Paris

19 originale watercolors by Carlo Rim, one of 800 numbered copies on papier de Rives.
A very good copy.

Edition with original woodcuts by Gaston Nick, one of 250 numbered copies on vélin de Rives paper.
Preface by Pierre Bonardi.
A very good copy.

TAMAYO Rufino & PERET Benjamin
Air mexicain Librairie Arcanes, Paris 1952, 195 x 250 mm
(7 11/16 x 9 13/16 ”), loose leaves, custom slipcase
First edition, one of 20 numbered copies on vélin crème de Renage paper, the only printing, with one copy on Hollande
With 4 color original lithographs by Rufino Tamayo
This copy, as called for in the justification, is enriched with a suite of the 4 lithographs by Rufino Tamayo at end
Autograph signatures of Benjamin Peret and Rufino Tamayo on the justification page
A good and rare copy in a pink slipcase.

First edition, one of 18 numbered copies on pur fil, the only large paper copies.
A good copy with good margins.

First edition of which there were no large paper copies, an advance (service de presse) copy.
Rare autograph inscription signed by Patrick Modiano to Geneviève Dormann on this, his second work.
Spine slightly sunned, two clear stains to lower cover.

Original edition on the current paper.
Binding to open bradel made paper, smooth back, navy morocco as an exhibit, preserved cover, gilded head, elegant binding pastiche signed P. Goy & C. Vilaine.
Signed autograph of the author and sociologist destroyer of racist theories Jean Finot, "Jean Finot his friendly colleague ..."
A small angular lack the top and leaves some margin without ever reaching the text.

First edition of the thesis presented by Emile Dukheim the Faculty of Arts of Paris and for which he was not drawn large papers.
Original edition on the current paper.
Binding to open bradel made paper, smooth back, as part of black morocco, elegant binding pastiche signed P. Goy & C. Vilaine.
Rare autograph signed by the author at the chief of staff of the Ministry of Education Charles Dupuy.
Light foxing minor on the page where the autograph.

First edition, one of the copies of the press service.
Binding to open bradel made paper, smooth back, part black morocco title, preserved covers and backs, gilded head, elegant binding pastiche signed P. Goy & C. Vilaine.
Signed autograph from the author to the Immortal Gouhier Henri and his wife.
Some reading marks and annotations dedicatee, with a pencil in the margins of some leaves.

Original edition for which he was not drawn large papers.
Binding to the bronze bradel half calf, smooth back, covers preserved, elegant binding pastiche signed P. Goy & C. Vilaine.
Rare autograph signed by the author at the top of the first cover food "for my friend Gregory, fond memories ..."
Two pale foxing heads of the first and last pages of this brochure, small foxing.
Some passages and the name of the author on the first dish underlined pencils of red and blue colors.

Original edition for which he was not drawn large papers.
Signed autograph of the author: "Madame Bonis-Charancle this story that we have lived and told my way ..."
A small tear at the top of the back, otherwise nice copy.

First edition of which there were no large paper copies, falsely stated 15ème mille.
With an autograph inscription from François Mitterrand to Dominique Pado.
Small foxings, not serious, on the edges.

First edition on ordinary paper.
Handsome autograph inscription signed by Marguerite Yourcenar to Bernard Gheerbrandt, a student of Gaston Bachelard's and founder of the La Hune bookshop and the Club des libraires de France : "à Bernard Gheerbrandt... Ces puissances de l'or, de l'esprit et de la révolte au XVIème siècle...[for Bernard Gheerbrandt…These golden forces from the spirit and the revolt of the 16th century]"
A good copy complete with illustrated dust jacket (spine sunned), and some press clippings tipped in.

Original edition for which he was not drawn large papers, one of the copies of the press service.
Precious autograph signed by the author: "Maurice Blanchot who helped me understand the Flowers of Tarbes and value of agreements ..."
Restored back.

Edition illustrated with a frontispiece and headers engraved on wood by Louis Jou, one of 49 numbered copies on Japan, leading one single draw after Japan.
Binding half morocco navy corners, back with four nerves, marbled paper plates, guards and contreplats of handmade paper, preserved covers and backs, bookplate pasted on inside cover, gilded head.
Our copy, as it is stated in the justification of the draw is full of a draw on China frontispiece signed by Louis Jou and a printout peel wood crossed the frontispiece.
Nice copy pleasantly established.

First edition, one of 62 numbered copies on Madagascar paper, the tirage de tête in this format.
A tiny stain on the upper double cover.
Provenance : from the library of the Docteur Lucien-Graux with his ex-libris pasted on endpaper.
Rare and nice copy with double cover.

Edit partly original, one of 300 numbered copies on vellum pure royal cloth.
Binding half purple sorrow with corners, back with nerves decorated cleared two black nets, marbled paper plates, guards and contreplats of handmade paper, preserved covers and backs, head veil.
Handwritten signature of the author to the justification of the draw.
The preamble and "The notebook of the poet" here in the original edition.
Book illustrated with 8 original etchings inset-author.