Moscow

First edition illustrated with a copper-engraved plate (showing some dampstains) from the second part of this brief communication, which served as an invitation to the public meeting of the Imperial Society of Naturalists of Moscow.

According to the CCF, only the Natural History Museum holds all three parts, published respectively in 1809, 1810, and 1811.

Very rare copy preserved in its original stitched wrappers with the printed pink cover.

Covers slightly discoloured and foxed at the margins, two dampstains affecting the lower edge throughout. Manuscript notes at the head of the front wrapper identifying the author and title.

The Saxon naturalist Fischer von Wald

First and only edition, illustrated with 12 plates including 8 lithographed views and 4 folding tables.

Contemporary half calf binding with corners, spine decorated with triple gilt fillets and large blind-stamped fleurons, minor losses at foot of joints, marbled paper boards scuffed with some surface loss, corners worn, edges sprinkled blue.

Scattered light foxing, mostly at the beginning and end of the volume.

This text constitutes the first draft of what would become, in 1835, the major work Description de Moscou.

The folding map that complements this work was only published in 1825 and is not, strictly speaking, part of this edition.

Lecointe de

Second edition, in large part original as it is substantially enlarged (Tulard, 876, for the editions of 1814 and 1818).

Our copy remains sewn in the original plain temporary wrappers.

Backstrips slightly split, a few scattered spots of foxing.

The first volume is illustrated with 4 plates outside the text (including a frontispiece and a folding plan), together with 5 folding tables; the second with 2 engraved plates, one folding table, and, at the end of the volume, a further large folding plan.

This very scarce work expands upon a pamphlet first issued in 1814 (Moscou avant et après l’incendie), devoted chiefly to the burning of Moscow in 1812, of wh

The first edition, of which there were no large paper copies.
Publisher's grey cloth binding, lacking DJ with a drawing by Modigliani.
An exceptional autograph inscription signed in Russian and dated by Akhmatova on the half-title: “to David Carver, another reminder of the pines of Komarovo, Anna Akhmatova 23 February 1966”.
Single stain to upper cover, the spine slightly sunned, otherwise a very good copy.
Anna Andreyevna Gorenko, known as Anna Akhmatova, was without doubt the greatest of the Russian female poets and occupies a place beside Pushkin in the Slavic pantheon, from whom she inherited her evocative force “across time, schools and literary styles”, as well as fame.