First editions, fine papers and deluxe printings of French and foreign literature, 16th to 21st century

First edition printed on ordinary paper, only 10 Holland deluxe copies were printed.
A small tear reglued at the head of one joint, two tiny corner lacks to the second cover, scattered foxing.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Autograph inscription signed by Jacques Audiberti to Marcel Espiau.

First edition.
Ex dono to endpaper, a good copy.

First edition, with no mention of deluxe copies. Work illustrated with numerous photographic illustrations. Rare and handsome copy.

First edition printed on ordinary paper, only 3 copies on Holland paper were issued as deluxe copies.
Handsome copy of the author's second work.

First collected edition printed in a small number of copies on laid paper.
Half red shagreen binding with corners, spine with five raised bands, date at foot, upper corners slightly bumped, gilt fillet frames on boards, top edge gilt retaining deckled edges.
Numerous contributions including those by M. Proust, P. Bourget, C.A. Cantacuzène, F. Coppée, E. Ducoté, A. Dumas fils, V. Hugo, A. Karr...
Handsome copy free from foxing.

Definitive edition with some parts in first edition, one of 25 numbered copies on Holland paper, ours unnumbered, the only deluxe copies.
First cover detached, with a tear.

First edition.
A good copy.

First edition of the French translation, of which no deluxe copies were issued.
A small tear with slight lack at foot of spine, a tiny corner chip to first cover.
Some light foxing.

First edition, one of the numbered copies on alfa paper.
An ink stain on the second cover.

First edition, one of 250 numbered copies on Hollande, the only printing.
Spine faded, lack to foot of upper cover.

First edition printed in a small number of copies on laid paper.
This is a theatrical work during whose first performance the authors consumed, according to them: seven boxes of sardines, four pounds of romsteak, two garlic sausages, five pounds of bread and three packets of biscuits.
Spine and boards uniformly faded, rare.

First edition of the French translation, one of 40 numbered copies on alfa paper, ours bearing number 1, the only deluxe copies.
Illustrated covers, two tiny marginal lacks to boards.

First edition. Worming to front cover, small corner loss at foot of rear cover.

First edition, one of 1035 numbered copies on laid paper, the only issue with 25 on Japan paper.
With frontispiece portrait of the author on China paper by Edouard Vuillard.
Preface by P. Valéry, spine slightly sunned, otherwise handsome copy.

First edition, one of 354 numbered copies on laid paper, the only issue.
Notice by A. de Hevesy, handsome copy.

First edition.
Two traces of angular fold to the covers, occasional foxing.

First edition on ordinary paper, with only 5 Japan and 30 Holland deluxe copies.
A very slight marginal tear to the front cover.

First edition printed in 300 numbered copies justified by the author.
Autograph inscription signed by Charles Théophile Féret.
Two small stains on the front cover, otherwise a handsome copy.

First edition, of which there were no deluxe copies.
Autograph inscription from N.M. Bernardin.
Small stains and a corner lack to the front cover, handsome interior condition.

First edition, one of 15 numbered copies on Hollande paper, the only deluxe copies announced.
Split and worn spine, small marginal lacks to boards, handsome interior condition.

First edition, one of the rare copies on Hollande paper of which no mention is made.
This is a comic opera in three acts set to music by C. Lecocq.
Lacks to head and foot of spine and marginal tears to boards, full-margined copy.

First edition printed in small numbers on laid paper.
The final endpaper is shadowed, otherwise a handsome copy.

First edition.
Spine with some cracking and a small loss at head, slight tear without loss to title page, otherwise handsome interior condition.

First edition.
Illustrated with 8 portraits hors texte.

First edition in French printed in only 250 copies on laid paper.
A handsome and rare copy.

First edition.
One small nick without lack to foot of a joint.

The first edition, published in a small number of copies.
Two lacks at head and foot of spine, spine and front board slightly and marginally sunned, otherwise handsome copy.
Rare.

First edition in French of this thesis submitted for the degree of Doctor at the faculty of Berne.
Rare and handsome copy.

First edition not put into trade and printed in a small number of copies.
A small tear without gravity at head of spine.
Iconography, handsome copy.

First edition, one of 300 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition not published for sale and printed in a small number of copies.
Two tears with slight lacks at head and foot of spine.

First edition of this one-act comedy performed despite censorship on June 30, 1901, no deluxe copies were issued, false statement of a thousand copies.
Autograph inscription from J. Drault.
Spine sunned with a small tear at foot, handsome interior condition.

First edition on ordinary paper, only 50 deluxe copies were printed on Chiffon paper.
Handsome copy.

First edition, one of 25 numbered copies on pur fil paper, the only deluxe copies.
Spine lightly sunned, otherwise a handsome copy.

First edition, one of 10 numbered copies on Japon, the only large paper copies.
Illustrated cover, a very good copy.

First edition of this thesis, of which there were no deluxe copies.
Spine and boards slightly and marginally sunned without consequence, otherwise a handsome copy.

First edition.
Numerous unpublished works, preface by René Dumesnil.
Work illustrated with 2 photographs.
Spine and boards marginally sunned.

First edition, one of 225 numbered copies on vélin, the only printing with 50 chiffon.

First edition.
Autograph inscription from Armand Bourgeois to Paul Eudel who enriched the last page of text with a handwritten note about a work by André Chénier.
Some minor foxing of no consequence, otherwise a handsome copy.

First edition on ordinary paper.
Autograph inscription by Maurice Bardèche.
Some minor worming to the front cover.

First edition on ordinary paper.
Bicolored autograph inscription by the author.
Preface by Charles Dornier.
Spine slightly creased at foot, otherwise a handsome copy, with author's visiting card inserted.

First edition of which there were no deluxe copies.
Garland of sonnets suspended from the monuments of Saint-Rémy, a letter by F. Mistral.
Iconography, bibliography.
Foxing to boards, a tiny corner loss to the rear board, pale marginal dampstaining affecting the final pages.
Rare.

First edition on ordinary paper, despite a false statement of a thousand copies.
Autograph inscription signed by Charles Maurras, printed bookplate, gift inscription.

First edition on ordinary paper. Bradel binding in full citron paper boards, smooth spine, red sheep title label, original wrappers preserved. Fine autograph inscription from Flora Groult to a friend.

First edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Autograph inscription from the author.
About the prison universe. Spine sunned.

First edition, a Service de Presse (advance) copy.
Handsome autograph inscription from the author to a couple of his friends.
Spine sunned.

First edition.
Contributions by P. Valéry, G. Bachelard, A. Rouveyre, A. Fontainas, H. Mondor, H. Charpentier...
Illustrated.
With the dust jacket which shows minor corner chips without consequence to the front cover.

First edition for which there were no large paper copies.

First edition.
A small stain of no consequence affecting the last page, otherwise a handsome copy.

First edition in French.
Signatures of Frédéric Paulhan on the front cover and half-title page.
Spine with a small lack at foot and another at head. Rare.

First edition, of which there were no deluxe copies.
Autograph inscription from Abbé G. Geispitz, chaplain at La Santé.
Illustrated cover, rare.

First edition, one of the numbered copies of the first issue printed on the press, with no mention of deluxe copies.

First edition.
Small lacks to the spine.

First edition published in a small number of copies.
A small tear at the head of one joint, otherwise a handsome copy.
Rare.

First edition published in a small number of copies.
Lacks at head and foot of spine, small marginal lacks affecting the second cover.
Rare.

First edition on ordinary paper, with only 25 Japan and 25 Holland deluxe copies printed.
A pale angular dampstain on the first cover.
Rare.

First edition on ordinary paper of the author's masterpiece.
A small hole slightly affecting the first pages, two small insignificant tears affecting the front cover, otherwise a handsome copy.

First edition on ordinary paper.
Autograph inscription from the author, the dedicatee's name has been cut out.
A very light stain on the front cover, otherwise a handsome copy.

First edition in French on ordinary paper, with only 10 deluxe copies printed.
Photographic portrait of the author as frontispiece.
A small tear to the spine.

First edition on ordinary paper, with only 10 deluxe copies printed on Holland paper.
Music by Gustave Doret.
Handsome and rare copy.

First edition on ordinary paper, false statement of edition.

First edition, of which there were no deluxe copies.
Minor worming of no consequence, two tears at head and foot of one joint.

First edition printed in 550 copies, ours one of 500 on laid baroque paper.
Photographic portrait of the author, handsome copy.

First edition.
The Trojan legend of the Franks, Christian elements, Lotharingian sources of French epic poetry...
Spine sunned, with a lack at head.

First edition of which there were no deluxe copies.
Spine sunned, one corner chip to front board, small marginal tears to rear board, fine interior condition.
Rare.

First edition on ordinary paper, false statement of second edition, only 20 copies were printed on Holland paper as deluxe copies.
As frontispiece, a photographic portrait of the author.
Biography and notes by P. Blanchon.
Two small marginal dampstains affecting the boards, some light foxing.

Collective edition established by G. Vanwelkenhuyzen.
From the 'Lebègue collection'.
Handsome copy.

First edition, one of the Service de Presse (advance) copies.
Autograph inscription by the author.
With a photographic portrait of H. Murger by Nadar as frontispiece.
Spine sunned, otherwise handsome copy.

First edition, one of 1500 numbered copies on chamois laid paper.
Previously unpublished letters and texts, preface by H. Mondor.
Handsome copy.

First edition, one of 96 numbered copies on Hollande, tirage de tête after 52 Montval.
A very good copy.

First edition published in a small number of copies of this offprint from the Revue des études grecques.
Autograph inscription by Paul Girard on the front cover.
Tears with splitting at head of spine, foxing on front cover, creasing marks on back cover, handsome interior condition. Rare.

First edition.
Marginal tears with lacks affecting the covers, some light foxing.
Rare.

First edition.
Iconography.
From the 'essais de clinique littéraire' collection.

First edition, of which there were no deluxe copies.
Autograph inscription signed by the author.
Handsome copy.

First edition.
Small angular lacks to the covers, foxing.
Rare.

First edition, one of 500 numbered copies on Holland paper, deluxe issue with 150 on Alfa paper.
Autograph inscription from Vera Mazzuchi.
A tiny crease mark to front cover, otherwise a handsome full-margined copy.

First edition.
Spine and covers lightly and marginally sunned without severity, handsome interior condition.

First edition on ordinary paper.
Spine sunned, front cover marginally sunned.
Handsome autograph inscription signed by José Vincent.

First edition on ordinary paper.
A small lack to head of spine, illustrated.

First edition on ordinary paper, only 20 deluxe copies were printed.
Fine autograph inscription from the author.
Frontispiece portrait of T. Aubanel. Handsome copy.

First edition.
The cabaret, bad company, dances, pernicious films, tainted theater...
A tiny marginal lack to the front cover, otherwise a handsome copy.
Rare.

The first edition, of which there were no deluxe copies.
Spine slightly cracked.

First edition, of which there were no deluxe copies.
Autograph inscription by the author.
Small stains of no consequence to boards, otherwise handsome copy.

First edition.
Foxing.
Rare.

First French translation, one of the service de presse (advance) copies.
Photographic cover.

First edition.
A good copy retaining his supplement.

First edition.
Unlettered spine with two tears with slight lacks at head and foot.

First edition.
Spine slightly browned with two small tears at head without gravity.
Rare.

First edition.
Rare signed autograph inscription from Paul Lutel to Monsieur Vimer.
A tiny corner chip to the back board, some occasional foxing.