Paris

First edition on ordinary paper, fantastically stated 1000.
Autograph inscription from Albert Londres to Paul Gsell.
Small tears, glued down, to head and foot of spine.

Original edition on paper despite a current visionary thousand words.
Signed autograph of the author Bernard Pingaud.
Some film lacks covering the structure, a small spot on top of the latest warning.

First edition, one of 5 numbered copies on Hollande paper, the only large paper copies.
Autograph inscription from Julien Benda to André Bertaut.
A good, well-margined copy.

First edition of the French translation, one of 50 numbered copies on pur fil, the only large paper copies.
A very good copy.

First edition, one of the copies of the press service.
Dated and signed autograph dedication of the author and novelist Jean Blanzat resistant.
Scratches on the jaws, a small lack topped the first dish.

New edition on ordinary paper, falsely stated the 7th édition.
Autograph inscription from Paul Eluard : "à Pierre Charlès fraternellement..."

First edition, one of the copies of the press service.
Signed autograph of the author Genevieve Calliat.
Insolated back slightly, a little lack in top of the first guard, two small tears marginally affecting the dedication, a slight lack led all the pages of the last book, paper yellowed and brittle.

First edition of the French translation for which it was not drawn large papers.
Rare autograph dated and signed by the author, the third volume, the journalist Jean-Claude Lamy who collaborated notably France Soir.
Iconography.
Small traces discoloration on the back of the third volume.

First edition, one of 65 numbered copies on Hollande paper, the tirage de tête after 50 on Japon.
Superb maroon morocco studded with gilt dots by Madeleine Gras, repair to foot of one joint, covers with design of spiral fillets to centre, red velour endpapers and pastedowns, covers and spine preserved, all edges gilt; slipcase edged in maroon morocco, lined in brown felt, wood-patterned paper boards.
Slight marginal worming to blank endpapers.
A very good copy in a handsome binding.

Original edition for which he was not drawn large papers.
Signed autograph of the author Guy Debrincat.
Iconography, nice copy.

First re-printing, from December 1932, from the press at La Grande Imprimerie de Troyes, light green publisher’s catalogue at end, fantastically stated 71st edition
Stamp to lower cover, which may have indicated a service de presse (advance) copy
Inscribed by Louis-Ferdinand Céline to Serge Pain
A very good copy.

Original edition on the current paper.
Signed autograph of the author of Madame and Monsieur Edouard Blockhuysen.
Iconography.
A small lack head back.

New edition, stated the 6000th.
With 25 etchings, 6 drawings and the folding map at end.
Spine sunned.

First edition illustrated with 21 original compositions in colors of Charles Samson, one of 100 numbered copies on Arches, deluxe edition.
Binding half morocco green bottle with corners, back with four nerves set with gold dotted dishes of cardboard so wooden guards and contreplats of handmade paper, preserved covers and backs, gilded head.
As it is stated in the justification of the draw-in fine, the book is full of suites in black and color illustrations.
In addition, our model is exceptionally enriched with three original color drawings signed by Charles Samson representing the Rue Mazarine, Boulevard du Palais and the Rue des Saules and montmartroises vines.
Some small minor foxing mainly affecting the draw justification page and the latest guards.
Pleasant specimen exceptionally enriched with three original drawings by Charles Samson.

The first edition, of which there were no deluxe copies.
Publisher's flexible card binding.
Complete with its illustrated dust jacket which shows minor insignificant flaws and two interior restorations with adhesive pieces, front endpaper creased.

New edition.
Handsome Cover illustrated by Roger Cornaille.
Spine very slightly sunned and spotted, not serious, a good copy.

First edition on ordinary paper.
With 12 hors texte en héliogravure.
Two small traces of angular fold to foot of upper cover.

Original edition on the current paper.
Binding sheepskin half hazelnut, back with five nerves set with black nets, marbled paper plates, guards and contreplats of handmade paper, illustrated cover of an etching by Delattre kept modest contemporary binding.
Dated and signed autograph dedication from the author to Madame Goudeau "... I love the friendly smile and good humor ever ..."
Preface by Francis Carco.
Illustrated book of 16 prints from all periods of Montmartre and 16 unpublished drawings by Maurice Drouard, portrait of the author by Amedeo Modigliani.
A small photograph of the author has been pasted below the autograph.
Our copy is complete the plan brochure in Montmartre-fine.