“Frivolous”: the graceful lightness of the term barely conceals the deep disdain it harbors for a highly gendered form of hedonism. For frivolity is feminine — men, if you please, are epicurean. But when fashion becomes Art, the ridiculous turns exquisite, and women become scholars.
After celebrating writers who lurk in shadows, Le Feu Follet now shines a light on artists of brilliance.
In 1925 at the very first Salon where Art Deco equated Fine Arts, Sonia Delaunay unveiled the refined simplicity of her “simultaneous” dresses, as light as her watercolors!
LE BON GENRE : Observations sur les modes et les usages de Paris depuis le commencement du dix-neuvième siècle
The Directoire and Napoleonic eras had frivolousness in spades... French fashion’s greatest publisher Pierre de la Mésangère proved it brilliantly with his large format plates in Le Bon Genre — an encyclopedia of thrill, pleasure, and style, showcasing the colorful splendors and decadence of Parisian high society in full transformation at the turn of the century.
Henri RAPIN & Camille BOIGNARD Original Bonds Emission poster - 1925 Exposition Internationale des Arts Décoratifs
Lapina Imp. • Paris [1925]
Original color lithograph poster for the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes, signed in the plate "C. Boignard" and "H. Rapin," printed by Lapina.
Striking large-format original bonds emission poster for the renowned 1925 Paris International Exhibition, which gave its name to the "Art Deco" movement.
"A republic in Spain would be the simple and pure affirmation of man’s sovereignty over himself"
Hauteville House [Guernesey] • 1868
Proof copy of an appeal for a Republic in Spain following the September Revolution with a presentation inscription to literary critic and political polemicist Eugène Pelletan. Hugo harboured great hope that a Spanish republic could be decisive for peace and democracy in Europe.
One month earlier, Pelletan had published a scathing article on the Queen of Spain's departure in his newspaper La Tribune.
[JESUIT MISSION IN CHINA] Nouvelles lettres édifiantes des missions de la Chine et des Indes orientales
Adrien Le Clère • Paris 1818-1823
First edition of this continuation of the series Lettres édifiantes et curieuses,documenting events from 1767 onward in the missions led by the Society of Foreign Missions of Paris (M.E.P.) in Sichuan, Tonkin, Cochinchina, Siam, and along the Coromandel Coast.
Twice inscribed and signed by Raymond Queneau to Madame Bonnet, the first in blue ink: "A madame Bonnet en sincère hommage Queneau", the asterisk referring to the second signed inscription: "complété en II II III, 131789076, ABCDEFG... Queneau". The inscription is in reference to his essay on langage also published in 1950, titled "Bâtons, chiffres et lettres" [Sticks, numbers and letters].
Sur l'Anthropologie de l'Afrique française, lu à l'Académie des Sciences dans sa séance du 30 juin 1845
Paris [1845]
First edition, printed in small numbers, of this excerpt from the Magasin de zoologie, d'anatomie comparée et de paléontologie, published by M. Guérin-Méneville in October 1845.
Illustrated with 3 hand-colored plates numbered 59–61 at rear.
First edition, 15 issues abundantly illustrated with black and white photographs. Complete with the special issue "Hommage à Picasso" (No. 3, 1930) and the index for the year 1929.
Complete collection of this legendary and non-conformist magazine founded by Georges Bataille.
Very rare first edition of this album illustrated with 12 lithographs by Émile Verdier after drawings by the author (1 frontispiece and 11 plates, including one large folding plate depicting Pointe-à-Pitre).