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Paris

Paris

Local nameParis
CountryFrance
Name Variants
  • Barbès-Rochechouart
  • Batignolles
  • Bikini

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58709 results
  3. L'amour en vogue
    Bernard PIVOT

    L'amour en vogue

    Calmann Lévy|Paris 1959|12 x 18.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy of Bernard Pivot's first work.
    Autograph inscription signed by Bernard Pivot: "Pour monsieur Joseph Breitbach, cette petite chose écrite dans l'inquiétude amusée de mes 20 ans. En amical hommage à l'auteur du "Liftier amoureux" B. Pivot." (For Mr. Joseph Breitbach, this little thing written in the amused anxiety of my 20 years. In friendly tribute to the author of "Liftier amoureux" B. Pivot.)
    €150
  7. Doucin
    Jean DUTOURD

    Doucin

    Gallimard|Paris 1955|12.50 x 19.50 cm|broché
    First edition, one of 20 numbered copies on Guérimand coloured vellum, the only deluxe copies after 15 on Holland paper.
    Spine and boards very slightly and marginally lightened, handsome copy.
    Autograph inscription signed by Jean Dutourd to Joseph Breitbach: "... cette histoire où on joue à cache-cache avec les personnages, amicalement Dutourd..." ("...this story where we play hide-and-seek with the characters, with friendship Dutourd...")
    €250
  14. La femme au pesage par Don
    Ion DON, André DANTAN

    La femme au pesage par Don

    André Dantan|Paris 1931|32 x 33.50 cm|en feuilles
    First edition printed in 250 numbered copies signed by Don in pencil on the justification page.
    The work contains 36 plates of drawings printed separately and hand-colored by André Dantan.
    Introduction by J. Trarieux.
    We include a notice indicating that the exhibition of the original drawings from this album will take place at the Casino de Deauville from July 15 to August 31, 1931.
    A very handsome copy complete with its very fragile red paper cover with very light scratches of no consequence, the slipcase is lacking.
    €800
  20. Les fêtes du peuple - L'oeuvre, les moyens, le but
    Jean MARGUERITE

    Les fêtes du peuple - L'oeuvre, les moyens, le but

    Les fêtes du peuple|Paris 1921|14.50 x 20 cm|broché
    Strictly hors commerce first edition reserved for members of the "Les fêtes du peuple" group, one of 20 numbered copies on Japan paper, deluxe copy.
    Handsome and rare copy despite minor spotting of no consequence to the boards.
    Below the justification page, autograph inscription signed by Jean Marguerite to the anarchist militant, revolutionary syndicalist, socialist then communist Amédée Dunois who died in deportation at Bergen-Belsen on March 21, 1945.
    Founded by musician Albert Doyen, "Les fêtes du peuple" is an independent art group, in communion with all efforts, individual or collective, working towards the emancipation of mankind.
    We include press clippings and documents concerning Albert Doyen and his disappearance.
    €300
  21. Pour une vierge noire
    Henry de MONTHERLANT

    Pour une vierge noire

    Editions du cadran|Paris 1930|17 x 25.50 cm|broché
    First edition, one of 300 numbered copies on handmade Arches vellum.
    Some light foxing.
    Autograph inscription dated and signed by Henri de Montherlant: "A mon ami Louis Fabulet, ces pages monastiques, en revenant de Tiffauges et de Saint Wandrille avec le souvenir très amical du 12 août 1930. Montherlant" (To my friend Louis Fabulet, these monastic pages, returning from Tiffauges and Saint Wandrille with very friendly memory of August 12, 1930. Montherlant).
    On the tissue paper covering the copy, Henri de Montherlant has inscribed in blue ballpoint pen: "Entièrement passé dans la Pléiade essais" (Entirely included in the Pléiade essays).
    €250
  23. Histoire Naturelle imaginaire
    Henry de MONTHERLANT

    Histoire Naturelle imaginaire

    Editions du Trianon|Paris 1933|11.50 x 17.50 cm|broché
    First edition, one of 875 numbered copies on vergé de rives paper, ours unnumbered.
    Work illustrated with four copperplate engravings by Charles Guyot.
    Handsome copy.
    Important autograph inscription signed by Henri de Montherlant to the woman of letters and philosopher Alice Poirier: "A Alice Poirier, qui trouvera ici Khosröes et de ses compagnons, sympathique souvenir de Montherlant." (To Alice Poirier, who will find here Khosroes and his companions, kind regards from Montherlant.)
    Fervent admirer and lover of Henri de Montherlant whom she nicknamed her "dear Rilet," Alice Poirier maintained, from 1927 to 1950, an important correspondence with the writer, letters to which the latter did not always respond but which he kept to nourish his work.
    Thus, Alice Poirier served as model for the two principal female figures, Andrée Hacquebaut and Solange Dandillot, of the tetralogy cycle of "Jeunes filles."
    Brilliant doctor of philosophy, she was equally close to Pierre Drieu la Rochelle and Jean Paulhan and drew from her epistolary correspondence with her great love, in 1955, a largely autobiographical novel entitled Récit de Grete in which Henri de Montherlant appeared under the character of Michel Cabrol.
    €800
  33. L'hygiène des lettres IV : Poètes ou faiseurs
    René ETIEMBLE

    L'hygiène des lettres IV : Poètes ou faiseurs

    Gallimard|Paris 1966|12.50 x 19.50 cm|relié sous étui
    First edition, one of 45 numbered copies on pur fil, the only deluxe copies after 20 Holland.
    Full red sheep binding, spine slightly faded with five raised bands set with black fillets, gilt date at foot, marbled endpapers and pastedowns, top edge gilt, covers and spine preserved, slipcase edged with red sheep, red paper boards.
    The "n" in the word "bien" in the autograph inscription having been trimmed by the binder.
    Amusing autograph inscription signed by René Etiemble: "Pour Joseph Breitbach, en très bon souvenir, ce (ou ces) poètes ou faiseurs et en souhaitant de le voir déserter bien Münich. Etiemble." ("For Joseph Breitbach, with very fond memories, this (or these) poets or makers and hoping to see him desert Munich well. Etiemble.")
    €150
  34. "I would have been very happy to be agreeable to you and I regret the obstacle that prevents me"
    Lettre autographe datée et signée à l'actrice qui créa le rôle de Thérèse Raquin
    Emile ZOLA

    Lettre autographe datée et signée à l'actrice qui créa le rôle de Thérèse Raquin

    Paris 16 décembre 1896|13.50 x 20.50 cm|1 page et demi sur un bifeuillet

    Autograph letter signed by Emile Zola addressed to the actress Marie Laurent, dated in his hand December 16, 1896. One and a half pages in black ink on a bifolium.
    Traces of horizontal and vertical folds, inherent to the mailing. Trace of violet ink in left outer margin of first leaf, not touching text.
    Published in his Correspondance, ed. Bard H. Bakker, Colette Becker, October 1893-September 1897, p. 371. 
    Zola attempts to help the actress Marie Laurent who created the role of Thérèse Raquin on stage, and encounters the refusal of Fernand de Rodays, administrator of Le Figaro.
    President of the Orphelinat des Arts, the actress Marie Laurent had solicited the writer to support the publication of an article about the charitable work in the columns of Le Figaro. Zola meets with a categorical refusal from the newspaper's administrator Fernand de Rodays:

    "Chère Madame,
    Je n'ai pas de bonne nouvelle à vous donner. M. de Rodays ne m'a pas même laissé achever, et il m'a déclaré qu'il était résolu à ne publier dans le Figaro aucun article sur l'Orphelinat des Arts. Il m'a été impossible même d'insister, devant son parti pris formel. J'aurais été fort heureux de vous être agréable et je regrette l'obstacle qui m'en empêche. Je le répète, toute insistance est inutile. 
    Veuillez me croire quand même, chère Madame, votre fidèle et dévoué" ("Dear Madam, I have no good news to give you. M. de Rodays did not even let me finish, and he declared that he was resolved not to publish any article about the Orphelinat des Arts in Le Figaro. It was impossible for me even to insist, faced with his formal prejudice. I would have been very happy to be agreeable to you and I regret the obstacle that prevents me. I repeat, any insistence is useless. Please believe me nonetheless, dear Madam, your faithful and devoted")


    Fine letter from Emile Zola to the actress who, according to the writer, "véritablement créé le rôle de Madame Raquin [...] c'est elle qui a trouvé tout cet admirable personnage du quatrième acte, cette haute figure du châtiment implacable et muet, ces deux yeux vivants cloués sur les coupables et les poursuivant jusque dans l'agonie." ("truly created the role of Madame Raquin [...] it is she who found all this admirable character of the fourth act, this lofty figure of implacable and mute punishment, these two living eyes fixed on the guilty and pursuing them even unto agony.") (Preface to Thérèse Raquin, Drame en quatre actes, Charpentier, 1875).

    €1,300
  35. Discours de réception de Henry de Montherlant à l'Académie Française et réponse de M. le Duc de Lévis Mirepoix
    Henry de MONTHERLANT

    Discours de réception de Henry de Montherlant à l'Académie Française et réponse de M. le Duc de Lévis Mirepoix

    Gallimard|Paris 1963|12.50 x 19.50 cm|broché
    First edition, one of 41 numbered copies on Holland paper, deluxe issue.
    The work is illustrated with a frontispiece reproduction of a painting attributed to Philippe de Champaigne depicting the Duke of Richelieu, founder of the Académie Française, on his deathbed, displayed in the Academy's meeting hall.
    A handsome full-margined copy.
    €600
  39. L'hygiène des lettres V : C'est le bouquet !
    René ETIEMBLE

    L'hygiène des lettres V : C'est le bouquet !

    Gallimard|Paris 1967|12.50 x 19.50 cm|relié sous étui
    First edition, one of 45 numbered copies on pure thread paper, the only deluxe copies after 20 on Holland paper.
    Full red sheep binding, spine slightly faded with five raised bands set with black fillets, gilt date at foot, marbled endpapers and pastedowns, top edge gilt, original wrappers and spine preserved, slipcase edged in red sheep, red pasteboard covers.
    Some scratches to spine.
    Amusing autograph inscription signed by René Etiemble: "Pour Joseph Breitbach, vraiment qu'il souscrive des grands papiers de c'est le bouquet ! En fidèle et cordial souvenir. Etiemble." (For Joseph Breitbach, truly that he subscribes to deluxe copies is the ultimate! In faithful and cordial remembrance. Etiemble.)
    €150
  43. A rare copy with no foxing
    Le Rouge et le Noir
    STENDHAL

    Le Rouge et le Noir[The Red and the Black]

    A. Levavasseur|Paris 1831|13.10 x 20.80 cm|2 volumes reliés

    First edition, "very rare and extremely sought-after" (Clouzot), one of 750 copies on laid paper, with title vignettes engraved by Henri Porret after Henry Monnier.


    Skilful restoration of a tear at the foot of a page, with slight damage to a letter. A rare copy with no foxing.


    Green half calf binding, smooth spines with arabesques stamped in gilt, black title labels and volume labels; marbled paper boards, spine boards and endpapers, speckled edges, later bindings in the Romantic style.

    €48,000
  53. Isaie réjouis-toi
    Gabriel MATZNEFF

    Isaie réjouis-toi

    La Table Ronde|Paris 1974|14 x 20.50 cm|broché
    First edition printed on ordinary paper.
    Handsome copy.
    Fine autograph inscription dated and signed by Gabriel Matzneff to Jean-Claude Barat, adoptive son and universal legatee of Henri de Montherlant: "Pour vous, cher Jean-Claude, afin de remplacer l'exemplaire oublié dans les wagons-lits, cette histoire où il y a beaucoup de lits, mais peu de wagons... avec ma fidèle amitié. Gabriel le 25 VI 74." (For you, dear Jean-Claude, to replace the copy forgotten in the sleeping cars, this story where there are many beds, but few wagons... with my faithful friendship. Gabriel 25 VI 74.)
    An admirer of Henri de Montherlant who committed suicide on September 21, 1972, Gabriel Matzneff scattered, in Rome, with his friend Jean-Claude Barat, the writer's ashes between the stones of the temple of Fortuna Virilis and into the Tiber.
    €200
  55. Poésies 1917-1920
    Jean COCTEAU

    Poésies 1917-1920

    Editions de la Sirène|Paris 1920|14.50 x 23 cm|relié
    First edition on ordinary paper.
    Bradel binding with gilt and moiré decorative paper signed Goy & Vilaine, smooth spine, black morocco title-label, top edge gilt, fragile covers and spine (lined) preserved.
    Signed and inscribed by Jean Cocteau: "To my dear friend Marcel Herrand. Jean Cocteau. 1920."
    In the first article of Carte blanche (1919), Jean Cocteau praises the young actor Marcel Herrand, then aged twenty-two: "The new spirit is stirring all branches of art. Young actors are putting themselves at the service of modern poetry. Marcel Herrand (who created 'Les Mamelles de Tirésias' and various masked roles in 'Le Dit des jeux du monde') was the first to surprise us with his rhythm, his straight voice and his disdain for effect. Gestures, intentions, bleats, shouts, smiles, the nuances beneath each syllable, the play of timbre, all disappear here to make way for a typographic reading. An inky black. Clean-cut words fall off the page one after the other. The actor does not substitute his emotion for that of the poet. He serves him instead of using himself."
    During the 1920s, Cocteau entrusted several roles to the talented Marcel Herrand: first as a phonograph in "Les Mariés de la tour Eiffel" (1921), he won the male lead in 'Roméo et Juliette' (1924) and even played the angel Heurtebise in the first cast of his famous 'Orphée' in 1926.
    Moving and early inscription by Jean Cocteau, in homage to one of his favorite actors.

     
    €1,500
  56. Prolégomènes à une éthique sans métaphysique ou Billy, Bull-Dog et philosophe
    Kristians TONNY, Pierre de MASSOT

    Prolégomènes à une éthique sans métaphysique ou Billy, Bull-Dog et philosophe

    Editions de la Montagne|Paris 1930|17 x 23.50 cm|broché
    First edition, one of 25 numbered copies on Holland paper, the deluxe issue after 10 Japan.
    Handsome copy.
    Our copy contains all 6 illustrations by Kristians Tonny.
    Exceptional bicolored autograph inscription signed by Pierre de Massot to Suzy (Solidor), muse of 1930s Paris and paragon of the "Garçonne": "Pour Suzy adorée, si belle qu'un beau livre n'est plus rien sous ses yeux, ces quelques pages qui n'auraient aucune importance si je ne les lui offrais avec tout mon coeur. Je t'embrasse mille et mille fois fraternellement et tendrement. Pierre. 11.X.32" (For beloved Suzy, so beautiful that a beautiful book is nothing under her eyes, these few pages which would have no importance if I did not offer them to her with all my heart. I embrace you a thousand and a thousand times fraternally and tenderly. Pierre. 11.X.32) with a small drawing of a heart pierced by an arrow.

    €600
  58. François Villon film
    Pierre MAC ORLAN (François VILLON)

    François Villon film

    Maréchal éditeur|Paris 1945|14 x 20.50 cm|broché
    First edition, one of the numbered copies on bouffant finlandia.
    Handsome copy complete with publisher's slip and errata sheet.
    Work illustrated with 4 illustrations by André Jean.
    Autograph inscription signed by Pierre Mac Orlan to Daniel Morrette: "... le texte de qui était mon projet avant la réalisation du film... il y a quelques différences..." (... the text which was my project before the film's realization... there are some differences...)
    Original screenplay by Pierre Mac Orlan, directed by André Zwobada, music by Georges Auric, with, in the principal roles, Serge Regianni (sic) and Renée Faure.
    €250
  65. Cinq semaines en ballon - Voyage au centre de la terre
    Jules VERNE

    Cinq semaines en ballon - Voyage au centre de la terre

    Hetzel|Paris s. d. [1905-1914]|18 x 28 cm|cartonnage de l'éditeur
    Edition illustrated by Riou and Montaut.
    Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red cloth signed Engel, front board polychrome signed Engel presenting the title in the black and gilt fan, several black and gilt frames, a gilt elephant head at top left, three small illustrations as well as various gilt navigation and exploration instruments, all framed within green foliage, second board type "i" as indicated by Jauzac, spine with lighthouse decorated with several color and gilt illustrations, original blue endpapers, all edges gilt.
    Head slightly sunken, corners slightly twisted, some light foxing at beginning of volume, trace of label at head of one blue endpaper.
    Five Weeks in a Balloon is Jules Verne's first novel published by Hetzel and tells of the exploration of the African continent then incompletely known to Europeans.
    Journey to the Center of the Earth narrates the discovery of an ancient runic manuscript by a German scholar and his nephew; they undertake a journey toward the center of the Earth by entering through a dormant Icelandic volcano.
    €1,350
  66. Portraits de Peintres. Pièces pour Piano d'après les poésies de Marcel Proust
    Marcel PROUST, Reynaldo HAHN

    Portraits de Peintres. Pièces pour Piano d'après les poésies de Marcel Proust

    Heugel & Cie • Au Ménestrel|Paris 1896|28 x 37.50 cm|en feuilles sous couverture
    First edition of this rare fascicle, unnumbered, and printed in a small number on Dutch laid paper. Illustrated with a portrait of Albert Cuyp after Maurin.
    In sheets under gray-green publisher's wrapper printed in black and red, 5 pages of lithographed music (Imp. Delanchy), publisher's wet stamp on blank verso of last leaf. Very small nicks at head and tail of soft cover spine, copy in pristine condition.
    Poetic and musical portrait of the Dutch Golden Age painter Albert Cuyp, created jointly by Marcel Proust and Reynaldo Hahn who accompanies the writer's verses with a piano melody.
    This is the first of four portraits of painters that Proust and Hahn admired at the Louvre (they devoted the following ones to Paul Potter, Anton Van Dyck and Antoine Watteau). The luxurious fascicles were sold separately as indicated on the printed cover. For each of them, Proust's verses specially composed for the occasion are printed in italic characters under reproductions of old engravings offering portraits of the painters evoked. The poems would be published the same year in the first edition of Plaisirs et les Jours. Hahn's melodies were premiered at Madeleine Lemaire's on May 28, 1895, in the presence of prestigious spectators, including Princess Edmond de Polignac, Count Robert de Montesquiou, José Maria de Heredia to whom the poems were dedicated, Count Primoli, as well as Anatole France.

    "The interposition of the poem between painting and music has therefore proven to be an excellent conduit between the arts thanks to the fact that Hahn scrupulously respected the spirit of the poem while preserving his autonomy in his composition. The link between music and painting reveals itself after the other materials unite with each other; it is in this alliance that an astonishing complementarity then operates, desired on the soothing light of Albert Cuyp" (Nicolas Vardon)



    Precious copy of utmost rarity, a superb manifestation of the immense artistic complicity between Marcel Proust and Reynaldo Hahn.
    €700
  67. "Il n'y a rien de plus malheureux que le bonheur des gens qui vivent au gré de leurs passions" ("There is nothing more unfortunate than the happiness of those who live according to their passions")
    Discours du Comte de Bussy Rabutin à ses enfans sur le bon usage des adversités et les divers événements de la vie
    Comte de Bussy, Roger de RABUTIN

    Discours du Comte de Bussy Rabutin à ses enfans sur le bon usage des adversités et les divers événements de la vie

    Chez Anisson|à Paris 1694|16.50 x 10 cm|relié
    Discours du comte de Bussy Rabutin à ses enfans sur les divers événemens de sa vie et le bon usage des adversitez
    Second edition, published in the same year as the first edition and expanded by about a hundred pages, of this posthumously published text. Copy complete with the epitaph and imprint at the end of the volume.
    Contemporary full marbled brown calf binding, spine with raised bands richly decorated with small tools, red morocco title label, marbled paper pastedowns, gilt roulette on the leading edges, speckled edges. Joints slightly cracked, small tears to the head, corners slightly bumped.
    Handsome copy of this work in the incisive style of the famous warrior and libertine gentleman, which recounts the history of the misfortunes of illustrious unfortunates: Belisarius, Boethius, Enguerrand de Marigny, Bureau de La Rivière, Maréchal de Gyé, Commines, Samblançay, the Duke of Bellegarde, Bassompierre, and finally his own misfortunes as a writer subject to the royal thunderbolts of Louis XIV.

    €450
  70. L'atelier contemporain
    Francis PONGE

    L'atelier contemporain

    Gallimard|Paris 1971|18.50 x 23.50 cm|broché
    First edition, one of the Service de Presse (advance) copies.
    Some light foxing affecting mainly the covers at their margins and the edges.
    Autograph inscription signed by Francis Ponge to the graphic designer, typographer, illustrator, layout artist, and writer Robert Massin, known as Massin: "Pour Massin, ce gros pavé - ou plutôt cette mosaïque dont il a si bien su mettre en place et ajuster les éléments, avec la fidèle amitié (admirative) de Francis Ponge." (For Massin, this big paving stone - or rather this mosaic whose elements he knew so well how to place and adjust, with the faithful (admiring) friendship of Francis Ponge.)
    €350
  77. Le jour des temps
    Max PAPART, Jacques PREVERT

    Le jour des temps

    Galerie Bosquet Goutal Darly|Paris 1975|35.50 x 40.50 cm|en feuilles sous chemise et étui
    First edition, one of 135 numbered copies on handmade paper, ours being one of 100 containing a signed and unused engraving by Max Papart, the only issue with 10 Chapelle copies.
    Work illustrated with 11 original engravings by Max Papart which he signed in pencil.
    Manuscript signatures of Jacques Prévert and Max Papart on the justification page.
    Autograph inscription signed by Max Papart to Jean-Pierre Chauvency enhanced with an original signed drawing depicting a stylized bird flying toward a sun.
    A pale dampstain of no consequence to the heads of the slipcase boards, fine interior condition.
    €2,800
  82. Dans la fournaise, derniers poèmes
    Georges-Antoine ROCHEGROSSE, Théodore de BANVILLE

    Dans la fournaise, derniers poèmes

    G. Charpentier & E. Fasquelle|Paris 1892|11.50 x 18 cm|relié
    First edition.
    Half-straw yellow shagreen binding, spine with five raised bands decorated with double blind-stamped compartments at whose centers the gilt cipher of the great bibliophile Roger de Cormenin is repeated five times, gilt date at foot, turquoise morocco title-label, marbled paper boards, marbled endpapers and pastedowns, speckled edges, elegant near-contemporary unsigned binding.
    Work illustrated with a drawing by Georges Rochegrosse printed on China paper.
    Provenance: from the library of Roger de Cormenin, son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert.
    Handsome copy attractively bound.
    €300
  86. De Pathé frères à Pathé-cinéma
    ETABLISSEMENTS PATHE

    De Pathé frères à Pathé-cinéma[From Pathé Frères to Pathé-Cinema]

    Pour les amis de Charles Pathé|Paris 1940|16 x 25 cm|relié

    First edition, printed in a small run of numbered copies.


    With two photographic portraits: one of Charles Pathé and the other of his brother Émile, and a view of the Kodak-Pathé and Pathé-Cinéma factories.
    3/4 beige sheepskin binding, spine with four raised bands decorated with black typographical motifs, date at foot of spine, marbled paper boards, endpapers and flyleaves.
    Discrete restorations to spine, some rubbing to upper corners of boards.


    Signed by Charles Pathé on his photographic portrait.

    €4,000
  87. Scandale aux Abysses
    Louis-Ferdinand CELINE

    Scandale aux Abysses

    Frédéric Chambriand|Paris 1950|15 x 21 cm|relié
    First edition, one of the numbered copies on Savoie vellum.
    Full red morocco-grained shagreen binding, spine with five raised bands set with black fillets, one scratch on a band, black paper endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers (one tear without loss to margin of second cover) and spine preserved, top edge gilt, binding signed Lavaux.
    Discreet scratch marks on the boards, one clear mark from adhesive tape discharge at head of page bearing the autograph inscriptions.
    Work illustrated with images by Pierre Monnier alias Pierre-Marie Renet.
    Autograph inscription signed by Louis-Ferdinand Céline to Monsieur Josette enhanced with this fine autograph inscription signed by Pierre Monnier: "A Josette pour qui personne ne peut rien et qui peut tout, hommage de l'illustrateur Pierre Monnier (PM Renet)." ("To Josette for whom no one can do anything and who can do everything, homage from the illustrator Pierre Monnier (PM Renet).")
    €2,300
  88. Un roi prisonnier de Fantômas - Le policier apache
    Marcel ALLAIN, Emile SOUVESTRE

    Un roi prisonnier de Fantômas - Le policier apache

    Robert Laffont|Paris 1961|13 x 20.50 cm|reliure de l'éditeur
    New edition revised by Marcel Allain and presenting the definitive text.
    This volume which constitutes the third volume of the complete works contains the following two titles: Un roi prisonnier de Fantômas and Le policier apache.
    Publisher's full red cloth binding, smooth spine faded, copy lacking its cellophane wrapper, light foxing to edges.
    Rare dated and signed autograph inscription from Marcel Allain to his neighbors Madame and Monsieur Joseph Lourdens.
    €400
  89. Le mariage de Fantômas - L'assassin de Lady Beltham
    Marcel ALLAIN, Emile SOUVESTRE

    Le mariage de Fantômas - L'assassin de Lady Beltham

    Robert Laffont|Paris 1964|13 x 20.50 cm|reliure de l'éditeur
    New edition revised by Marcel Allain and presenting the definitive text.
    This volume which constitutes the sixth volume of the complete works contains the following two titles: Le mariage de Fantômas and L'assassin de Lady Beltham.
    Publisher's full red cloth binding, smooth spine faded, copy lacking its cellophane wrapper, foxing to edges.
    Rare dated and signed autograph inscription from Marcel Allain to his neighbors Madame and Monsieur Joseph Lourdens.
    €400
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