Lucerne

Album comprising 44 plates of Breton costumes, the first two drawn in pencil, the others delicately watercoloured, mounted on heavy paper, some with captions, unsigned.

Bound in contemporary half green sheep, spine decorated with gilt and black fillets, gilt garlands and fleurons, some rubbing to the spine, embossed cherry-red cloth boards, bumped corners, a few scuffs along the edges.

A handsome album of Breton costumes in the manner of Hippolyte Lalaisse and his Galerie armoricaine of 1848.

Particularly focused on the Breton-speaking departments (Western Morbihan and Finistère): 1. [Seated bagpipe player]. – 2. [Peasant dance]. – 3. Woman from the Auray area...

First edition (cf. Barbier IV, cols. 211-212).

Contemporary full red morocco Jansenist binding, spine with five raised bands framed by black fillets, gilt roll tooling on the caps, blind-stamped fillet border on covers, marbled endpapers and pastedowns, gilt dentelle border on the pastedowns, gilt fillets on the edges somewhat faded, all edges gilt, bookplate mounted on pastedown.

Some minor internal defects (dampstains and a small loss at the foot of a few leaves).

Barbier devotes an extensive entry to the condemnation of this work on the mystical movement of Quietism, for which Fénelon long contended with Bossuet before both he and Madame Guyon were condemned by Pope...