Jules FLANDRIN

Rare original crayon-manner lithograph, executed by Jules Flandrin for L'Estampe Moderne, series number 19 published in November 1898.
One of 50 deluxe proofs printed on Japan paper with wide margins, laid paper mounted on Japan paper, publisher's blind stamp representing a child's profile in lower margin, numbered stamp of the deluxe edition on verso; engraving preceded by a tissue guard inscribed with the artist's name, title, and an excerpt from a work.
Lithograph inspired by the first four stanzas of the poem La chevelure from Charles Baudelaire's collection Les Fleurs du Mal, reproduced on the print's tissue guard.
Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of original chromolithographs which, unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards, were created specially by each artist for the magazine. Thus 100 prints appeared in total, covering the major artistic movements of the late 19th century: Symbolism, Art Nouveau, Pre-Raphaelites, Orientalists and Belle Époque. Each issue of four prints was published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F.
This print of handsome format is superbly printed on the most prestigious of papers: Japan paper. Thick, silky, satined and pearlescent, it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs.
French collectors' interest in artistic posters grew in the early 1890s. Octave Uzanne, to describe this fever, invented the term "affichomanie." The poster, originally popular and pasted on the streets of the capital, then became an art object and its ephemeral support became precious and destined for preservation.
Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure, Eugène Grasset, Henri Detouche, Emile Berchmans, Louis Rhead, Gaston de Latenay, Lucien Lévy-Dhurmer, Gustave-Max Stevens, Charles Doudelet, Hans Christiansen, Henri Fantin-Latour, Steinlen, Ibels, Engels, Willette, Henri Meunier, Evenepoël, Bellery-Desfontaines, Charles Léandre, etc.
Handsome copy.

Rare original lithograph, executed by Jules Flandrin for L'Estampe Moderne, series number 19 published in November 1898.
One of 50 deluxe proofs printed on China paper with wide margins, publisher's dry stamp representing a child's profile in the lower margin, mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso, pale marginal foxing.
Lithograph inspired by the first four stanzas of the poem La chevelure from Charles Baudelaire's collection, Les Fleurs du Mal.
Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of original chromolithographs which, unlike other journals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards, were created specifically by each artist for the journal. Thus 100 prints appeared in total, covering the major artistic currents of the late 19th century: Symbolism, Art Nouveau, Pre-Raphaelites, Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F.
This print in a handsome format is superbly printed on one of the most prestigious papers: China paper. "Despite all its qualities, China paper, too insubstantial, owes its reputation not to its own beauty, but rather to its particular affinities with printing ink. Its texture, smooth and soft at the same time, is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings..." (Anatole France).
French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne, to qualify this fever, invented the term "affichomanie." The poster, originally popular and displayed in the streets of the capital, then became an art object and its ephemeral medium became precious and destined for preservation.
Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure, Eugène Grasset, Henri Detouche, Emile Berchmans, Louis Rhead, Gaston de Latenay, Lucien Lévy-Dhurmer, Gustave-Max Stevens, Charles Doudelet, Hans Christiansen, Henri Fantin-Latour, Steinlen, Ibels, Engels, Willette, Henri Meunier, Evenepoël, Bellery-Desfontaines, Charles Léandre, etc.
Handsome copy.

Original color lithograph executed specially by the artist for L'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by the eponymous poem by Charles Baudelaire, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of L'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque" movements.

Original lithograph in black executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Handsome copy.
Lithograph inspired by a poem from "Les Fleurs du Mal" by Charles Baudelaire, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque" movements.