Paris

First edition, one of 237 numbered copies on Ingres paper, the only large paper copies after 60 on Arches paper.
A good copy.

First edition, an advance (service de presse) copy.
Spine slightly sunned.

Second edition published the same year as the first edition, one of 45 numbered copies on Hollande, tirage de tête.
A good copy.

First edition, one of 200 numbered copies on alfa paper and an advance (service de presse) copy.
A good copy.

First edition, an advance (service de presse) copy.
Small stains to upper cover.

First edition, one of 45 numbered copies on pur fil paper, the tirage de tête.
Half morocco, covers and spine preserved, top edge gilt, binding signed by P. Goy & C. Vilaine.
A nice copy elegantly bound.

first edition.
Signed autograph Jules Romains Marius and Ary Leblond.
Back slightly insolated, small tears in margins flat, one of the first flat head spot.

First edition on ordinary paper, of which there were only 5 Hollande paper large paper copies.
A good copy despite slight stains to covers.

First edition in French with the text in spanish to opposite page, one of 31 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First edition with 11 original watercolors by Jane Pécheur, one of 190 numbered copies on vélin crèvecoeur paper .
An angular spot to the cover of the slipcase
A very good copy.

First edition, one of 55 numbered copies on pur fil paper, the tirage de tête after 25 on Hollande paper.
A good copy.

First edition, one of 156 numbered copies on "pur-fil" paper, ours one of 70 reserved to the Club of the first edition, only large paper after 30 Holland paper.
Handwritten signature of Jean-Marie Gustave Le Clézio on guard.
Two small traces of insolation at the head and foot of the back, otherwise nice copy.

First edition, one of 156 numbered copies on pur fil, the only large paper copies after 36 Hollande.
Two slight traces of sunning to head and to foot of spine, otherwise a good copy.

First edition, one of 36 numbered copies on Hollande, tirage de tête.
Tiny stains to the spine, a good copy.

First edition, one of 66 numbered copies on pur fil, the only large paper copies after 36 Hollande.
Two slight traces of sunning to head and to foot of spine, otherwise a good copy.

First edition, one of 25 numbered copies on Hollande, tirage de tête.

A good copy.

First edition, one of 63 numbered copies on pur fil, the only large paper copies after 14 Hollande.
A very good copy.

First edition, one of 30 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition, one of 38 numbered copies on pur fil, the only large paper copies.
A very good copy.

First edition in French of which there were no large paper copies.
A very good copy.

First edition on ordinary paper.
Spine and covers very slightly and marginally sunned, not serious, a good copy.

First edition.
A good copy preserving its folding supplementprinted on yellow paper.
Cover illustratetd by Jean-Paul Curtay.
A good copy.

New edition of 1250 numbered copies.
Spine and covers slightly and marginally faded, internally good.

First edition on ordinary paper.
Rare autograph inscription from Dionys Mascolo to Roger Parry.

First edition, one of 945 numbered copies on vélin paper, the only large paper copies after 20 on Hollande paper and 30 on Arches paper.
A good copy.

First edition of which there were no large paper copies.

A good copy despite a small trace of sunning to foot of spine.

First collected edition.
Iconography.
A good copy.

First edition, one of 18 numbered copies on pur fil paper, the only large paper copies.
A very good copy with good margins.

First edition, one of 15 numbered copies on pur fil, the only large paper copies.
A good copy.

first edition printed in 750 copies.
autograph dedication of the author autograph signed and dated Nelly Kaplan Charles Spaak: "... friend of Abel Gance, in tribute attentive"
Foreword by Philippe Soupault.
Nelly Kaplan was for several years the assistant Able Gance who entrusted him with the task of drafting this explanatory pamphlet of his invention: The polyvision.

Edition for which he was not drawn large paper, review copy.
Signed autograph of Paul Serant, the name of the dedicatee was crossed out.
Preface by Marcel Ayme.
Some foxing in margins flat.

First edition on ordinary paper.
Spine very slightly sunned, not serious, otherwise a good copy retaining its advertising band.

First edition, one of 1150 numbered copies on vélin, the only printing after 25 vélin fontaine.

A good copy.

first edition.
Signed autograph Maxime Alexandre Madame Cariou.
Presentation by Paul Claudel.
First flat with a slight lack, a tear in the foot and a blue ink stain.

First edition, review copy.
Signed autograph of the poet André Breton Guy Lavaud.
Back slightly insolated minor and as usual, a small spot on the sidelines of the first flat.

First edition, one of the numbered copies on alfa.
A good copy.

First edition, one of 320 numbered copies on alfa paper, the only large paper copies.
A good copy despite small traces of adhesive paper to endpapers.

First edition in French by Roger Caillois and of 2650 numbered copies on alfa paper.
A good copy.

New edition printed in 1000 numbered copies.
Publisher's paper boards with an original design by Mario Prassinos.
With plates hors texte.
Spine wrinkled to the bottom.

Edition first in part, one of 540 numbered copies on alfa.
Publisher's paper boards with an original design by Mario Prassinos.
A good copy.

Edition printed in 170 copies on Arches paper and illustrated with 71 original lithographs by André Marchand.
André Marchand signed the justification of the draw.
Back of the shirt with spots and pale waterstains also affecting the sidelines, a dish of the case, nice interior state.

First edition, a numbered copy on alfa paper.

Marginal stains to the first ten leaves, otherwise a good copy.

first edition of which he was not drawn large papers.
Signed autograph author Professor Jean-Philippe Mery: "... this copy that really deserves its digital adjective, since the second is the only one that has come to him, very friendly homage ..."
Nice full copy of his jacket.

First edition in French, translated by Charles Baudelaire, of which there were no large paper copies.
Elegant dark red half morocco over marbled paper boards by Dreneau, spine in six compartments, gilt date to foot of spine, marbled endpapers and pastedowns, covers and spine (repaired) preserved, top edge gilt.
A rare copy, free of foxing and nicely bound in a modern binding retaining the covers – unlike most copies, which were modestly bound at the time.

First edition, bilingual, one of 1000 numbered copies, the only printing after 1 on Japan paper impérial and 35 on Arches paper.
Iconography.
Spine slightly sunned, otherwise a good copy.

First edition, review copy.
autograph dedication of the author autograph signed and dated by Alain Marcel Martinet: "... this collection of snowmen, love them ..."
Two small head of the back tears.

First edition on ordinary paper despite a mention of third edition.
Two small lacks, not serious, to head and foot of spine.

First edition pour L'homme aux valises, an advance (service de presse) copy.
Autograph inscription from Eugène Ionesco to Bernard Privat.

first edition one of 350 numbered copies on Alfa paper and reserved to the press service.
Signed autograph Jean Guéhenno a friend named Pascal.
Back slightly insolated not serious, nice copy.

First edition, one of 64 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition, one of 792 numbered copies on pur fil paper, the only large paper copies after 108 reimposed.
A good copy.

First edition, one of 50 numbered copies on chiffon d'Annonay, the only large paper copies after 10 pur fil paper.
Spine slightly sunned, otherwise a good copy.

First edition, one of 25 numbered copies on pur fil paper, the only large paper copies after 5 Arches paper.
Spine slightly sunned to head and foot, small spotting to head of lower cover and endpapers.

First edition for which there were no large paper copies, an advance (service de presse) copy.
A good copy retaining its illustrated dust jacket.