Edouard HALOUZE

Original color print created by Edouard Halouze, finely heightened in gold, printed on laid paper and signed in the upper right of the plate.
Painter, illustrator and decorator, Edouard Halouze drew fashion vignettes for the Gazette du Bon ton from the magazine's beginnings. Alongside this work, he participated in 1920 in an exhibition devoted to "La mode vue par les peintres" presented at the Musée des arts décoratifs.
He distinguished himself from other Gazette illustrators through his Cubist style in sets, costumes and program covers for music-halls.
Original engraving created for the illustration of La Gazette du bon ton, one of the most

original print in color, printed on laid paper, signed upper right of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designer

original print in color, printed on laid paper, signed on the top left of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion desi

original print in color, printed on laid paper, signed lower left of the board. advertising board for decorating at Mercier Brothers.
Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsel