First edition printed on ordinary paper, only 10 Holland deluxe copies were printed. A small tear reglued at the head of one joint, two tiny corner lacks to the second cover, scattered foxing.
The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy. Autograph inscription signed by Jacques Audiberti to Marcel Espiau.
Edition de L'Année des Poètes|Paris 1895|14 x 22.50 cm|relié
First collected edition printed in a small number of copies on laid paper. Half red shagreen binding with corners, spine with five raised bands, date at foot, upper corners slightly bumped, gilt fillet frames on boards, top edge gilt retaining deckled edges. Numerous contributions including those by M. Proust, P. Bourget, C.A. Cantacuzène, F. Coppée, E. Ducoté, A. Dumas fils, V. Hugo, A. Karr... Handsome copy free from foxing.
Definitive edition with some parts in first edition, one of 25 numbered copies on Holland paper, ours unnumbered, the only deluxe copies. First cover detached, with a tear.
First edition of the French translation, of which no deluxe copies were issued. A small tear with slight lack at foot of spine, a tiny corner chip to first cover. Some light foxing.
First edition printed in a small number of copies on laid paper. This is a theatrical work during whose first performance the authors consumed, according to them: seven boxes of sardines, four pounds of romsteak, two garlic sausages, five pounds of bread and three packets of biscuits. Spine and boards uniformly faded, rare.
Editions de la Nouvelle revue critique|Paris 1932|12 x 19 cm|broché
First edition of the French translation, one of 40 numbered copies on alfa paper, ours bearing number 1, the only deluxe copies. Illustrated covers, two tiny marginal lacks to boards.
First edition, one of 1035 numbered copies on laid paper, the only issue with 25 on Japan paper. With frontispiece portrait of the author on China paper by Edouard Vuillard. Preface by P. Valéry, spine slightly sunned, otherwise handsome copy.
First edition printed in 300 numbered copies justified by the author. Autograph inscription signed by Charles Théophile Féret. Two small stains on the front cover, otherwise a handsome copy.
First edition, of which there were no deluxe copies. Autograph inscription from N.M. Bernardin. Small stains and a corner lack to the front cover, handsome interior condition.
First edition, one of 15 numbered copies on Hollande paper, the only deluxe copies announced. Split and worn spine, small marginal lacks to boards, handsome interior condition.
First edition, one of the rare copies on Hollande paper of which no mention is made. This is a comic opera in three acts set to music by C. Lecocq. Lacks to head and foot of spine and marginal tears to boards, full-margined copy.
The first edition, published in a small number of copies. Two lacks at head and foot of spine, spine and front board slightly and marginally sunned, otherwise handsome copy. Rare.
Société française d'imprimerie & de publicité|Paris 1901|11.50 x 19 cm|broché
First edition of this one-act comedy performed despite censorship on June 30, 1901, no deluxe copies were issued, false statement of a thousand copies. Autograph inscription from J. Drault. Spine sunned with a small tear at foot, handsome interior condition.
Centre de recherches hispaniques|Paris 1973|16 x 24.50 cm|2 volumes brochés
First edition of this thesis, of which there were no deluxe copies. Spine and boards slightly and marginally sunned without consequence, otherwise a handsome copy.
First edition. Autograph inscription from Armand Bourgeois to Paul Eudel who enriched the last page of text with a handwritten note about a work by André Chénier. Some minor foxing of no consequence, otherwise a handsome copy.
Editions Pythagore|Paris s. d. [circa 1900]|12 x 19 cm|broché
First edition on ordinary paper. Bicolored autograph inscription by the author. Preface by Charles Dornier. Spine slightly creased at foot, otherwise a handsome copy, with author's visiting card inserted.
First edition of which there were no deluxe copies. Garland of sonnets suspended from the monuments of Saint-Rémy, a letter by F. Mistral. Iconography, bibliography. Foxing to boards, a tiny corner loss to the rear board, pale marginal dampstaining affecting the final pages. Rare.
Editions du milieu du monde|Genève [Geneva] 1942|12 x 19 cm|broché
First edition on ordinary paper, despite a false statement of a thousand copies. Autograph inscription signed by Charles Maurras, printed bookplate, gift inscription.
First edition on ordinary paper. Bradel binding in full citron paper boards, smooth spine, red sheep title label, original wrappers preserved. Fine autograph inscription from Flora Groult to a friend.
First edition, of which there were no deluxe copies, a Service de Presse (advance) copy. Autograph inscription from the author. About the prison universe. Spine sunned.
Le Point|Souillac Février-Avril 1944|18 x 24.50 cm|relié
First edition. Contributions by P. Valéry, G. Bachelard, A. Rouveyre, A. Fontainas, H. Mondor, H. Charpentier... Illustrated. With the dust jacket which shows minor corner chips without consequence to the front cover.
A. Cherbuliez • G. Fischbacher|Genève [Geneva] • & Paris s. d. [1884]|12.50 x 19 cm|broché
First edition in French. Signatures of Frédéric Paulhan on the front cover and half-title page. Spine with a small lack at foot and another at head. Rare.
First edition on ordinary paper of the author's masterpiece. A small hole slightly affecting the first pages, two small insignificant tears affecting the front cover, otherwise a handsome copy.
Editions du temps présent|Paris 1913|13.50 x 19.50 cm|broché
First edition on ordinary paper. Autograph inscription from the author, the dedicatee's name has been cut out. A very light stain on the front cover, otherwise a handsome copy.
First edition in French on ordinary paper, with only 10 deluxe copies printed. Photographic portrait of the author as frontispiece. A small tear to the spine.
First edition of which there were no deluxe copies. Spine sunned, one corner chip to front board, small marginal tears to rear board, fine interior condition. Rare.
First edition on ordinary paper, false statement of second edition, only 20 copies were printed on Holland paper as deluxe copies. As frontispiece, a photographic portrait of the author. Biography and notes by P. Blanchon. Two small marginal dampstains affecting the boards, some light foxing.
First edition, one of the Service de Presse (advance) copies. Autograph inscription by the author. With a photographic portrait of H. Murger by Nadar as frontispiece. Spine sunned, otherwise handsome copy.
First edition published in a small number of copies of this offprint from the Revue des études grecques. Autograph inscription by Paul Girard on the front cover. Tears with splitting at head of spine, foxing on front cover, creasing marks on back cover, handsome interior condition. Rare.
Editions de la revue mondiale|Paris 1932|22 x 21 cm|broché
First edition, one of 500 numbered copies on Holland paper, deluxe issue with 150 on Alfa paper. Autograph inscription from Vera Mazzuchi. A tiny crease mark to front cover, otherwise a handsome full-margined copy.
First edition on ordinary paper, only 20 deluxe copies were printed. Fine autograph inscription from the author. Frontispiece portrait of T. Aubanel. Handsome copy.
First edition. The cabaret, bad company, dances, pernicious films, tainted theater... A tiny marginal lack to the front cover, otherwise a handsome copy. Rare.
Le cercle du livre de France|Ottawa 1954|14 x 20.50 cm|broché
First edition, of which there were no deluxe copies. Autograph inscription by the author. Small stains of no consequence to boards, otherwise handsome copy.