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Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
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Aleksandr Evgenʹevič ÂKOVLEV
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  2. Aleksandr Evgenʹevič ÂKOVLEV

Aleksandr Evgenʹevič ÂKOVLEV

Born13 juin 1887
Died12 mai 1938
LanguageRussian
NationalitiesRussia, France
Peintre, illustrateur, dessinateur né en Russie. Actif en France depuis 1920
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  • YAKOVLEF Aleksandr Yevgeniyevich
  • ÂKOVLEV A. E.
  • JACOVLEFF Alexander
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ÂKOVLEV, Aleksandr Evgenʹevič
  1. Dessins et peintures d'Afrique. Expédition Citroën Centre Afrique. Deuxième mission Haardt, Audouin-DubreuilDessins et peintures d'Afrique. Expédition Citroën Centre Afrique. Deuxième mission Haardt, Audouin-Dubreuil
    Alexandre IACOVLEFF [Aleksandr Evgenʹevič ÂKOVLEV]

    Dessins et peintures d'Afrique. Expédition Citroën Centre Afrique. Deuxième mission Haardt, Audouin-Dubreuil[Drawings and Paintings of Africa]

    Lucien Vogel chez Jules Meynial|Paris s. d. [1927]|28.5 x 38.5 cm|En feuilles

    Subscription prospectus issued in the format of the work, with 2 black-and-white reproductions in the text and 2 colour plates hors texte.

    A fine copy.

    €450
  2. The Japanese Theatre: First Edition on Arches Paper, with 32 Plates by Iacovleff
    The Japanese Theatre: First Edition on Arches Paper, with 32 Plates by Iacovleff
    Le Théâtre japonais (Kabuki)Le Théâtre japonais (Kabuki)
    [Aleksandr Evgenʹevič ÂKOVLEV] Alexandre IACOVLEFF, Serge ELISSEEFF

    Le Théâtre japonais (Kabuki)[The Japanese Theatre (Kabuki)]

    Jules Meynial|Paris 1933|28.3 x 38.5 cm|Broché

    First edition, published in Paris in 1933 by Jules Meynial under the direction of Jacques de Brunhoff. Limited to 500 numbered copies on Arches paper. Illustrated with 48 drawings in black in the text and 32 hors-texte plates after Alexandre Iacovleff, printed in bistre and black.

    Original printed wrappers with flaps. Small losses at head and foot of spine, with a restored tear at head; small tears and stains to the lower wrapper. Final endpaper lightly shadowed in places, with a few marginal spots of foxing. An attractive copy.

     

    By the time...

    €4,000
  3. L'Heure du rendez-vous. Manteau d'après-midi, de Paul Poiret (pl.71, La Gazette du Bon ton, 1920 n°9)L'Heure du rendez-vous. Manteau d'après-midi, de Paul Poiret (pl.71, La Gazette du Bon ton, 1920 n°9)
    Aleksandr Yevgeniyevich YAKOVLEF (Paul POIRET)

    L'Heure du rendez-vous. Manteau d'après-midi, de Paul Poiret (pl.71, La Gazette du Bon ton, 1920 n°9)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
    €200
  4. Effet de glace. Manteau du soir, de Paul Poiret (pl.78, La Gazette du Bon ton, 1920 n°10)Effet de glace. Manteau du soir, de Paul Poiret (pl.78, La Gazette du Bon ton, 1920 n°10)
    Aleksandr Yevgeniyevich YAKOVLEF (Paul POIRET)

    Effet de glace. Manteau du soir, de Paul Poiret (pl.78, La Gazette du Bon ton, 1920 n°10)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color enhanced with gold, printed on laid paper, signed lower left of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting...
    €200
  5. Effet de glace - Manteau du soir, de Paul Poiret (pl.78, La Gazette du Bon ton, 1920 n°10)Effet de glace - Manteau du soir, de Paul Poiret (pl.78, La Gazette du Bon ton, 1920 n°10)
    Aleksandr Yevgeniyevich YAKOVLEF (Paul POIRET)

    Effet de glace - Manteau du soir, de Paul Poiret (pl.78, La Gazette du Bon ton, 1920 n°10)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models...
    €200
  6. L'Heure du rendez-vous. Manteau d'après-midi, de Paul Poiret (pl.71, La Gazette du Bon ton, 1920 n°9)L'Heure du rendez-vous. Manteau d'après-midi, de Paul Poiret (pl.71, La Gazette du Bon ton, 1920 n°9)
    Aleksandr Yevgeniyevich YAKOVLEF (Paul POIRET)

    L'Heure du rendez-vous. Manteau d'après-midi, de Paul Poiret (pl.71, La Gazette du Bon ton, 1920 n°9)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €200
  7. Le Théâtre japonais (Kabuki)Le Théâtre japonais (Kabuki)
    Alexandre IACOVLEFF, Serge ELISSEEFF

    Le Théâtre japonais (Kabuki)

    Jacques de Brunhoff • chez Jules Meynial|Paris 1933|28.50 x 38.50 cm|broché
    Le Théâtre japonais (Kabuki)
    Jacques de Brunhoff chez Jules Meynial

    Paris 1933 | 28,5 x 38,5 cm | in original wrappers
    First edition printed in 500 numbered copies on Arches paper, the only issue, our copy unjustified.

    Illustrated with 32 superb colour plates and 48 in-text black and white illustrations.

    Serge Elisséeff, a great orientalist of Russian origin, established in Paris in the 1920s and then in the United States, was the first director of the Yenching-Institut at Harvard. He will then become famous by developing, during the Second World War, a rapid teaching of Japanese and Chinese for the armies sent to the Pacific.
    Sold
  8. La croisière noire - Expédition Citroën Centre-AfriqueLa croisière noire - Expédition Citroën Centre-Afrique
    Georges-Marie HAARDT, Louis AUDOUIN-DUBREUIL

    La croisière noire - Expédition Citroën Centre-Afrique

    Plon|Paris 1927|14 x 20.50 cm|relié
    Sold
  9. [Croisière jaune] Dessins et peintures d'Asie. Exécutés au cours de l'expédition Citroën Centre-Asie. Troisième mission G.-M. Haardt & L. Audouin-Dubreuil[Croisière jaune] Dessins et peintures d'Asie. Exécutés au cours de l'expédition Citroën Centre-Asie. Troisième mission G.-M. Haardt & L. Audouin-Dubreuil
    Alexandre IACOVLEFF

    [Croisière jaune] Dessins et peintures d'Asie. Exécutés au cours de l'expédition Citroën Centre-Asie. Troisième mission G.-M. Haardt & L. Audouin-Dubreuil

    Lucien Vogel chez Jules Meynial|Paris s. d. [1934]|39 x 29 cm|en feuilles et cahier sous chemise à lacets
    Sold
  10. [Croisière jaune] Dessins et peintures d'Asie. Exécutés au cours de l'expédition Citroën Centre-Asie. Troisième mission G.-M. Haardt & L. Audouin-Dubreuil[Croisière jaune] Dessins et peintures d'Asie. Exécutés au cours de l'expédition Citroën Centre-Asie. Troisième mission G.-M. Haardt & L. Audouin-Dubreuil
    Alexandre IACOVLEFF

    [Croisière jaune] Dessins et peintures d'Asie. Exécutés au cours de l'expédition Citroën Centre-Asie. Troisième mission G.-M. Haardt & L. Audouin-Dubreuil

    Lucien Vogel chez Jules Meynial|Paris s. d. [1934]|39 x 29 cm|en feuilles et cahier sous chemise à lacets
    Sold
  11. [Croisière noire] Dessins et peintures d'Afrique exécutés au cours de l'Expédition Citroën Centre Afrique. Deuxième mission Hardt & Audouin-Dubreuil[Croisière noire] Dessins et peintures d'Afrique exécutés au cours de l'Expédition Citroën Centre Afrique. Deuxième mission Hardt & Audouin-Dubreuil
    Alexandre IACOVLEFF

    [Croisière noire] Dessins et peintures d'Afrique exécutés au cours de l'Expédition Citroën Centre Afrique. Deuxième mission Hardt & Audouin-DubreuilDrawings and paintings of the Expedition Africa Citroen Centre

    Lucien Vogel chez Jules Meynial|Paris 1927|30 x 40 cm|en feuilles et cahier sous chemise à lacets
    Dessins et peintures d'Afrique exécutés au cours de l'Expédition Citroën Centre Afrique
    [Drawings and paintings of the Expedition Africa Citroën Centre]
    Lucien Vogel chez Jules Meynial | Paris 1927 | 20 x 26.5 cm | unbound in chemise with laces
    First edition, one of 1020 numbered and dated copies (1st May 1927) on Madagascar Lafuma, the only printing, along with 20 more copies, enriched, on Madagascar.
    Chemise and slipcase in light brown «filali de Marrakech» morocco by Felix, inside flaps of beige cloth, ties present, one with small lack.
    One fascicule of the text, comprising the notes of the artist during the expedition, illustrated in the margins and with...
    Sold
  12. Mon théâtre à MoscouMon théâtre à Moscou
    Henriette PASCAR, Alexandre IACOVLEFF

    Mon théâtre à Moscou

    Georges Crès & Cie|Paris 1930|18.50 x 23.50 cm|broché
    First Edition, one of 575 numbered copies on Alfa paper, only leading copies after 100 "pur-fil" paper.
    Pleasant copy decorated with 19 insets including 4 in color and a portrait of the author, frontispiece, in blood by Alexander Iacovleff.
    Autograph signed by Henriette Pascar to Paul Gregorio.
    Sold
  13. BatoualaBatouala
    Alexandre IACOVLEFF, René MARAN

    Batouala

    Editions Mornay|Paris 1928|19.50 x 25 cm|broché
    Sold
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