Signed Books, Presentation Copies

First edition printed in 500 copies.
Autograph inscription signed by Olive Tamari to Gérard Mouizel: "... érudit pondéré qu'on écoute volontiers, avec ma fidèle amitié..." ["... measured scholar whom one listens to willingly, with my faithful friendship..."]
Very handsome copy.

First edition printed in 300 numbered copies, ours unnumbered.
Autograph inscription signed by Olive Tamari to Gérard Mouizel: "... au beau jeune homme qui a beaucoup de talent..." ["... to the handsome young man who has much talent..."]
Our copy contains a second autograph inscription (unsigned) by Olive Tamari, on a loose leaf, continuing the first autograph inscription: "On pourrait dire qui a beaucoup de talent et plait aux finlandaises chocolatées (mais ce ne serait pas correct devant la gravité de la mort de la mer)." ["One could say who has much talent and pleases chocolate-colored Finnish women (but that would not be proper given the gravity of the death of the sea)."]
Work illustrated with four original color illustrations by Olive Tamari.
Very handsome copy.

First edition printed in 500 numbered copies, this one unnumbered.
Autograph inscription signed by Olive Tamari to Gérard Mouizel: "... au jeune homme qui connait déjà tant de choses..." ["... to the young man who already knows so many things..."]
Very handsome copy.

First edition printed in 500 numbered copies, this one unnumbered.
Autograph inscription signed by Olive Tamari to Gérard Mouizel: "... au poète que j'admire..." ["... to the poet I admire..."]
Handsome copy not containing the four plates illustrated by the author mentioned in the justification page.

First edition illustrated with six single-line drawings by the author and of which no deluxe copies were printed.
Autograph inscription signed by Michel Seuphor to Gérard Mouizel presenting his wishes: "... bon pour un bond heureux pour l'année 1983..." ["...good for a happy leap for the year 1983..."]
Pleasant copy.

First edition, an advance (service de presse) copy.
Handsome autograph inscription from Pierre Drieu la Rochelle to his friend Henri Béraud : "A Henri Béraud dont je viens de lire avec un énorme plaisir le 14 Juillet. Amicalement [For Henri Béraud, whose 14th July I have just finished reading with enormous pleasure. Best wishes]."
Spine with a small tear glued down to foot of spine, a trace of folding to lower cover, occasional spots.

First edition printed in 46 numbered copies on Arches vellum.
Work illustrated with 3 original color engravings by Adolphe Cieslarczyk.
Fine autograph inscription dated and signed by Patrick Stefanetto to Gérard Mouizel in the form of a quatrain.
Autograph signatures of Patrick Stefanetto and Adolphe Cieslarczyk on the justification page.
Minor spotting of no consequence on the first endpaper.
Rare and handsome copy.

First edition, one of 39 numbered copies on laid paper with deckled edges, the only deluxe copies.
Full caramel morocco binding, spine with three rectangular raised bands, boards, endpapers and pastedowns covered with decorative patterned paper, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, binding signed by Régine Deforges.
Precious autograph inscription dated and signed by Camille Lemercier, wife of Jean Dutourd: "A Regine Deforges (et au Petit Prince) qui sont la séduction même... Cette dédicace a pas mal servi, mais personne ne s'en souvient. En outre, pour une autre fois cela est vrai et sincère. Camille Dutourd (Austerlitz)" ["To Regine Deforges (and the Little Prince) who are seduction itself... This dedication has been used quite a bit, but no one remembers. Furthermore, for another time this is true and sincere. Camille Dutourd (Austerlitz)"]
Handsome copy beautifully bound by Régine Deforges.

first edition.
Bound in half red shagreen, back smoothes decorated with gilded nets, marbled paper plates, guards and contreplats of handmade paper, sprinkled edges, contemporary binding.
autograph dedication of the author signed autograph of his friend Champfleury Vain.
Some foxing.

First edition, one of 300 numbered copies on offset Navarre, one draw with 20 Arches paper.
autograph dedication of the author signed autograph Olive Tamari a colleague poet, art critic and artist.
Book illustrated with 14 original lithographs Olive Tamari.
Tiny marginal minor bites on the first board.

Edition, one of 50 numbered on the second installment of Rives (who have five), one draw with 11 Holland paper.
This is a series of eight comic prints, engravings, printed and colored by Jean Bruller he signed and captioned.
Handwritten signature of Jean Bruller to the justification of the draw.
Tears at the head and foot of the back and flat margins, shaded guards.

First edition.
Contemporary Bradel binding of half purple cloth over marbled paper boards, spine (faded) with gold fillets, brown shagreen label with title and author.
Handsome autograph inscription signed by Pierre Loti to Alphonse Daudet : "... avec ma meilleure affection...[…with my best wishes…]"
Julia Daudet's library stamp to head of one endpaper.
A little spotting.

first edition printed in small number on rod.
Binding to bradel half black shagreen, smooth spine, a joint with traces of friction, marbled paper plates, wrappers preserved and bound in, contemporary binding signed Franz.
autograph dedication of the author autograph dated and signed by Albert Maire Viscount Sartiges.

First edition.
Autograph inscription from Michel Seuphor to Daniel Leuwers.
A very good copy.

First edition, an advance (service de presse) copy.
Autograph inscription from Pierre Gascar to Maurice Blanchot.
Foxing to the covers.

Edition of wich no leading copies exists, review copy.
autograph dedication of the author autograph signed in Paris by Jean Maurice Blanchot.
Iconography.

Edition, review copy.
autograph dedication of the author autograph signed by Jorge Semprun to Jean Freustié.
Complete copy of his please insert.

Later edition.
Half maroon morocco over marbled paper boards by Goy & Vilaine, spine in six compartments, gilt date to spine, marbled endpapers and pastedowns, top edge gilt, covers and spine preserved.
Autograph inscription signed by Jean-Paul Sartre to Geneviève Calliat.

First edition, an advance (service de presse) copy.
Elegant half maroon calf over geometric marbled paper boards by Goy & Vilaine, date, title, author and work in anthracite palladium to spine, maroon paper endpapers and pastedowns, covers and spine (slightly faded) preserved.
Handsome autograph inscription from Eugène Ionesco to Marcel Aymé.
A very good copy nicely bound.

First edition on ordinary paper.
Autograph inscription signed by Francis Carco to François Mauriac : "...avec ma bien fidèle et toujours "jeune" admiration..."
A pale dampstain to foot of the spine, slightly sunned.

Edition, one of 35 copies numbered on "pur-fil" paper only leading copies.
Bel autograph signed and dated Claude Roy to Régine (Deforges): "... fine and golden, so sun that wants to devour his friend ..."
Nice copy.

Edition, one of 35 copies numbered on "pur-fil" paper only leading copies.
Bel autograph signed and dated Claude Roy to Régine (Deforges): "... fine and golden, so sun that wants to devour his friend ..."
Nice copy.

first edition on the current paper, the French translation.
autograph dedication of the author signed autograph of Joseph Breitbach Bernard Minorets.
Illustrated cover of a Max Ernst drawing.

Edition, one of 15 numbered copies on fine ppaier and off trade, only large papers with another 135 numbered copies on fine paper.
autograph dedication of the author signed autograph of Jacques Adda Gaucheron Madame Gerard.
Book, illustrated with a portrait of the author as a frontispiece.
A scorch marks on the second flat and the last layers.
Trailer retained.

Edition of the year of the original.
Binding half black cardboard covered with speckled paper, smooth back, as part of Red shagreen, marbled paper plates, corners bumped, contemporary binding.
autograph dedication of the author autograph signed Eugène Manuel to his friends and cousins ??Leon Philippe and his wife.
Foxing.

MARINETTI Filippo Tommaso
La Ville charnelle [The Carnal City]
E. Sansot & Cie, Paris 1908, 13,5 x 17,5 cm, original wrappers
First edition of which there were no grand papier (deluxe) copies, falsely stated the 5th edition.
Autograph inscription from Filippo Tommaso Marinetti: “A mon cher maître Maurice Le Blond...” on half title and, on the opposite page, his address in Milan.
A clear spot and a trace of an angular fold to upper cover, tiny spots on the first free endpaper.
$ 1 250

First edition printed in 500 copies on vergé paper
Half brown shagreen over marbled paper boards, spine in six compartments decorated with double blindruled fillets and gilt points, marbled pastedowns and endpapers, corners slightly rubbed, ex libris of Eugène Le Senne, signed by Vanteyne on pastedown
Rare and precious autograph inscription from Charles Cros to Charles Le Senne, who would become the artists', writers', and publishers' lawyer, specializing in literary and artistic rights
Under the inscription, the poem Charles Cros inscribed onto Nina de Villard's (the dedicatee) copy is copied out in pencil.

Rare first edition for which he was not drawn to this leading copies reprinted printed small number of the collective work: Social Sciences in Higher Education published the same year.
autograph dedication of the author autograph signed by Claude Levi-Strauss in English won the first cover plate.
Some reading marks in red ink in the margins of some leaves, probably dedicatee.
Marginally flat and slightly insolated not serious.

First Edition printed in small numbers of this reprint for which it was not drawn of great papers.
Autograph signed by Claude Lévi-Strauss in English at the head of the first cover.
Marginal and slightly discolored boards without gravity.

first edition on current paier.
autograph dedication of the author autograph signed Félicien Marceau to the historian Rene Remond.
Pleasant complete copy of his trailer.

First edition on ordinary paper.
Autograph inscription from Michel Mohrt to the historian René Rémond.
A good copy.

First edition on ordinary paper.
Autograph inscription from Jacques Audiberti to Henri Bouillier.
A good copy.

First collected edition of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Autograph inscription signed by Pierre Drieu la Rochelle to Pierre Chaussade.
Printed stamp of recipient at the back on the first free endpaper, small traces of pale dampstain, not serious, to foot of spine.

First edition for which there were no large paper copies.
Autograph inscription from Claude Lévi-Strauss in English to Raymond Firth.
A good copy, some press clippings tipped in.

first edition.
autograph dedication of the author autograph signed by Mr. Pierre Ringel to Deflin.
Iconography.
Letter-foreword by Louis Jouvet.
Small freckles on the upper edge, a slight hitch in the middle of the second board.

Edition, one of 50 numbered copies on Holland paper, the only major paper.
Bel autograph signed by Marie-Jeanne Durry Etiemble René and his wife.
Nice copy.

Original Ediiton on current paper.
autograph dedication of the author signed autograph of Roger Caillois Pierre Leiris.
Two small tears stuck back in the top and bottom of the back.

First edition printed on alfa paper.
Autograph inscription from Jacques de Lacretelle.
A good copy.

Edition of wich no leading copies exists.
autograph dedication of the author signed autograph of Jacques Girard Francis Vigouroux.
Nice copy.

Edition of wich no leading copies exists.
autograph dedication of the author signed autograph of Jacques Girard Francis Vigouroux.
Nice copy.

Edition of wich no leading copies exists.
autograph dedication of the author signed autograph Denis Emorine Francis Vigouroux.
Nice copy.

Edition of wich no leading copies exists.
autograph dedication of the author signed autograph of Jacques Girard Francis Vigouroux.
Nice copy.

first edition.
Precious autograph signed by the author José Maria de Heredia.
Two small tears stuck back in the top and bottom of the back, a small lack in the first flat foot, some spots.

First edition.
Bradel binding by Thomas Boichot of paper boards, dark brown morocco title label to spine, covers preserved. 
Autograph inscription by Georges Darien to Henri Fèvre.
A good copy in an attractive binding.

First French edition on ordinary paper.
Handsome autograph inscription from Joseph Breitbach to Albert Camus "... en hommage admiratif..."
One small tear to foot of spine, slightly faded.

first edition on the current paper.
Autograph signed and dated by the historian Emmanuel Robles Rene Remond "... the story of two lovers hunted in Naples in 1944 ..."
Nice copy.

first edition on the current paper.
autograph dedication of the author autograph signed jean dutourd: "At that Francine Fritel forgive me for not talking about Summer Place ... but we can not be everywhere!"
A head fold trace of the first board.

Final edition of wich no leading copies exists.
autograph dedication of the author signed autograph of Louis-René Jean Pierre Des Forests Salzas.
Slightly soiled in the margins of the boards.

Edition, one of 50 copies hors commerce numbered on Alfa paper and reserved to the press office.
autograph dedication of the author autograph signed Henriot Emile André Chevrillon "... loving tribute to his cousin and friend ..."
A small tear in foot of the back, slight traces of minor creases in margins flat.

First edition, one of 300 numbered copies on alfa paper, an advance (service de presse) copy.
Autograph inscription from Irène Némirovsky to the publisher Arthème Fayard.
A bookseller's label pasted to head od an endpaper, small spots mostly on the first and last leaves.

First edition, one of 150 numbered copies on "pur-fil" paper only leading copies after 50 Holland paper.
autograph dedication of the author signed autograph Robert Joseph Jolinon Cornuet.
A small lack marginal minor as the first board.

First edition, one of 300 numbered copies on Alfa paper and reserved to the press office.
autograph dedication of the author autograph signed by André Thérive Charles Laval.
Nice copy.

Edition, one of 65 numbered copies on Holland paper, head drawing after 20 Japan.
Signing autograph Maurice Larrouy below the justification of the draw.
Small marginal tear without gravity, in pie back at the witnesses, and the slightly angular and insolated boards.

Edition, one of 65 numbered copies on Holland paper, head drawing after 20 Japan.
Signing autograph Maurice Larrouy below the justification of the draw.
Small marginal tear without gravity, in pie back at the witnesses, and the slightly angular and insolated boards.

First edition, one advance (service de presse) copy.
With an autograph inscription from Pierre Drieu la Rochelle to the publisher A. de Ridder.
A very good copy, retaining its advertising slip.

First edition
Contemporary red half Russia, the spine with double gilt fillets, corners very lightly rubbed
Handsome autograph inscription from Théophile Gautier to Monsieur Balquin des Essarts on half-title.

The first edition, published in a small number of copies.
Contemporary full emerald shagreen binding, spine with four raised bands decorated with gilt and cold fillets and compartments, triple frame of gilt and cold fillets framing the boards, triple gilt fillet framing the watered silk pastedowns, gilt fillet on the leading edges, all edges gilt. Pastedowns and endpapers somewhat soiled, otherwise a handsome copy.
Our copy is expanded with a 13-leaf poetic manuscript in Henri Chevreau's hand bound at the head of the work.
Henri Chevreau published with Laurent-Pichat a collection of verse issued in 1841 titled les Voyageurs.

first edition for which there is no mention of leading copies.
autograph dedication of the author autograph dated and signed by Jules Delacre to Mr. and Mrs. Engel Bathori.
Lack head back.

First edition, one of 450 numbered copies on Alfa paper, only 25 leading copies after Japan and 25 Holland paper.
autograph dedication of the author signed autograph of Charles Plisnier to the actress and theater Andrée Tainsy woman.
Nice copy.

Edition of wich no leading copies exists.
autograph dedication of the author autograph signed by Jorge Enrique Mobili in the singer Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy.
Our copy is enriched by the author's business card.

Edition of wich no leading copies exists.
autograph dedication of the author autograph signed by Jorge Enrique Mobili in the singer Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy.
Our copy is enriched by the author's business card.

First edition, one of 500 numbered copies on vellum Monfourat only draw after 33 leading copies.
autograph dedication of the author autograph signed by René Mébard to cantarice Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy.

First edition, one of 500 numbered copies on vellum Monfourat only draw after 33 leading copies.
autograph dedication of the author autograph signed by René Mébard to cantarice Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy.

First edition, one of 500 numbered copies on vellum Monfourat only draw after 33 leading copies.
autograph dedication of the author autograph signed by René Mébard to cantarice Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy.

First edition, one of 200 numbered copies on Pergament, one draw with 15 Fabriano paper Magnani.
autograph dedication of the author signed autograph Tristan Fernandez to the singer Jane (Batory) and his partner the actress and theater woman Andrée (Tainsy).
First lightly shaded flat head.

Bilingual Edition, the French translation has been done by the Spanish-speaking poet Rafael Alberti.
Bel autograph signed Gloria Alcorta to the singer Jane Bathori who was the companion of the actress and theater Andrée Tainsy woman.
Book adorned the author of illustrations.
A pleasant, well complete copy of the original crystal of the book reproduces the title page.

First edition.
HAndsome signed and dated autograph inscription in French from Victoria Ocampo to the singer (Jane) Bathori, who was the partner of the comedian Andrée Tainsy : "... qui a travaillé pour la musique en Argentine with tant de générosité and de chaleur..."
Iconography.
Spine sunned.

Edition, one of the copies Alfa paper.
Precious autograph signed by Francis Carco Descaves to Lucien: "... no hard feelings ..."
spine slightly insolated.

Complete Edition, review copy.
Precious autograph signed by Francis Carco Descaves to Lucien: "... Remember, remember ..."
spine slightly insolated, small angular lack of boards.

Edition, one of the copies Alfa paper.
Precious autograph signed by Francis Carco Descaves to Lucien: "... no hard feelings ..."
spine slightly insolated.

Edition adorned with 65 illustrations from the documents of the National Library, one of 400 numbered copies on Arches paper, one draw after 20 and 10 outside Japan trade.
Precious autograph signed by Francis Carco Descaves to Lucien: "... for his many readers of the Journal ..."
Two gaps at the head and foot of the back, otherwise nice copy.

first edition of the French translation of Brunet.
Our copy contains a letter from the author to the editor.
Then half green morocco binding, back with five nerves decorated uniformly past net cold and golden, gilded boxes, double net gilded on the boards handmade paper, gilded head on witnesses.

first edition.
Binding half sheepskin pine green, smooth back, plates, guards and contreplats paper moiré, preserved covers, gilded head, contemporary binding signed cold.
autograph dedication of the author signed autograph Maurice Barres Francis Chevassu.
Light marginal gaps on the first text reached without slip.
Nice copy.

first edition printed in small numbers.
Full binding shagreen midnight blue, back with four nerves set with gold decorated with double black boxes threads and golden, light head scrapes back, framing of double gold and black nets on the boards, guards and white moiré silk contreplats containing small foxing, framing a set of triple gilt fillets on contreplats, all edges gilt, net gilded on the cuts, both corners with traces of friction, contemporary binding.
Our copy is enriched with an autograph quatrain signed Leon Laurent-Pichat.
Some minor foxing.

Edition, one of the 15 copies on China, deluxe edition after 5 and 10 Whatman Japan.
Our copy is the publisher Alphonse Lemerre who signed the book by "copy editor" enriched his initials under the justification of the draw.
A wetting at the foot of the second half of the body of the work.

first edition.
Binding to bradel in full brown calico, smooth back thinned with a gold central finial, date and double gold thread tail, navy blue shagreen as an exhibit, preserved Blankets, two corners bumped, then binding signed in cold Pierson.
autograph dedication of the author autograph signed by Jules Clarétie Albert Delpit: "... his colleague and friend ..."
Our copy is enriched with an engraved portrait of Jules Clarétie.
Nice copy.

first edition.
Binding half navy blue shagreen, back with four nerves set with double gilded nets decorated with double gilded boxes, marbled paper plates, paper contreplats guards and the tank ..
autograph dedication of the author signed autograph of Roger de Beauvoir in her kind friend the Marquis de Foresta.
The autograph was trimmed by the bookbinder, foxing.

First edition, an advance (service de presse) copy.
Autograph inscription from Albert Camus to Raymond Peju.
Spine lightly, but insignificantly, sunned.

first edition.
Bound in half red shagreen, back with five nerves set with black nets decorated with double gilded coffered, gold tail date caps slightly rubbed minor, marbled paper plates, guards and contreplats of handmade paper, marbled edges, corners blunted.
autograph dedication of the author autograph signed Armand Silvestre to Monsieur de Margorie.
Our copy has been enriched with a portrait of the author pasted next to the title page.
Preface by George Sand.

first edition.
Binding half morocco mint green, back smoothes decorated with typographical motifs and a golden cartridge, chocolate brown morocco title document, time golden tail piece in a mosaic morocco chocolate brown, net gilded on the boards of marbled paper, guards and contreplats of handmade paper, gilded head, elegant binding signed the Petitot apoque.
Our copy is enriched with an original watercolor of a castle resembling the one in which the action takes place and the Jesters below which Miguel Zamacoïs added these words: "This document of the sixteenth century may well represent Castle Moat -Maupré where the action takes place these buffoons, if one refers to arms. Some deny its authenticity ... And me too. Miguel Zamacoïs. February 1935 ".
Pleasant beautifully drawn copy.

first edition of this Rabelaisian style pamphlet directed against Gambetta, one of 300 numbered copies on paper of the Netherlands.
Binding to open bradel ivory wove, smooth back, red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second, fragile parchment wrappers preserved and bound in, contemporary binding signed Dodé.
Nadar handwritten signature under the justification of the draw.
Book adorned the author of illustrations.
Provenance: Library of Frederick Lachèvre, bibliographer, specialist in French poetry, with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume.
Some light and light bites to bookbinding.

First edition on ordinary paper, false mention of edition.
Autograph inscription from the author.

first edition of this Rabelaisian style pamphlet directed against Gambetta, one of 300 numbered copies on Holland paper.
Binding to open bradel ivory wove, smooth back, red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified, fragile parchment wrappers preserved and bound in, contemporary binding signed Dodé.
Nadar handwritten signature under the justification of the draw.
In addition, this copy is enriched with a handwritten correction Nadar pencil in The Passion, p. 45, to orveitan [sic].
Book adorned the author of illustrations.
Provenance: Library of Frederick Lachèvre, bibliographer, specialist in French poetry, with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume.
Some light and light bites to bookbinding.

first edition in large part.
autograph dedication of the author autograph signed andre Pieyre Mandiargues journalist Jean-Claude Lamy who collaborated notably France-Soir.

first edition on the current paper.
autograph dedication of the author autograph dated and signed by the journalist Daniel Boulanger Jean-Claude Lamy who collaborated notably France-Soir referring to Georges Brassens: "Jean-Claude, you just have to Brive that we can bring in our market. I have no vanity wonders ... "
spine and insolated with small clear waterstains.

First edition.
Autograph inscription from Germaine Blondin to the journalist and film historian Pierre Leprohon.
Spine slightly sunned.

New edition.
Bound in brown half shagreen, spine raised on four bands set with gilded nets, small black spots on the back without gravity which also has very slight scratches are not serious, marbled paper plates, guards and contreplats of handmade paper, binding of time.
autograph dedication of the author autograph dated and signed by Ferdinand Fabre Mr. Allard.

first edition.
Binding half morocco black shagreen, back with five nerves decorated with double black boxes, small traces of minor friction on the back, marbled paper plates, guards and contreplats of handmade paper, sprinkled edges, contemporary binding.
Signed autograph Eugene Muller Jules Lucien.

First edition, one of 28 numbered copies on Japon, tirage de tête.
Autograph inscription from François Mauriac to Louis Brun, director of Editions Grasset : "... mon pemier essai au théâtre..."
Louis Brun's ex-librisprinted in front of the half title.
A very good copy with good margins.

First edition of the French translation by Jules Janin.
Binders full glossy red calf, back with four nerves set with ornate golden dotted double gilded nets and gilded boxes decorated with golden typographical reasons, two split bits and restored heads and feet, wheels on golden headdresses, supervision of a wide gold lace and a lace cold stamped on the boards, gilded with gold initials hit the centers of plates, nets gilded on the cuts, framing a golden lace on contreplats, guards and contreplats paper to the bowl, gilt edges, upper corners very lightly bumped, beautiful bindings then signed Lebrun.
Signed autograph of her dear Jules Janin Massol, "... I ask you to keep this book in memory of my good and sincere friendship ..."
Some small foxing auxcune without gravity.
Copy drawn in a perfect and elegant contemporary binding signed Lebrun.