berger to poet Charles Dobzynski.

first edition on current paper.
Pleasant copy.
Autograph signed by Pierre Torreilles to poet Charles Dobzynski.

first edition.
Pleasant copy
Autograph dedication signed by Philippe Bourdrel to Pierre Gamarra.