Jules FLANDRIN

Rare original crayon-manner lithograph, executed by Jules Flandrin for L'Estampe Moderne, series number 19 published in November 1898.
One of 50 deluxe proofs printed on Japan paper with wide margins, laid paper mounted on Japan paper, publisher's blind stamp representing a child's profile in lower margin, numbered stamp of the deluxe edition on verso; engraving preceded by a tissue guard inscribed with the artist's name, title, and an excerpt from a work.
Lithograph inspired by the first four stanzas of the poem La chevelure from Charles Baudelaire's collection Les Fleurs du Mal, reproduced on the print's tissue guard.
Magn

Rare original lithograph, executed by Jules Flandrin for L'Estampe Moderne, series number 19 published in November 1898.
One of 50 deluxe proofs printed on China paper with wide margins, publisher's dry stamp representing a child's profile in the lower margin, mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso, pale marginal foxing.
Lithograph inspired by the first four stanzas of the poem La chevelure from Charles Baudelaire's collection, Les Fleurs du Mal.
Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of original chromolithographs which, unlike oth

Original color lithograph executed specially by the artist for L'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by the eponymous poem by Charles Baudelaire, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of L'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle E

Original lithograph in black executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Handsome copy.
Lithograph inspired by a poem from "Les Fleurs du Mal" by Charles Baudelaire, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist