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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Dodé
  1. Dames et demoisellesDames et demoiselles
    Théodore de BANVILLE, Georges-Antoine ROCHEGROSSE

    Dames et demoiselles

    Charpentier|Paris 1886|12 x 19 cm|relié
    First edition, one of 40 numbered copies on Holland paper, the only deluxe copies after 10 on China paper.
    Bradel binding in full red cloth, smooth spine decorated with a gilt floral motif, gilt date at foot, black shagreen title label, double gilt fillet frame on boards, original wrappers preserved, contemporary binding signed Dodé.
    Work illustrated with a drawing by G. Rochegrosse as frontispiece printed on China paper.
    €250
  2. Les dicts & faicts du chier cyre Gambette le Hutin en sa court Les dicts & faicts du chier cyre Gambette le Hutin en sa court
    NADAR [Félix TOURNACHON]

    Les dicts & faicts du chier cyre Gambette le Hutin en sa court [The Sayings & Deeds of the dear sire Gambette the Hutin in his court]

    chés l'auctheur|Paris s. d. [1882]|14 x 19 cm|relié
    first edition of this Rabelaisian style pamphlet directed against Gambetta, one of 300 numbered copies on paper of the Netherlands.
    Binding to open bradel ivory wove, smooth back, red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second, fragile parchment wrappers preserved and bound in, contemporary binding signed Dodé.
    Nadar handwritten signature under the justification of the draw.
    Book adorned the author of illustrations.
    Provenance: Library of Frederick Lachèvre, bibliographer, specialist in French poetry, with its large bookplate...
    €400
  3. La Passion illustrée sinon illustre de N.-S. Gambetta La Passion illustrée sinon illustre de N.-S. Gambetta
    NADAR [Félix TOURNACHON]

    La Passion illustrée sinon illustre de N.-S. Gambetta [The Illustrated, if not Illustrious, Passion of N.-S. Gambetta]

    chés l'auctheur|Paris s. d. [1882]|14 x 19 cm|relié
    first edition of this Rabelaisian style pamphlet directed against Gambetta, one of 300 numbered copies on Holland paper.
    Binding to open bradel ivory wove, smooth back, red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified, fragile parchment wrappers preserved and bound in, contemporary binding signed Dodé.
    Nadar handwritten signature under the justification of the draw.
    In addition, this copy is enriched with a handwritten correction Nadar pencil in The Passion,
    p. 45, to orveitan [sic].
    Book adorned the author of illustrations.
    €400
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