Camille COROT

First edition published in 20 instalments, illustrated with wood-engraved vignettes in the text after Célestin Nanteuil, Français, Karl Girardet, Jules David, etc., and 20 copper-engraved or lithographed plates after Diaz, Decamps, Hazé, A. Guignet, E. Hedouin, Théodore Chasseriau, Alophe, Couture, etc. The original covers of all instalments are bound at the end. The covers erroneously announce 30 engravings instead of the 20 actually included.
Later binding in red Russian half morocco with corners, spine in five raised bands richly gilt, date in gilt at foot, gilt fillet frame on pasteboard covers. Considerable rubbing and bumped corners.

Extremely rare original medallion photograph on albumen paper, carte de visite format, mounted on a card from Anatole Pougnet’s Paris studio. Manuscript annotations on the verso. No other copy of this photograph has been traced in international public collections.

First edition, one of three or four cop­ies printed on vellum skin, the most limited issue. A few copies printed on japon, 12 on Whatman, 12 on chine, and 350 copies on laid paper. Edited by Philippe Burty, the book features 42 sonnets and as many original etchings.
Contemporary full dark purple morocco binding, slightly recolored spine with five raised bands, gilt title, purple wa­tered-silk pastedowns and endleaves followed by vellum endleaves, inner gilt dentelle, sides and spine-ends framed in gilt, all edges gilt, marbled paper slip­case bordered in purple mo­rocco, binding signed by Au­guste Petit.

Only two oth­er vellum cop­ies recorded: Melot and Delteil...