DESTOUCHES

New edition preceded by a notice on the life and works of this author.
Half bottle-green shagreen bindings, spines with four raised bands decorated with gilt compartments, gilt fillets on marbled paper boards, marbled endpapers and pastedowns, bindings signed Vernier-Reitz at foot of spines.
Work illustrated with plates.
Occasional light foxing.
Handsome set in charming signed bindings.

New edition preceded by a notice on the life and works of this author.
Half red calf bindings, spines slightly faded with four raised bands set with seven gilt fillets decorated with cold-stamped fleurons as well as black dotted lines, gilt friezes at head and foot, marbled paper boards, marbled endpapers and pastedowns, marbled edges, elegant contemporary Romantic bindings signed by Thouvenin.
Work illustrated with 12 engravings hors-texte.
Occasional light foxing of no consequence.
Handsome set in a charming contemporary Romantic binding signed by Thouvenin, one of the most famous binders of the first half of the 19th century.

Edition illustrated with a portrait of the author engraved by Fokke, 24 figures engraved on copper by Fritsch after Aartman and a copperplate fleuron repeated on the first four titles. Copy entirely ruled.
Later bindings in full red morocco, signed Bauzonnet-Trautz. Spine with five raised bands decorated with gilt fillets and dotted lines. Boards framed with triple gilt fillets. Double gilt fillet emphasizing the leading edges. Gilt dentelle framing the doublures.
Some rubbing and spine slightly faded, otherwise handsome copy.

New edition, revised, corrected and expanded with several pieces, all similar to the Royal Printing House edition (quarto in 4 volumes published in 1757).
An engraved portrait of the author as frontispiece by Vander Schley.
Contemporary full brown sheep bindings. Spines with five raised bands decorated with compartments and small gilt floral tools. Red morocco title labels and volume labels. All edges red. The first and fourth volumes show lacks to spine with lacks to headcaps, two worn headcaps, wormholes, four corners slightly bumped. Some very minor bookworm damage in certain volumes, not affecting the text.
Edition bringing together the theatrical pieces, correspondence...

Publisher's composite collection, the title pages of the various pieces spanning from 1734 to 1742; the fourth volume being dated 1745. It should be noted that the first piece of the first volume comes after the general title page, without a particular title page, with no apparent lack in the collation; the same applies to volume II, the first piece being preceded only by a half-title, while all other pieces have a particular title page, this without any lack in the pagination and collation. The publisher added in each volume a leaf listing the titles of the various pieces contained in each volume. These particularities are inherent to the process employed by the publisher to form this...