Paris

Collective Edition, one of the 350 copys numbered on "pur-fil" paper only leading copies after 110 taxed back.
autograph dedication of the author autograph signed by Léon-Paul Fargue Marguerite Quintin "these green tales" and these nightmares ... scientists ... "

First edition of the French translation by Jules Janin.
Binders full glossy red calf, back with four nerves set with ornate golden dotted double gilded nets and gilded boxes decorated with golden typographical reasons, two split bits and restored heads and feet, wheels on golden headdresses, supervision of a wide gold lace and a lace cold stamped on the boards, gilded with gold initials hit the centers of plates, nets gilded on the cuts, framing a golden lace on contreplats, guards and contreplats paper to the bowl, gilt edges, upper corners very lightly bumped, beautiful bindings then signed Lebrun.
Signed autograph of her dear Jules Janin Massol, "... I ask you to keep this book in memory of my good and sincere friendship ..."
Some small foxing auxcune without gravity.
Copy drawn in a perfect and elegant contemporary binding signed Lebrun.

First edition of the French translation.
Rare autograph dated and signed by Victor Andreyevich Kravchenko in English Pomier a miss.
Some small marginal tears on flat minor.

first edition.
Binding to bradel half percaline burgundy, smooth back with a gold jewel, date and dual gold tail thread, marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, a blunt upper corner, contemporary binding.
autograph dedication of the author autograph signed by Abel Hermant on the half-title page on lift tab Catulle Mendes.
Two tiny angular gaps minor legs pages half-title and title.

First edition, a service de presse (advance) copy.
Autograph inscription from André Gide to Christian Michelfelder.
A good copy.

Edition, review copy.
autograph dedication of the author autograph signed by André Gide Christian Michelfelder.
Nice copy.

First edition.
Highly elegant contemporary Romantic binding in half long-grain blue morocco over marbled paper boards, spine in five compartments with delicate raised bands and gilt garlands and fleurons, gilt friezes at head and foot of spine, light insignificant scuffing to foot of joints, gilt fillet frame to covers, marbled endpapers and pastedowns.
Retaining its frontispiece portrait of Louis-Gabriel Suchet to first volume, as well as the two folding maps at the end of volume two.
A good copy with practically no foxing in a charming contemporary Romantic binding.

First edition of only 197 copies, this one numbered on vélin du Marais paper.
Illustrations by Maurice Utrillo, made up as follows: 11 lithographs, of which 8 in color, 1 unfinished, 2 in sepia – of which one making up the title - and 1 in black; 2 lithographs of Suzanne Valadon, his mother, and Lucie Valore, his wife, after a pastel drawing.
A very good and rare copy.

First edition, one of 110 numbered copies on laid Lafuma Navarre and taxed back at quarto foolscap, deluxe edition.
Binding half black morocco, smooth back set with nine bands burgundy morocco, marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, gilded head, binding the Art Deco era.
autograph dedication of the author signed autograph of Paul Morand later his friend FF Leguen "... this Europe before the hemiplegia, his friend ..."
Few minor bites.
Copy set in a charming Art Deco Contemporary binding.

First edition, one of 110 numbered copies on laid Lafuma Navarre and taxed back at quarto foolscap, deluxe edition.
Binding half black morocco, smooth back set with nine bands burgundy morocco, marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, gilded head, binding the Art Deco era.
autograph dedication of the author signed autograph of Paul Morand later his friend FF Leguen "... this Europe before the hemiplegia, his friend ..."
Few minor bites.
Copy set in a charming Art Deco Contemporary binding.

First edition, one of 20 copies on China paper, tirage de tête.
A small lack at head of upper cover, wich retains also traces of marginal folding to head.

First edition, one of 50 copies on Hollande, the only large paper copies after 20 Chine.
A good copy.

First edition.
Small tears with tiny lacks, not serious, to head and foot of spine, scattered foxing.

New edition.
Half shagreen Binding navy maroquiné, smooth back slightly discolored, boards, guards and contreplats paper moiré effect, a blunt upper corner, gilded head, wrappers and back preserved and bound in.
Bel autograph signed Maxime Weygand FG Pernet.
Yellowed paper as often with regard to the poor quality of the paper war.

Edition, one of 1440 numbered copies on tinted Alfa paper.
Binding to bradel half chocolate brown morocco, flat spine cleared with a gold central jewel, golden tail date marbled paper plates, guards and contreplats of handmade paper, gilded head, preserved covers.
Precious autograph signed by Paul Eluard in Victoria Ocampo.
Illustrated book with a portrait of the author and four drawings by Pablo Picasso

First edition, an advance (service de presse) copy.
Half turquoise calf Bradel binding by Goy & Vilaine, decorated paper boards, gilt date to foot of spine, endpapers and pastedowns of papier uni, covers and spine preserved, top edge gilt.
Autograph inscription signed by Samuel Beckett to Monsieur Bjurström.
A perfectly bound copy.

Edition, one of 24 numbered copies on gold Turner, pulling wide the smaller paper after old Japan 4, 6 and 15 pearlescent Japan Monval.
autograph dedication of the author signed autograph of Paul Morand Leguen Madame F. "... the battle of the Amazons against the Centaurs ..."
Nice copy.

First edition, one of 109 numbered copies on vergé Lafuma Navarre, re-imposed in Tellière quarto, tirage de tête.
Half light brown morocco by Goy & Vilaine, the spine in six compartments, covers and spine preserved, slightly soiled, top edge gilt.
A nicely bound copy.