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Fernand SIMÉON

Fernand SIMÉON

Born1884
Died2 mai 1928
LanguageFrench
NationalityFrance
Graveur sur bois, illustrateur et aquarelliste
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35 results
  1. La révolte des anges
    Fernand SIMEON, Anatole FRANCE

    La révolte des anges

    Editions Mornay|Paris 1921|15 x 20.50 cm|broché
    Illustrated edition with 111 original wood engravings by Siméon, one of 940 numbered copies on Rives paper.
    A handsome copy despite the endpapers being lightly and partially shaded.


    €120
  2. L'abbé Jules
    Fernand SIMEON, Octave MIRBEAU

    L'abbé Jules

    Editions Mornay|Paris 1925|15.50 x 20.50 cm|broché
    Edition illustrated with original woodcuts by Fernand Siméon, one of 895 numbered copies on Rives paper.
    Light foxing to endpapers, otherwise a handsome copy.






    €100
  3. Le carquois épuisé
    George BARBIER, Fernand SIMÉON

    Le carquois épuisé

    Lucien Vogel|Paris s. d. [1922]|12.50 x 25 cm|broché
    First hors commerce edition printed for the author's friends in 60 copies numbered on hollande and justified in pencil by George Barbier.
    Work illustrated with wood engravings by Fernand Siméon.
    Handsome and rare copy despite clear foxing at the foot of the leaves.


    €1,200
  4. Les artistes du livre. Siméon
    Laure ALBIN GUILLOT (Fernand SIMÉON)

    Les artistes du livre. Siméon

    Henri Babou|Paris 1930|20.50 x 26.50 cm|en feuilles sous chemise à lacets
    First edition, one of 50 numbered copies on Japon, ours unjustified, deluxe copy.
    Fine copy, spine and boards of the chemise marginally sunned and spotted.
    Letter-preface by Jean-Jacques Brousson.
    Photographic portrait of Fernand Siméon by Laure Albin Guillot.
    Work illustrated with a frontispiece, black illustrations in the text as well as 15 hors-texte plates in black and colors extracted from works illustrated by the artist.
    Our copy lacks the original drawing by Fernand Siméon which should appear in the deluxe copies.
    €100
  5. Le magasin d'auréoles. Exemplaire de l'imprimeur Léon Pichon
    Fernand SIMEON, Hugues REBELL

    Le magasin d'auréoles. Exemplaire de l'imprimeur Léon Pichon

    Léon Pichon|Paris 1927|16.50 x 23 cm|en feuilles
    Illustrated edition with 17 wood-engraved vignettes by Fernand Siméon, one of 25 numbered copies on Japon Shidzuoka, ours unnumbered but justified "copy printed for Léon Pichon", deluxe copy after 15 Japon à la forme.
    Handsome complete copy including, as mentioned in the justification, the suite on Chine of the wood engravings.
    €150
  6. Le magasin d'auréoles
    Fernand SIMEON, Hugues REBELL

    Le magasin d'auréoles

    Léon Pichon|Paris 1927|16.50 x 23 cm|en feuilles
    Edition illustrated with 17 wood-engraved vignettes by Fernand Siméon, one of 25 numbered copies on Japon Shidzuoka, deluxe copies after 15 Japon à la forme.
    Handsome complete copy, as mentioned in the justification page, with the suite on China of the wood engravings.
    €120
  7. L'abbé Jules
    Fernand SIMEON, Octave MIRBEAU

    L'abbé Jules

    Editions Mornay|Paris 1925|17 x 20.50 cm|broché
    Edition illustrated with original wood engravings by André Deslignières, one of 82 numbered copies on Japon impérial paper, ours being one of 10 hors commerce and nominative copies, the deluxe printing after 2 Japon ancien copies.
    Two small tears reattached at foot of spine.
    Fine full-margined copy.






    €350
  8. Marguerite
    Anatole FRANCE, Fernand SIMÉON

    Marguerite[Marguerite]

    Plon|Paris 1920|16 x 26 cm|relié sous étui

    First edition, one of 450 numbered copies on Holland paper.
    Work illustrated with 35 original woodcuts by Fernand Siméon.
    Full brown morocco binding, smooth spine decorated with a vertical band of black mosaic morocco, black roulettes on the headcaps, slight rubbing to the upper headcap, gilt title struck to the center of the first cover, covers decorated with a large diamond and a wide horizontal band of black mosaic morocco, endpapers and pastedowns of paper with gilt floral motifs and moiré effect, frame of vertical and horizontal bands of black mosaic morocco on the pastedowns, covers and spine preserved, top edge gilt, double black fillets on the leading edges, slipcase wit

    €600
  9. Le crime de Sylvestre Bonnard
    Fernand SIMEON, Anatole FRANCE

    Le crime de Sylvestre Bonnard

    Editions Mornay|Paris 1923|17.50 x 22 cm|broché
    Edition illustrated with original etchings and woodcuts by Fernand Siméon, one of 35 numbered copies on Holland paper, ours being one of 24 hors commerce copies, the most limited deluxe paper printing after a unique copy on old Japan paper.
    Handsome copy despite a small light dampstain at foot of front cover and on its rear flap verso.
    Our copy is complete, as stipulated in the justification page, with its suite of woodcuts on Japan paper and the proof before letters of the etchings.
    €600
  10. Costumes parisiens. Tailleur de velours blanc frappé garni de loutre et de passementerie (pl.28, Journal des Dames et des Modes, 1912 n°15)
    Fernand SIMEON

    Costumes parisiens. Tailleur de velours blanc frappé garni de loutre et de passementerie (pl.28, Journal des Dames et des Modes, 1912 n°15)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the ti
    €70
  11. Le Déjeuner au cabaret. Tailleur, en cottaperllaine de Rodier (pl.74, La Gazette du Bon ton, 1921 n°10)
    Fernand SIMEON (RODIER)

    Le Déjeuner au cabaret. Tailleur, en cottaperllaine de Rodier (pl.74, La Gazette du Bon ton, 1921 n°10)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers
    €80
  12. L'Eveil du printemps. Manteau réversible en serge, "motifs grillagés", de Rodier (pl.17, La Gazette du Bon ton, 1922 n°3)
    Fernand SIMEON (RODIER)

    L'Eveil du printemps. Manteau réversible en serge, "motifs grillagés", de Rodier (pl.17, La Gazette du Bon ton, 1922 n°3)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right f
    €80
  13. Chloé. Robe du soir, de Beer (pl.62, La Gazette du Bon ton, 1921 n°8)
    Fernand SIMEON (Gustave BEER)

    Chloé. Robe du soir, de Beer (pl.62, La Gazette du Bon ton, 1921 n°8)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designe
    €80
  14. Le Plaisir à la mode. Manteau du soir, en tissus de Bianchini (pl.3, La Gazette du Bon ton, 1921 n°1)
    Fernand SIMEON (BIANCHINI-FERIER)

    Le Plaisir à la mode. Manteau du soir, en tissus de Bianchini (pl.3, La Gazette du Bon ton, 1921 n°1)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of
    €100
  15. Au bal noir et blanc. Manteau du soir (pl.25, La Gazette du Bon ton, 1921 n°4)
    Fernand SIMEON

    Au bal noir et blanc. Manteau du soir (pl.25, La Gazette du Bon ton, 1921 n°4)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right f
    €80
  16. Le Retour des autans. Tailleur et Robe d'après-midi de Doeuillet (pl.55, La Gazette du Bon ton, 1920 n°7)
    Fernand SIMEON (Georges DOEUILLET)

    Le Retour des autans. Tailleur et Robe d'après-midi de Doeuillet (pl.55, La Gazette du Bon ton, 1920 n°7)

    Lucien Vogel éditeur|Paris Septembre 1920|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right f
    €50
  17. Un peu beaucoup (pl.34, La Gazette du Bon ton, 1920 n°5)
    Fernand SIMEON

    Un peu beaucoup (pl.34, La Gazette du Bon ton, 1920 n°5)

    Lucien Vogel éditeur|Paris Juin 1920|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right
    €70
  18. La Lettre surprise (pl.3, La Gazette du Bon ton, 1920 n°1)
    Fernand SIMEON

    La Lettre surprise (pl.3, La Gazette du Bon ton, 1920 n°1)

    Lucien Vogel éditeur|Paris Février 1920|18 x 24 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models
    €100
  19. Vous avez vu ? Cette petite. Robe de promenade en Parquetine de Rodier. (La Gazette du Bon ton, n°4. Année 1920 - Planche 24 )
    Fernand SIMEON

    Vous avez vu ? Cette petite. Robe de promenade en Parquetine de Rodier. (La Gazette du Bon ton, n°4. Année 1920 - Planche 24 )

    Lucien Vogel éditeur|Paris 1920|19.50 x 25 cm|une feuille
    Original color print, printed on vergé paper, the signature does not let identify the artist.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the mo
    €60
  21. Jean-des-figues
    Fernand SIMEON, Paul ARÈNE

    Jean-des-figues

    Imprimerie Coulouma|Argenteuil 1927|18 x 25.50 cm|relié
    Sold
  22. Costumes parisiens. Veste de velours pékiné noir et auburn sur fourreau de frissonnette peinte. Chapeau velours et aigrette (pl.18, Journal des Dames et des Modes, 1912 n°11)
    Fernand SIMEON

    Costumes parisiens. Veste de velours pékiné noir et auburn sur fourreau de frissonnette peinte. Chapeau velours et aigrette (pl.18, Journal des Dames et des Modes, 1912 n°11)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the t
    Sold
  23. Vous avez vu ? Cette petite. Robe de promenade en Parquetine de Rodier (pl.24, La Gazette du Bon ton, 1920 n°4)
    Fernand SIMEON (RODIER)

    Vous avez vu ? Cette petite. Robe de promenade en Parquetine de Rodier (pl.24, La Gazette du Bon ton, 1920 n°4)

    Lucien Vogel éditeur|Paris Mai 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, unsigned.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, th
    Sold
  24. Le Retour des autans. Tailleur et Robe d'après-midi de Doeuillet (pl.55, La Gazette du Bon ton, 1920 n°7)
    Fernand SIMEON (Georges DOEUILLET)

    Le Retour des autans. Tailleur et Robe d'après-midi de Doeuillet (pl.55, La Gazette du Bon ton, 1920 n°7)

    Lucien Vogel éditeur|Paris Septembre 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, unsigned.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, th
    Sold
  26. Bourrasque (pl.48, La Gazette du Bon ton, 1920 n°7)
    Fernand SIMEON

    Bourrasque (pl.48, La Gazette du Bon ton, 1920 n°7)

    Lucien Vogel éditeur|Paris Septembre 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion desi
    Sold
  27. Le Cocu magnifique. Robe en taffetas imprimé de Bianchini (pl.25, La Gazette du Bon ton, 1922 n°4)
    Fernand SIMEON (BIANCHINI-FERIER)

    Le Cocu magnifique. Robe en taffetas imprimé de Bianchini (pl.25, La Gazette du Bon ton, 1922 n°4)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right
    Sold
  28. Suzanne et le Pacifique. Robe de Bains de mer, en "chevrons laine" de Rodier (pl.42, La Gazette du Bon ton, 1922 n°6)
    Fernand SIMEON (RODIER)

    Suzanne et le Pacifique. Robe de Bains de mer, en "chevrons laine" de Rodier (pl.42, La Gazette du Bon ton, 1922 n°6)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right f
    Sold
  29. La Leçon de natation. Costume et châle, pour le bain (pl.41, La Gazette du Bon ton, 1921 n°6)
    Fernand SIMEON

    La Leçon de natation. Costume et châle, pour le bain (pl.41, La Gazette du Bon ton, 1921 n°6)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designe
    Sold
  30. O Maître el Relicario (pl.66, La Gazette du Bon ton, 1920 n°9)
    Fernand SIMEON

    O Maître el Relicario (pl.66, La Gazette du Bon ton, 1920 n°9)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right
    Sold
  31. Vous avez vu ? Cette petite. Robe de promenade en Parquetine de Rodier (pl.24, La Gazette du Bon ton, 1920 n°4)
    Fernand SIMEON (RODIER)

    Vous avez vu ? Cette petite. Robe de promenade en Parquetine de Rodier (pl.24, La Gazette du Bon ton, 1920 n°4)

    Lucien Vogel éditeur|Paris Mai 1920|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right f
    Sold
  34. Marguerite
    Anatole FRANCE, Fernand SIMÉON

    Marguerite

    André Coq|Paris 1920|16.50 x 25.50 cm|broché
    Sold
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