Marc CHAGALL

Marc CHAGALL

Born7 juillet 1887
Died28 mars 1985
LanguagesFrench, Russian
NationalityFrance
Peintre. Né en Biélorussie, naturalisé français en 1937
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  • SYAGAL
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50 results
CHAGALL, Marc
  1. Sturm livre d'images N°V : Les peintres expressionnistes
    Wassily KANDINSKY, Alexander ARCHIPENKO

    Sturm livre d'images N°V : Les peintres expressionnistes[Sturm Picture Book No. V: The Expressionist Painters]

    Jacques Povolozky & Cie • Der Sturm|Paris • & Berlin s. d. [circa 1915]|25 x 34.50 cm|en feuilles reliées par deux noeuds tressés

    Very rare first issue of this periodical, the mouthpiece of German Expressionism founded by Herwarth Walden in 1910.
    Text by Rudolf Blümmer.

    One tear at the bottom of the spine, another at the head, pale angular damp stain on the marginally discoloured
    covers, the text sheet tends to come apart. A fragile set held together by two strings.

    Illustrated catalogue of 15 colour reproductions of artworks, laid on thick black paper by Marc Chagall (3 works), Wassily Kandinsky (2), Alexander Archipen
    ko (1), Rudolf Bauer (1), Albert Gleizes (1), Reinhard Goering (1), Jacoba von Heemskerck (1), Paul Klee (1), Fernand Léger (1), Franz Marc (1), Johannes...

    €4,500
  2. Variétés N°4 de la 1ère année
    Marc CHAGALL, Pierre MAC ORLAN

    Variétés N°4 de la 1ère année

    Éditions Variétés|Brussels 1928|18.2 x 26.5 cm|Broché

    First edition.

    Contributions by Pierre Mac Orlan "Accordéons", P.G. Van Ecke "L'envoûte ou la destinée des peintres", Denis Marion "A double tour", Gille Anthelme "Un aspect décisif des Ballets Diaghilew : Léonide Masside", Frans Vervoot "Nine, ou l'avant-propos", Albert Valentin "Aux soleils de minuit (IV)", Paul Fierens "Des rues et des carrefours", Franz Hellens...

    Issue illustrated with photographs and drawings by Hans Arp, Jean de Bosschère, Marc Chagall, Gustave de Smet, Edgar Tytgat, Frits van der Berghe...

    Spine and covers slightly and marginally sunned, small losses and tears to the spine, a pleasing copy internally.

    €120
  3. Le cirque d'Izis
    Marc CHAGALL, Izis BIDERMANAS

    Le cirque d'Izis[Izis’ Circus]

    André Sauret|Monte-Carlo [Monte Carlo] 1965|25 x 33.50 cm|reliure de l'éditeur
    First edition of Jacques Prévert's text on the circus and first printing of the 76 photographs (including 27 double-page) in black by Izis Bidermanas printed in photogravure.
    The work is also illustrated with 4 original color compositions by Marc Chagall.
    Handsome copy complete with its glassine wrapper which has tears and lacks.
    Autograph inscription signed by Izis Bidermanas: "En hommage pour André Rouly "Limousin" et l'amitié d'Izis en souvenir des années difficiles" (In tribute to André Rouly "Limousin" and Izis's friendship in memory of the difficult years).




    €500
  4. Sagesse, Cahiers de Littérature et d'Art N°11
    COLLECTIF, Marc CHAGALL

    Sagesse, Cahiers de Littérature et d'Art N°11

    Sagesse|Paris Printemps 1930|19 x 24 cm|broché
    First edition.
    Small marginal tears to feet of covers, last endpaper lightly soiled.
    Contributions by Pierre Albert-Birot, Gabriel Audisio, Claire & Ivan Goll, Luc Durtain "Au large de l'Indochine", Fernand Marc "Les expositions"...
    Reproductions of works by Marc Chagall, H. Bégué, André Lhote, Jean Marembert...
    €50
  5. Le tailleur ensorcelé
    Cholem ALEICHEM, Marc CHAGALL

    Le tailleur ensorcelé

    Albin Michel|Paris 1960|13.50 x 20 cm|broché
    First edition of the French translation for which it was not drawn from large papers.
    Book illustrated with a drawing by Marc Chagall.
    Autograph signed by one of the translators J. Gottfarstein to the poet Charles Dobzynski.
    €40
  6. [La marche des Hébreux sous la nuée divine] For the cloude of the Lorde was upon the Tabernacle by day, and fire was in it by night, in the sight of all the house of Israel thorowout all their journeys. (La nuée du Seigneur était de jour sur le tabernacle; et de nuit, il y avait un feu, aux yeux de toute la maison d'Israël, pendant toutes leurs marches) - The Story of Exodus
    Marc CHAGALL

    [La marche des Hébreux sous la nuée divine] For the cloude of the Lorde was upon the Tabernacle by day, and fire was in it by night, in the sight of all the house of Israel thorowout all their journeys. (La nuée du Seigneur était de jour sur le tabernacle; et de nuit, il y avait un feu, aux yeux de toute la maison d'Israël, pendant toutes leurs marches) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille

    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.


    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

    €3,000
  7. Rose des vents
    Marc CHAGALL, Philippe SOUPAULT

    Rose des vents

    Au sans pareil|Paris 1929|13 x 19.50 cm|broché
    First edition, one of 1000 numbered copies on alfa paper, the only printing with 9 on Japan paper and 31 on Hollande paper.
    Surprising autograph inscription dated and signed by Philippe soupault " A Laurent Tailhade en témoignage de mon admiration."
    With 4 drawings by Marc Chagall.
    Two tears glued to head and foot of a joint, spine and covers slightly and marginally sunned as usual.
    €750
  8. Lettres d'hivernage
    Léopold Sédar SENGHOR, Marc CHAGALL

    Lettres d'hivernage

    Seuil|Paris 1973|23 x 28.50 cm|Relié

    First edition, one of 180 numbered copies on Arches.

    Housed in a custom chemise and slipcase, chemise in half raspberry-red morocco, flat spine with title gilt-stamped lengthwise, author gilt-stamped at head and illustrator stamped horizontally at foot, modern marbled paper boards, slipcase edged with raspberry morocco at head and foot, modern marbled paper boards and spine, chemise and slipcase signed by Boichot.
    A very fine copy.
    Illustrated with 9 original full-page lithographs in black and colors by Marc Chagall including one on the cover.
    Signed by Léopold Sédar Senghor and Marc Chagall at the colophon.

    Sold
  12. Journal
    Marc CHAGALL, Anne FRANK

    Journal

    Paris 1959|21.50 x 27.50 cm|en feuilles sous chemise et étui
    Sold
  15. Lettres d'hivernage
    Léopold Sédar SENGHOR, Marc CHAGALL

    Lettres d'hivernage

    Seuil|Paris 1973|23 x 28.50 cm|en feuilles sous chemise et étui
    First edition, one of 180 numbered copies on Arches, the tirage de tête.
    Very beautiful copy.
    Illustrated work of 9 original full-page lithographs in black and colour by Marc Chagall, one of which is on the cover.
    Handwritten signatures of Léopold Sédar Senghor and Marc Chagall on the print details page.
    Sold
  16. [Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus
    Marc CHAGALL

    [Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original lithograph in color, one of the 15 prints printed on Imperial Japanese paper and reserved for the artist and his collaborators, only draw with 20 other Japan and 250 Arches paper. Unsigned proof, like all the events of this series, except the frontispiece.

    Superb test on Japan made especially for The Story of Exodus published in 1966, Chagall realized the 24 inset lithographs printed by Mourlot.
    Fernand Mourlot, undoubtedly the best artisan lithographer of the XXth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions...
    Sold
  17. Exposition La Fontaine par Chagall
    Ambroise VOLLARD, Marc CHAGALL

    Exposition La Fontaine par Chagall

    Galerie Bernheim jeune|Paris 1930|10.50 x 15.50 cm|agrafé
    Rare catalog of the exhibition of 100 illustrations made by Marc Chagall for an edition of "Fables" by Jean de La Fontaine and presented at the gallery Bernheim young from February 10 to 21, 1930.
    Beautiful illustrated copy of a lithograph Marc Chagall on the first board.
    Text by Ambroise Vollard.
    Rare and beautiful copy.
    Sold
  18. L'antirose
    Marc CHAGALL, Claire & Yvan GOLL

    L'antirose

    Pierre Seghers|Paris 1965|12.50 x 19 cm|broché
    First edition.
    Book decorated with illustrations by Marc Chagall.
    Nice full copy of his trailer.
    Signed autograph of Claire Goll to Pierre Gamara: "... poet and traveler ..."


    .
    Sold
  19. Vitraux pour Jérusalem
    Marc CHAGALL

    Vitraux pour JérusalemThe Jerusalem Windows

    Musée des Arts Décoratifs|Paris 1961|18 x 24.50 cm|broché

    CHAGALL Marc. Vitraux pour Jérusalem [The Jerusalem Windows]
    Musée des Arts décoratifs, Paris 1961, 18 x 24,5 cm, original wrappers
    First edition, one of 300 numbered copies and justified by Marc Chagall including an original lithograph in black.
    Illustrated book reproductions of works by Marc Chagall.
    Pleasant copy.
    Sold
  20. The story of exodus : Suite de 23 lithographies
    Marc CHAGALL

    The story of exodus : Suite de 23 lithographies

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|23 planches
    Original color lithographs, each one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japan and 250 on Arches paper. Unsigned proofs, as all proofs were in this series, other than the frontispiece.

    Superb proofs on Japan paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...added to their own...
    Sold
  21. [Moïse brise les Tables de la Loi] Moses wrath waxed hote, and he cast the Tables out of his hands, and brake them in pieces beneath the mountaine - The Story of Exodus
    Marc CHAGALL

    [Moïse brise les Tables de la Loi] Moses wrath waxed hote, and he cast the Tables out of his hands, and brake them in pieces beneath the mountaine - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  22. [Moïse et les Tables de la Loi] He wrote in the Tables the wordes of the covenaunt, even the Ten Commandements - The Story of Exodus
    Marc CHAGALL

    [Moïse et les Tables de la Loi] He wrote in the Tables the wordes of the covenaunt, even the Ten Commandements - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.


    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  24. [L'artiste à l'oeuvre, Betzalel sculpte l'Arche] Bezaleel made two Cherubims of golde, and the Cherubims spread out their wings, their faces were one towards another. Likewise he made the Candlesticke of pure golde. (Betsaleel fit deux chérubins d'or; Et les Chérubins étendaient leurs ailes, et leur visages se faisaient face. De même il a fait le Chandelier d'or pur) - The Story of Exodus
    Marc CHAGALL

    [L'artiste à l'oeuvre, Betzalel sculpte l'Arche] Bezaleel made two Cherubims of golde, and the Cherubims spread out their wings, their faces were one towards another. Likewise he made the Candlesticke of pure golde. (Betsaleel fit deux chérubins d'or; Et les Chérubins étendaient leurs ailes, et leur visages se faisaient face. De même il a fait le Chandelier d'or pur) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original lithograph in colors, one of 15 proofs on Japon Impérial paper reserved for the artist and his collaborators, the only printing along with 20 more on Japan and 250 on Arches paper. Unsigned proof, as with all the proofs in this series except the frontispiece.

    A superb proof on Japan paper produced especially for The Story of Exodus, which appeared in 1966 ; the 24 hors-texte lithographs printed by Mourlot were by Chagall.
    Fernand Mourlot was undoubtedly the finest lithographer of the 20th century and was thus both printer to, and friend of, the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...enriched both their...
    Sold
  25. [Moïse, Aaron et les Tables de la Loi] Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses (De plus, on fit les vêtements d'office pour le service dans le sanctuaire; on fit aussi les vêtements sacrés pour Aaron, comme Le Seigneur l'avait ordonné à Moïse) - The Story of Exodus
    Marc CHAGALL

    [Moïse, Aaron et les Tables de la Loi] Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses (De plus, on fit les vêtements d'office pour le service dans le sanctuaire; on fit aussi les vêtements sacrés pour Aaron, comme Le Seigneur l'avait ordonné à Moïse) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille

    CHAGALL Marc. Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses – The Story of Exodus
    Amiel Léon, Paris, New-York 1966, 36 x 49.5 cm, one single leaf
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs...
    Sold
  26. [Moïse et l'Ange] And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them. (Moïse examina tout le travail; et voici, ils l'avaient fait comme l'Eternel l'avait ordonné, ils l'avaient fait ainsi. Et Moïse les bénit) - The Story of Exodus
    Marc CHAGALL

    [Moïse et l'Ange] And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them. (Moïse examina tout le travail; et voici, ils l'avaient fait comme l'Eternel l'avait ordonné, ils l'avaient fait ainsi. Et Moïse les bénit) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille

    CHAGALL Marc. And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them – The Story of Exodus
    Amiel Léon, Paris, New-York 1966, 36 x 49,5 cm, one single leaf
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An...
    Sold
  27. [Sur le Sinaï, les tables de la Loi] He gave him Two Tables of the Testimonie, even tables of stone, written with the finger of God. (il lui donna les deux tables du témoignage, tables de pierre, écrites du doigt de Dieu.) - The Story of Exodus
    Marc CHAGALL

    [Sur le Sinaï, les tables de la Loi] He gave him Two Tables of the Testimonie, even tables of stone, written with the finger of God. (il lui donna les deux tables du témoignage, tables de pierre, écrites du doigt de Dieu.) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  28. [Le Veau d'Or] Then all the people pluckt from themselves the golden earerings, and they brought them unto Aaron who received at their handes, and fashioned it, and made of it a molten calfe. (Et tous ôtèrent les anneaux d'or qui étaient à leurs oreilles, et ils les apportèrent à Aaron qui les reçut de leurs mains, les façona et fit un veau en or fondu) - The Story of Exodus
    Marc CHAGALL

    [Le Veau d'Or] Then all the people pluckt from themselves the golden earerings, and they brought them unto Aaron who received at their handes, and fashioned it, and made of it a molten calfe. (Et tous ôtèrent les anneaux d'or qui étaient à leurs oreilles, et ils les apportèrent à Aaron qui les reçut de leurs mains, les façona et fit un veau en or fondu) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  30. [Moïse et le buisson ardent] Then the Angel of the Lorde appeared unto him in a flame of fire, out of the middes of a bush; and he looked, and beholde, the bush was not consumed. (Et l'Ange de l'Eternel lui apparut dans une flamme de feu, du milieu d'un buisson, et il regarda, et voici le buisson ne se consumait point.) - The Story of Exodus
    Marc CHAGALL

    [Moïse et le buisson ardent] Then the Angel of the Lorde appeared unto him in a flame of fire, out of the middes of a bush; and he looked, and beholde, the bush was not consumed. (Et l'Ange de l'Eternel lui apparut dans une flamme de feu, du milieu d'un buisson, et il regarda, et voici le buisson ne se consumait point.) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  31. [Le baton changé en serpent] He cast the rodde on the ground, and it was turned into a serpent, and Moses fled from it. (Il jeta la tige à terre, et elle devint un serpent. Moïse fuyait devant lui.) - The Story of Exodus
    Marc CHAGALL

    [Le baton changé en serpent] He cast the rodde on the ground, and it was turned into a serpent, and Moses fled from it. (Il jeta la tige à terre, et elle devint un serpent. Moïse fuyait devant lui.) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  32. [Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus
    Marc CHAGALL

    [Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  34. [Laisse partir mon peuple] Then Afterward Moses and Aaron went and sayde to Pharaoh, "Thus sayeth the Lorde God of Israël, Let my people go.". (Moïse et Aaron se rendirent ensuite auprès de Pharaon, et lui dirent: Ainsi parle l'Eternel, le Dieu d'Israël: Laisse aller mon peuple) - The Story of Exodus
    Marc CHAGALL

    [Laisse partir mon peuple] Then Afterward Moses and Aaron went and sayde to Pharaoh, "Thus sayeth the Lorde God of Israël, Let my people go.". (Moïse et Aaron se rendirent ensuite auprès de Pharaon, et lui dirent: Ainsi parle l'Eternel, le Dieu d'Israël: Laisse aller mon peuple) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  35. [Les Plaies d'Egypte] Then Moses stretched foorth his hande towarde heaven, and there was a blacke darkenesse in all the land of Egypt. (Moïse étendit sa main vers le ciel; et il y eut d'épaisses ténèbres dans tout le pays d'Egypte) - The Story of Exodus
    Marc CHAGALL

    [Les Plaies d'Egypte] Then Moses stretched foorth his hande towarde heaven, and there was a blacke darkenesse in all the land of Egypt. (Moïse étendit sa main vers le ciel; et il y eut d'épaisses ténèbres dans tout le pays d'Egypte) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  36. [Le Rocher d'Horeb] And thou shalt smite on the rocke, and water shall come out of it, that the people may drinke. (tu frapperas le rocher, et il en sortira de l'eau, et le peuple boira) - The Story of Exodus
    Marc CHAGALL

    [Le Rocher d'Horeb] And thou shalt smite on the rocke, and water shall come out of it, that the people may drinke. (tu frapperas le rocher, et il en sortira de l'eau, et le peuple boira) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  37. [Moïse et Josué] Then came Amalek and fought with Israel in Rephidim. And Moses sayed to Ioshua, 'Chuse us our men, and goe fight with Amalek. (Amalek vint combattre Israël à Rephidim. 9Alors Moïse dit à Josué: Choisis-nous des hommes, sors, et combats Amalek) - The Story of Exodus
    Marc CHAGALL

    [Moïse et Josué] Then came Amalek and fought with Israel in Rephidim. And Moses sayed to Ioshua, 'Chuse us our men, and goe fight with Amalek. (Amalek vint combattre Israël à Rephidim. 9Alors Moïse dit à Josué: Choisis-nous des hommes, sors, et combats Amalek) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  38. [Les tables de la Loi] Moses then came and called for the elders of the people, and proposed unto them all these things, which the Lorde commanded him. (Puis Moïse vint et appela les Anciens du peuple, et proposa devant eux toutes ces choses-là que l'Eternel lui avait commandées) - The Story of Exodus
    Marc CHAGALL

    [Les tables de la Loi] Moses then came and called for the elders of the people, and proposed unto them all these things, which the Lorde commanded him. (Puis Moïse vint et appela les Anciens du peuple, et proposa devant eux toutes ces choses-là que l'Eternel lui avait commandées) - The Story of Exodus

    Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  40. Ulysse dans la cité
    Ilarie VORONCA, Marc CHAGALL

    Ulysse dans la cité

    Editions du Sagittaire|Paris 1933|14.50 x 19.50 cm|broché
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  41. [Moïse au candélabre] Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they may minister unto me in the Priests offices (Tu oindras Aaron et ses fils, et tu les sanctifieras, pour qu'ils soient à mon service dans le sacerdoce) - The Story of Exodus
    Marc CHAGALL

    [Moïse au candélabre] Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they may minister unto me in the Priests offices (Tu oindras Aaron et ses fils, et tu les sanctifieras, pour qu'ils soient à mon service dans le sacerdoce) - The Story of Exodus

    Léon Amiel|Paris • New-York [New York] 1966|36 x 49.50 cm|2|une feuille
    Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
    A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
    An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

    Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...
    Sold
  43. Poèmes choisis
    Ilarie VORONCA, Marc CHAGALL

    Poèmes choisis

    Pierre Seghers|Paris 1956|12.50 x 19 cm|broché
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  45. Une mélodie silencieuse
    Marc CHAGALL, René SCHWOB

    Une mélodie silencieuse

    Grasset|Paris 1929|12 x 19 cm|broché
    First edition, review copy.
    Signed autograph Rene Schwob Robert Garric.
    Catholic reformist, he was the   founder of "social Teams" in 1920, which aimed to establish a social elite and bring the good word about the brotherhood born of the trenches to the workers, in the tradition of patronage. Simone de Beauvoir, then student of Robert Garric in philosophy at Sainte-Marie Institute of Neuilly, remembers him   in his "Memoirs of a Tidy Wench"   "Garric appeared; I forgot everything else and myself; the authority of his voice subdued me. In twenty years we he explained, he had discovered in the...
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  48. Rose des vents
    Philippe SOUPAULT, Marc CHAGALL

    Rose des vents

    Au sans pareil|Paris 1920|13.50 x 19.50 cm|broché
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  50. Lumières allumées
    (Marc CHAGALL) Bella CHAGALL

    Lumières allumées

    Les trois collines|Genève [Geneva] 1948|16 x 22.50 cm|broché
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