Guy ARNOUX

Original colour print printed on laid paper and signed in the plate lower right.

Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

Original colour print, printed on laid paper and signed in the plate lower right.

Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

Illustrated edition with 22 watercolors by Guy Arnoux and printed in 550 numbered copies on laid paper.
Spine and covers slightly and uniformly yellowed, handsome interior condition.

Original color print, printed on vergé paper, signed in the plate.

An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designe

Edition of 175 numbered copies on vélin d'Arches paper, with 18 original watercolors full page by Guy Arnoux engraved by Raoul Serres.
Numerous vignettes, ornate capitals and culs-de-lampe.
Two small tears, not serious, to slipcase.
A very good copy.

First edition, one of 475 numbered copies on Ingres paper, the only printing along with 25 on Japan paper.
This work consists of a collection of 10 plates colored by pochoir by Guy Arnoux representing the different French flags from Joan of Arc to the First World War.
A stain at foot of title page and on first plate, flaps creased, boards stained, handsome interior condition.
Rare copy complete with its tricolor ties holding the chemise.

First Edition, one of 300 numbered copies on Holland paper, only leading copies after 10 copies on wrapping paper.
Marginal lacks on the back and the boards, nice interior state.
Illustrated cover of Guy Arnoux and in-text illustrations by R. de Valerio.
autograph dedication of the author autograph handwritten signature Lucien Boyer next to the justification of the draw.

First edition, one of 50 numbered copies on Arches paper, head print.
Two small tears in the head and foot of the back, nice copy at all margins.
Book decorated with original illustrations by Guy Arnoux.
Autograph dedication signed Guy Arnoux to a Mr. Jacques.

Original color print, printed on vergé paper, signed in the plate.

An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designe

Original color print, printed on vergé paper, signed in the plate.

An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designe