First edition comprising all of the first 101 issues of the journal, all illustrated with colored front pages, the vast majority of which were executed by André Gill.
Publisher's half red morocco with red percaline boards, spines with five raised bands decorated with four gilt compartments, boards with various blind-stamped frames, gilt titles on upper boards.
Corners bumped, some foxing and general wear to joints. On the first volume, the lower board joint split at both ends, measuring 11.5 cm and 3 cm. On the second volume, one corner of the lower spine-end also split.
Our edition contains 56 issues including 7 bis for the first volume and 60 issues including 8 bis for the second (some numbering errors: the second no. 39 is actually no. 40; likewise for no. 95 which should be no. 96). This copy presents some defects within the two volumes: a tear at the bottom of the page for nos. 28, 34, 37b and 53b, without affecting the text; a tear at the bottom of the page for the colored front pages of nos. 19 and 48; p. 4 of no. 7 is slightly creased; an angular crease mark throughout all pages of no. 74.
Each issue consists of four pages, the first in color, with the exception of no. 13, whose front page has no illustration, but which features a large composition entitled "Fleurs du jour" appearing on pages 2 and 3. André Gill is not the sole caricaturist to sign the front pages; there are also drawings by Pilotell, Pépin, Blaze, Hadol, A. J. Lorentz, Régamey, Boquillon, Coinchon, Job, Rupp and Montbard.
Our copy contains the two title pages created for the years 1868 and 1869: the first title of 1868 features nine portraits of the principal illustrators and editors; the second title of 1869 is decorated with a composition celebrating the second year of L'Éclipse's activity.
"In 1871, collectors would travel for miles across Paris to obtain issues of L'Éclipse seized by the imperial censorship; one would sometimes unearth them on rue du Croissant... with what joy!" (Octave Uzanne)
"The large colored caricatures on the front page gave this journal a distinctive character that has been imitated many times since: a bright and sharp splash that, placed at newsstands, caught the eye and commanded attention." (Arsène Alexandre)
L'Éclipse is a French weekly satirical journal founded in January 1868, successor to La Lune, which was banned by censorship in 1867. The first twenty-five issues included in our edition have the particularity of containing the journal's very first masthead, depicting the famous Moon forced to disappear. Two other mastheads would follow this first version (John Grand-Carteret). From 1868 to 1876, the journal targeted a wide range of personalities, from political figures to cultural icons. The 101 issues presented here, published under the Second Empire, offer caricature portraits in keeping with this variety: Sainte-Beuve, P.-J. Proudhon, Jules Ferry, Henri Rochefort, Théophile Gautier, Richard Wagner, and even Charles Dickens, the only foreign writer drawn by Gill. "Le nouveau livre de Victor Hugo," on the front page of issue 66, is another famous subject featured in our copy, one of the author's masterpieces, L'homme qui rit.
Fine first edition of L'Éclipse, containing all of its issues published between 1868 and 1869, and all its polychrome front pages, which contributed greatly to the journal's resounding success at the end of the Second Empire.