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Media / Le Feu Follet's Letter

October 14, 2022

Le Feu Follet's Letter #11

The Aesthetic Shock


Photography immortalizes nothing and no one, and carries its share of falsehoods, but by capturing the moment, it creates intimacy with the past. By highlighting another truth, sometimes distant from the collective imagination, it introduces into the frozen history of exceptional men and women the delightful fragility of life.
This week, Le Feu Follet presents its investigation into one of these moments captured in the heat of the moment: the young Picasso discovering Pompeii through the complicit lens of Jean Cocteau.

Photography certainly has its share of deception yet it opens an intimate window into the past by capturing a glimpse of reality. It highlights an alternative truth which sometimes lies far off our common recollection of events and introduces the delicious fragility of life in the recorded story of the world’s most illustrious men and women.

This week, Le Feu Follet presents its investigation on one of these moments captured on the spot of the young Picasso discovering Pompeii under the lens of his accomplice Jean Cocteau.

Picasso à Pompéi

 Exceptional unrecorded or unpublished photograph taken by Jean Cocteau during his stay in Pompeii with Picasso

 

Our investigation. « The aesthetic shock »

 

On April 16, 1917, Picasso visited Pompeii in the company of Jean Cocteau and dancer Léonide Massine to prepare the ballet Parade - the first work of art defined as surrealist by Guillaume Apollinaire and newest creation of Serge Diaghilev's Ballets Russes.  

 

This Italian ‘Grand Tour’ inspired him to create a monumental painting upon his return: the stage curtain for Parade acting as a true visual signature of the ballet and marking the beginning of Picasso's neo-classical period. It is now preserved in the Georges Pompidou National Museum of Modern Art...

 

>> Read more

 

Our Catalogue October 2022

 
Octobre 2022

Man to Man is an arrant Wolfe… luckily women hold the leash. 


Discover in the new Feu Follet catalog this original photograph of Tigy Simenon walking her husbands's wolves with her friend Caro Canaille among other bibliophilic surprises including several amusing and subtle portraits of writers by their close friend Carlo Rim, manuscripts by Artaud, London, Sartre, Vian, Zola... and rare first editions and inscribed copies from important authors. 

Browse the catalog
 

This week's newest acquisitions 

An "armoire (volante)", an "ivre (caillé)" by Yann Dugain, some "art (romantique)" courtesy of Baudelaire, a "carte (postale)" by comic Maurice Chevalier,
some (dangerous) liaisons and Georges (Bataille)

_______

Fernandel

FERNANDEL & Carlo RIM

Original photograph with filmmaker Carlo Rim and actor Fernandel discussing a scene from "L'armoire volante", a Carlo Rim feature film

R. Bègue photo  | Paris 1948


Original silver print. Hailing from sunny Provence, Carlo Rim was a writer and author of Ma belle Marseille, as well as a filmmaker and talented caricaturist. Friend of Fernandel, Raimu and writer Marcel Pagnol he frequently met up with artists Max Jacob and André Salmon whom he met in Sanary.

> See more 

Dugain

Guillaume SABRAN & Yann DUGAIN

L'Ivre caillé

Yves Rivière  | Paris 1991


First edition printed at 300 copies and illustrated with 12 pastel drawings by Yann Dugain.
Autograph penciled signature by Yann Dugain on the justification page.
Autograph inscription signed and dated by Guillaume Sabran to Nadine Nimier, wife of the late Roger Nimier.
Our copy contains an exceptional original painting by Yann Dugain.

> See more

Baudelaire

Charles BAUDELAIRE

L'Art romantique

Michel Lévy frères  | Paris 1868


First edition except for four articles.
Contemporary binding.

According to Clouzot "Very rare in a contemporary binding without a volume piece on spine".

> See more

Chevalier

Maurice CHEVALIER

Postal card with a photograph inscribed to Alice Rim depicting a royal mounted policeman

Montréal 2 April 1956


Postal card inscribed from Montréal to Caro Canaille, Alice Rim's nom de plume and wife of Carlo Rim.

> See more

Laclos

CHODERLOS DE LACLOS

Les Liaisons dangereuses [Dangerous Liaisons]

London 1796 [1812]


Conterfeit edition from 1812 printed with the date 1796. Same pagination as the true 1796 first edition as well as the 13 illustrations and 2 frontispieces. 
Full red calf contemporary binding.


> See more

Bataille

BATAILLE & BARON & DESNOS & LEIRIS

Documents N°1 de la deuxième année

Calmann Lévy  | Paris 1930


First edition of this important journal dealing with archaeology, fine arts and ethnography by famous contributors such as Georges Bataille and Carl Einstein.

> See more

>> BROWSE OUR LATEST ACQUISITIONS

 

Le Feu Follet's Letter
Le Feu Follet's Letter
Whimsical essays, curious histories, epic enquiries, curated selections, highlighted novelties — all seasoned with a dash of humour. A bimonthly journey across the arts and letters, from the present to the past.

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September 4, 2026
Once upon a first time…
Gutenberg's Bible was preceded by several ephemera printed with movable type which the legendary B42 always claimed to be the first to use. No matter. The true origin may in fact be Buddhist, since in 1377 the Jikji was already being printed with a similar method. Can one consider fries to be Belgian? What does pasta owe to the Arab world? Isn't the croissant a descendant of the Austrian kipferl? The very idea of champagne may have been born in the mind of an Englishman, Christopher Merret! "First" is decidedly fiction, but to open this new season, Le Feu Follet is pleased to offer you the very first look at its brand-new selection: "Once Upon a First Time…"
July 21, 2026
Summer Reads: Coming and Going - Not all wors wear the same skin.
Joyful Julyers and august Augustans, globe-trotters or shoreline saunterers – however you travel, so long as you carry your books. Ride the waves of our vast, eloquent pages – peopled with valiant Miserables, excellent Rougons, and castaway Fridays…
July 3, 2026
“There were printed of this first edition…”
Every collector of modern books knows this terrible and delightful phrase. An ominous prelude announcing just how arduous the quest for the most desirable copy will be.
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