Eugène MONTFORT

First edition, one of 50 numbered copies on rag paper, the only deluxe copies.
Handsome copy.

First edition on ordinary paper, with only 20 copies printed on Hollande deluxe paper.
Inscribed by Eugène Montfort.
Light spotting to covers.

First edition, one of 148 numbered copies on Arches paper, the only issue with 2 copies on Japan paper.
Full burgundy morocco binding, spine with six raised bands decorated with gilt fillets, gilt collection title and number at head and foot, pastedowns lined with burgundy box calf and framed in morocco, endpapers lined with burgundy box calf, original wrappers and spine preserved, top edge gilt over deckled edges, binding signed Charles Benoit.
A fine copy perfectly executed.

First edition under Floury's reissue label, one of 240 numbered copies on England paper, the only deluxe copies with 32 Japan copies.
Precious autograph inscription from Eugène Montfort to Octave Mirbeau.
Two small lacks at head and foot of spine, a tiny marginal lack to front board, occasional worming affecting mainly the final endpaper, otherwise handsome interior condition.

New edition, with some parts in first edition as revised, corrected and expanded with unpublished notes, one of 54 numbered copies on Arches, the only deluxe copies.
Fine inscription by Eugène Montfort reproducing a passage from page 152.
Introduction by Pierre Leguay.
Front board detached, back board absent, light angular dampstain affecting some margins, retaining its deckled edges.

First edition under publisher's reissue covers at Floury, one of 240 numbered copies on English paper, the only printing with 32 Japan copies.
Precious signed autograph inscription from Eugène Montfort to Jean Moréas.
Small corner lacks to covers, foxing.
Rare.

First edition on ordinary paper, only 50 deluxe copies were printed on Chiffon paper.
Handsome copy.

First edition.
The ruins of Reggio and Messina, Palermo, Capri, Tangier, Andalusia: Granada, Cordoba, Naples...
Rare and handsome copy.

First edition, one of the numbered copies, the only issue with 50 on Arches paper.
Work illustrated with line drawings by Albert Marquet.
Handsome copy.