Paris

First edition, one of 30 numbered copies on vellum ivory only leading copies.
Signed autograph of Claude Seignolle his friend Paul Aveline.
Introducing Jacques Bergier.
Cover art by Drouin.
spine wrinkled, otherwise good copy.

The first edition, of which there were no deluxe copies.
Restored spine with reglued tears, small lacks and corner creases to boards.
Colportage stamp on title page.
Rare.

Edition of wich no leading copies exists.
Signed autograph Jeanson to Charles Le Quintrec.
Iconography in-fine, nice copy.

First edition, one of 71 numbered copies on Hollande paper, the only grand papier (deluxe) copies after 10 Chine and 10 Japon.
Discreet repairs on the spine, endpapers all over and slightly shaded, some small foxing.
A nice copy with edges preserved.

First edition, one of 280 numbered copies on Alfa paper, ours one of 55 reserved for the Club of the first edition, only leading copies.
Handwritten signature of Fernand Pouillon below the justification of the draw.
Iconography.
Printed bibliophile stamp as ex-libris next to the fake title page.
Small traces of insolation without gravity in the head and foot of the back, otherwise nice copy.

First edition, one of 110 numbered copies on pure vellum wire, only large paper after 55 vellum snow.
Handwritten signature of Philippe Sollers on the half-title page.
bibliophile print buffer as an bookplate next to the half-title page.
Nice copy.

First edition, one of 100 numbered copies on vellum of the Marais, only large paper.
Handwritten signature of Robert Sabatier on the half-title page.
bibliophile print buffer as an bookplate next to the half-title page.
Nice copy.

First edition, one of 70 numbered copies on vergé d'Arches.
This copy enriched with autograph signatures from Jacques Prévert and André Pozner and further enhanced with two little drawings from the same.
Printed inkstamp ex-libris of collector facing the half-title.
A very good copy.

First edition, one of 200 numbered copies on Rives vellum, one draw after 5 Japan.
Bel autograph signed Tristan Derème to Jacques Patin ending in quatrain.
A small photograph of Francis Carco was pasted next to the handwritten quatrain of Tristan Derème.
Tiny bites on flat minor, otherwise nice copy.

Edition on current paper and illustrated with 73 photographs.
Touching autograph signed by Pierre Mac Orlan.. "By sincere tribute to the work (*) printing blind Wholeheartedly, P. Mac Orlan * and final tribute to my old friend Julien Callé and all heart, awakening his friend Pierre (1936) ".
printed bibliophile buffer next to the half-title page by way in bookplate.
Nice copy.

First edition of the French translation by Georges Bataille and T. Beresovski-Chestov printed on Alfa paper and why it was not drawn large paper, review copy.
Rare autograph signed Leon Shestov in fraçais, Gabriel Alphand.
Back insolated and with a lack and a foot tear, keeps it appears the autograph fully shaded.

Bilingual edition with the French translation was made by Jean Marcenac and André Bonhomme.
Signed autograph of Pablo Neruda, the green felt, Hubert Lesigne enriched autograph dedication of the author autograph signed Jean Marcenac and an autograph signing Andre Bonhomme and even his wife.
Publishers'binding with full canvas shimmering purple, smooth back, marginally discolored boards.

First edition, printed in 100 numbered nominative copies on vergé paper, this one not justified but printed for Léonce Rosenberg.
With 20 reproductions of Cubist works by Georges Braque.
Printed collector’s stamp serving as ex libris to title.
Traces of dampstaining to spine of chemise, sunning and light worming to guards.
A good and rare copy.

first edition of which he was not drawn large paper, review copy.
Signed autograph of Etiemble Raymond Gallimard and enriched signature Yassu Gauclère.
Insolated back as often and with a hitch and a lack in foot.

Edition on current paper of this book dedicated by Robert Goffin to Valentine Hugo.
Precious signed autograph of Robert Goffin: "A dear Valentine Hugo, this book which we have so often spoken, this book where Rimbaud qu'habillé goes through it, with all my friendship and admiration.
Foreword by Jean Cassou.
Back slightly insolated, complete copy of his prayer to insert.

Edition for which he was not drawn large paper, review copy.
Precious autograph signed Henry to Maurice Marcel Jouhandeau.
Illustrated book of drawings by Maurice Henry caricaturing some glories of French literature of the twentieth century.
Preface by Raymond Queneau.

Edition illustrated with 7 drawings by Charles Delort, one of 200 numbered copies on Holland paper.
Work also illustrated, as frontispiece, with a portrait of Edmond About engraved by A. Mongin after a photograph by Nadar, and with head- and tailpieces at the beginning and end of each chapter.
A small tear at the foot of the spine, otherwise a handsome full-margined copy.

Edition of wich no leading copies exists.
Precious autograph signed Jean-Claude Brisville Roger Caillois.

first edition.
Binding of the editor in full carton, back smooth, flat illustrated a lihographie Joan Miro.
Signed autograph of Yvon Taillandier, who signed the foreword of this book, the art critic Alex Grall as calligramme.
Illustrated book 9 reproductions of works by Joan Miro.
bibliophile print buffer as an bookplate on the half-title page.
Two small waterstains on the back, nice interior state.

First edition for which it was not drawn from great papers, one of the review copies service.
Autograph signed by Georges Perec to Pierre Dumayet.
Pleasant full copy of his prayer to insert.

First edition of 100 nominative numbered copies on vergé paper, this for Léonce Rosenberg.
With 20 reproductions of Cubist works by Fernand Léger.
Printed collector’s stamp to title by way of ex-libris.
Traces of dampstaining to spine of chemise, corners bumped.
A good and rare copy.

Original color lithographs, each one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japan and 250 on Arches paper. Unsigned proofs, as all proofs were in this series, other than the frontispiece.

Superb proofs on Japan paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...added to their own expression and contemporary art a new field of research. With Mourlot, and thanks to him, lithography acquired both a personality and a future" (Pierre Cabanne, in Cinquante années de lithographie).

Having already printed two volumes of the Bible illustrated by Chagall, Mourlot contributed to the artist's lithographic training in the 1950s. It was during this period that Chagall began to visit Mourlot's workshop regularly in order to learn lithographic techniques and that he developed bonds of friendship with the staff of the workshop, most notably Charles Sorlier.
It was thus at the peak of his powers that Chagall made this story of Exodus, which coincided with the termination of his immense lithographic and pictoral work on the Bible, undertaken in 1930 at the urging of Ambroise Vollard. This decorative cycle, entitled Le Message Biblique [The Biblical Message] was in fact the basis for the creation of the Chagall Museum, originally called the Musée national du message biblique Marc-Chagall.

Exceedingly rare original proofs on Japan paper, the most attractive and best for color lithographs.

First edition.
Illustrations.
A nice copy.

First edition of the French translation by Marguerite Yourcenar, review copy.
Signed autograph Yourcenar to Francis Ambrière pasted on a card stock on the first guard.
Small bites on the upper edge.
full copy of his jacket that has some pellicle film covering the gaps.

first edition on the current paper.
Autograph Colette Edouard Herriot.
Back slightly insolated and chopped to foot.