Katherine MANSFIELD

First edition in French, one of 60 numbered copies on pur fil du marais paper, the only deluxe copies.
Minor tears without consequence to the slightly sunned spine.
A rare full-margined copy.

First edition printed in 100 numbered copies, ours one of the hors commerce copies.
A handsome copy.

First edition of the French translation, one of 25 numbered copies on Annam vellum, deluxe copy.
Work illustrated with a frontispiece by Guillaume Monin.
Handsome copy retaining its publisher's wraparound band.

First edition in French, one of 21 numbered copies on Arches vellum, ours one of 5 hors commerce copies, the deluxe edition after 8 on Japon impérial.
Handsome full-margined copy despite some light foxing to certain leaves.

First edition of the French translation, one of 21 numbered copies on vellum Arches paper, leading print after 8 imperial Japan.
Binding half morocco blue corners, back with four nerves, marbled paper plates, guards and contreplats of handmade paper, covers and back preserved, golden head on witnesses, Contemporary binding signed Nertenne.
Nice copy pleasantly established.

First edition of the French translation, one of 8 numbered copies on Imperial Japan, head print.
Binding to the bradel in cardboard vellum style, smooth back, title, name of the author and monogram with the feather which have faded on the back, boards illustrated in their centers of two watercolors representing wooded landscapes, guards and contreplats of handmade paper, covers and back preserved, binding executed and watercolor by Monique Cros who glued his ex-libris at the foot of a guard.
Hooks in feet of cuts.