First edition of this collection of political speeches.
Full red percaline binding, smooth spine without lettering showing slight rubbing, gilt inscription stamped to the upper cover: "République de Guinée R.D.A. à S.E. Jean Paul Sartre. N°30"; endpapers partly toned, a contemporary presentation binding offered to Jean-Paul Sartre.
Frontispiece photographic portrait bearing the autograph signature of President Ahmed Sékou Touré: Secretary General of the Parti Démocratique de Guinée, Supreme Leader of the Revolution.
New edition.
Spine very slightly sunned, but an attractive and well-preserved copy.
Signed by Jean-Paul Sartre on the half-title.
First edition of this theatre programme for Jean-Paul Sartre's adaptation of Alexandre Dumas's Kean, staged at the Théâtre Marigny in 1988, directed by Robert Hossein and starring Jean-Paul Belmondo in the title role.
A fine copy. Illustrated throughout.
Boldly signed by Jean-Paul Belmondo in black felt-tip pen on the cover.
First edition, one of 12 copies numbered on Montval laid paper, the deluxe issue.
Light foxing to the upper cover and endpapers, with a small nick to the lower right corner of the rear cover.
First edition, one of the publisher’s review copies.
Spine and boards very slightly and marginally sunned.
Fine dated and signed autograph inscription by Pierre Bost: "à Jean-Paul Sartre qui a connu le tiroir - et qui a même déjà lu ce livre. Avec l'amitié de Pierre Bost dec.45."
Complete run of the first twenty years of the newspaper Libération, founded in 1973 by Jean-Paul Sartre, Serge July, Philippe Gavi, Bernard Lallement and Jean-Claude Vernier.
6,200 issues in pristine condition (never opened).
This unique collection comprises 6,200 issues of Libération in impeccable condition (never opened), and is absolutely complete – including all the “numéros zéros”, promotional issues, special reports, thematic supplements (including the entire series of the celebrated “Sandwich” issues), and the commemorative twentieth anniversary album – from Monday 5 February 1973 to Monday 3 January 1994.
The collection is offered with its custom-made display unit (2.60 m high, 4.20 m wide, and 50 cm deep). It consists of 35 stackable compartments, each measuring 84 x 36.5 x 50 cm, each housing two sliding drawers. Each drawer holds approximately one hundred issues of the newspaper.
Provenance: Frédéric Fredj Collection.
First edition of this issue of Les Temps modernes devoted to Polish socialism.
Contributions by Jan Kott, Wiktor Woroszylski, Jerzy Andrzejewski, Adolf Rudnicki, Mieczyslaw Jastrun, Rysz Ard Koniczek, Roman Zimand...
Spine slightly sunned.
First edition of this issue of Temps modernes devoted to the Hungarian revolt brutally suppressed by the U.S.S.R.
Contributions by Jean-Paul Sartre "Le fantôme de Staline", Marcel Péju, François Fejtö, Tibor Déry, Illyès Gyula, Geza Kepes...
Spine sunned.
Autograph manuscript of 12 pages on squared sheets, written in blue ink, with numerous passages underlined.
A previously unpublished set of reflections by Jean-Paul Sartre on social structure and bourgeois ideology, probably written in 1952 as part of a projected screenplay on the revolutionary period. This series of interior dialogues on the nature of individual and collective power constitutes an early draft of the ideas later developed in his 1960 masterpiece, Critique of Dialectical Reason. Through the example of the French Revolution and the Terror, Sartre questions the role of the citizen and of property, drawing on the writings of Kant, Marx, Rousseau, Hobbes, Saint Paul and Luther.
The first edition, an advance [service de presse] copy.
A fine inscription from Jean Cocteau to Jean-Paul Sartre: “son ami de tout cœur [your true friend].”
Despite not being of the same generation, and despite everything that could have separated them, Jean Cocteau and Jean-Paul Sartre were friendly in the late 40s and early 50s. When Sartre died, Jean Marais evoked their regular telephone calls and dinners with endless, wonderful discussions.
The two also worked together for recognition for Jean Genet and in July 1948 published an open letter together in Combat, addressed to the President of France, Vincent Auriol, urging the release from prison of the poet-thug. A few years later, Cocteau would help Sartre set up a committee of support for Henri Martin, a Communist protesting against the war in Indochina, sentenced to five years in prison for distributing pamphlets. Cocteau also took part in the staging of Sartre's Dirty Hands at the Théâtre Antoine in 1948.
In giving the high priest of Existentialism an inscribed copy of The Difficulty of Being, the indefatigable dandy was giving him one of his most intimate pieces. In this work, Sartre's political engagement is evoked in poetic terms: “but why does he insist on visible engagement? The invisible engages so much more…Poets engage themselves without any goal other than to lose themselves.”
Rare testimony of the links between two major figures of the 20th century intellectual and literary world.