Sergej Mihajlovič LIFARʹ

First edition on ordinary paper.
Spine sunned and with some worming.
Work illustrated with 36 photographs in and outside the text.
Autograph inscription signed by Serge Lifar to Guy Haumet.

First edition, one of 25 lettered copies on alfa paper, deluxe issue.
Full leather binding in imitation snakeskin, smooth spine, marbled endpapers and pastedowns, covers preserved, elegant unsigned binding.
Illustrated with 16 plates and 13 illustrations in the text.
A pleasant copy.

First edition on ordinary paper.
Light worming to boards.
Work illustrated with 36 photographs in and hors-texte.
Precious autograph inscription signed by Serge Lifar: "Au grand Sacha Guitry en témoignage d'admiration et d'amitié profondes, hommage respectueux de Serge Lifar." ["To the great Sacha Guitry in testimony of deep admiration and friendship, respectful homage from Serge Lifar."]

First edition.
Work illustrated with photographs.
Autograph inscription signed by Serge Lifar to Maryelle Krempff who completed her brilliant career as a dancer as principal dancer at the Opéra Comique before teaching dance at the National Regional Conservatory of Saint-Maur des Fossés from 1969 to 1989: "A Maryelle Krempff 'l'étoile de la danse' en souvenir de ce jour mémorable. Amicalement Serge Lifar." ["To Maryelle Krempff 'the star of dance' in memory of this memorable day. Cordially Serge Lifar."]

First edition illustrated with photographs, of which there were no deluxe copies.
Handsome copy.
Autograph inscription dated 1944 and signed by Serge Lifar to Maryelle Krempff, who completed her brilliant career as a dancer as principal dancer at the Opéra Comique before teaching dance at the Conservatoire National de région de Saint-Maur des Fossés from 1969 to 1989: "A mademoiselle Maryelle Krempff qui aime la Danse et la sert la grace (sic). Serge Lifar." ["To Miss Maryelle Krempff who loves Dance and serves it with grace. Serge Lifar."]

First edition on ordinary paper, statement of one thousand copies.
Small tears at head and foot of spine.
Work illustrated with 24 photographic plates hors-texte as well as drawings and tailpieces by Serge Ivanoff.
Autograph inscription signed by Serge Lifar to Maryelle Krempff who completed her brilliant career as a dancer as principal dancer of the Opéra Comique before teaching dance at the National Regional Conservatory of Saint-Maur des Fossés from 1969 to 1989: "Pour la charmante mademoiselle Maryelle Krempff en souvenir amical de Serge Lifar" ["For the charming Miss Maryelle Krempff in friendly remembrance from Serge Lifar"].

First edition on ordinary paper.
Two small stains to corners of the back cover.
Work illustrated with 36 photographs in and out of text.
Autograph inscription dated 1944 and signed by Serge Lifar to Maryelle Krempff who completed her brilliant career as a dancer as principal dancer at the Opéra Comique before teaching dance at the National Regional Conservatory of Saint-Maur des Fossés from 1969 to 1989: "A la charmante Maryelle Krempff de l'Opéra. En témoignage de mon amitié." ["To the charming Maryelle Krempff of the Opera. In witness of my friendship."]

First edition on ordinary paper.
Spine sunned, otherwise handsome copy.
Autograph inscription dated 1943 and signed by Serge Lifar to Maryelle Krempff, then a promising dancer as principal subject of the Opera who would complete her career as principal dancer at the Opéra Comique before teaching dance at the National Regional Conservatory of Saint-Maur des Fossés from 1969 to 1989.

First edition on ordinary paper.
Handsome copy, iconography.
Autograph inscription dated 1965 and signed by Serge Lifar to Maryelle Krempff who completed her brilliant career as a dancer as principal dancer at the Opéra Comique before teaching dance at the National Regional Conservatory of Saint-Maur des Fossés from 1969 to 1989: "Pour Maryelle Krempff, ma vie pour la danse. Très cordialement." ["For Maryelle Krempff, my life for dance. Very cordially."]

First edition, one of 1000 numbered copies on vellum, ours one of the few hors commerce copies.
Spine and boards lightly and marginally sunned, handsome copy.
Iconography.
André Rolland de Réneville's copy with autograph inscriptions addressed to him by the numerous contributors to the work: Maurice Toesca, Jean Guéritte, Yvette Darsonval, Robert Margerit, Jacques Chastel, Martine Cadieu, Nina Vyborouva.
Manuscript signature by Serge Lifar facing the page bearing the autograph inscriptions.

First edition on current paper, mention of ninth edition.
A tear in the foot of the back slightly insolated.
Iconography.
Autograph dedication dated 1953 and signed by Serge Lifar to Mrs. Dominique Blanchard.

A l'aube de mon destin, sept ans aux Ballets Russes First edition, one of 30 numbered copies on vélin de Rives paper, the only grand papier (deluxe) copies.
Publisher's binding in full grey skyvertex, the endpagpers and pastedowns in decorative marbled paper.
Illustrated with a portrait of the author as a frontispiece by Jean Cocteau.
A nice copy.

Auguste Vestris, le dieu de la danse First edition, one of 25 lettered copies on alfa paper, the tirage de tête.
Full leather binding in snake skin style, marbled endpapers, original wrappers preserved, handsome unsigned binding.
Illustrated with 16 plates hors texte and 13 illustrations.
Nice copy.