First editions, fine papers and deluxe printings of French and foreign literature, 16th to 21st century

First edition.
Signed autograph inscription from the author to Jean Guéhenno.
Work illustrated by Félix de Boeck.
Handsome copy.

First edition, one of the rare copies printed on Holland paper, the only deluxe copies.
Full olive cloth Bradel binding, smooth spine decorated with gilt floral motif, double gilt fillet and gilt date at foot, chocolate shagreen title-label with marginal scratch, one lower corner slightly bumped, original wrappers preserved, contemporary binding stamp-signed in blind by Pierson.
Signed and inscribed by Eugène Manuel.
Occasional light foxing of no consequence.

First edition, one of 1100 numbered copies on Rives paper.
Work illustrated with original copperplate engravings and woodcuts by Raphaël Drouart.
A small stain on the spine, handsome interior condition.

First edition on ordinary paper, false statement of twenty-fifth edition.
Signed autograph inscription by Gabriel Timmory.
Small lack at foot of spine, without significance.

First edition printed in 440 numbered copies on Lana paper.
Illustrated with a portrait of the author etched by André Jacquemin and colored vignettes by Maximilien Vox engraved on wood by L Bertault & Blaise Monod.
Preface by Jacques Audiberti.
Handsome copy.

First edition, a Service de Presse (advance) copy.
Signed and inscribed by Jean Giraudoux to Max Descaves.
Spine and boards marginally sunned as often, small lack to foot of one joint, marginal tear to front board, paper yellowed.

First edition, one of 697 numbered copies on pur fil paper, the only deluxe copies with 109 reimposed.
Fine autograph inscription signed by Lucien Fabre.
Our copy is enhanced with an original photograph of the author in swimwear posing by the sea, pasted on an endpaper.
Furthermore, the dedicatee has also pasted press clippings about the author and adorned an endpaper with a handwritten quote from Chamfort and, finally, annotated certain passages of the work in the margins.

First edition, one of 650 numbered copies on laid paper, the only issue with 30 copies on Japan vellum.
A slight lack at the foot of the spine, spine and boards slightly and marginally sunned without gravity, handsome interior condition.

First edition, one of 300 numbered copies on alfa paper, ours unnumbered but bearing, at the foot of the back cover, the mention "exemplaire sur papier alfa".
Spine and covers slightly and marginally sunned without gravity, gift inscription in ballpoint pen at head of title page.

First edition, one of the first issue copies numbered at press.
Half red shagreen binding, smooth spine slightly faded and bearing a black stain at foot decorated with a gilt cartouche adorned with gilt arabesques, gilt date at tail, joints lightly rubbed, gilt fillet on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, bookplate pasted on verso of front board, contemporary binding signed by Yseux successor to Thierry-Simier.
Provenance: from the library of the Château de Vertcoeur with provenance statement stamped in gilt at head of front board.

First edition printed in a small number of copies under the pseudonym André de Séipse.
Two small tears with slight lacks at head and foot of spine.
Rare.

First edition printed on laid paper.
Publisher's half hazelnut shagreen binding, spine with five raised bands very lightly sunned, marbled paper boards, publisher's gilt monogram at foot of front board, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Work illustrated with 24 plates.
Handsome copy.

First edition printed on laid paper.
Publisher's half hazelnut shagreen binding, spine with five raised bands very slightly faded, marbled paper boards, publisher's gilt monogram at foot of front cover, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Work illustrated with 45 plates hors-texte.
Handsome copy.

First edition, one of 50 numbered copies on Arches laid paper, after only 20 Japan and 30 Holland.
Work illustrated with 15 plates hors-texte as well as numerous in-text vignettes.
Light worming on endpapers, handsome copy.

First edition, one of the copies on alfa.
Autograph signature of the author below the justification page.
A small tear reglued at foot of one joint, handsome copy.

First edition, one of 20 numbered copies on pur fil, ours one of 5 hors commerce lettered copies, the only deluxe copies.
Small marginal tears with two slight lacks to covers, handsome interior condition.

The first edition, of which there were no deluxe copies.
Publisher's wood-grain paper boards, smooth spine.
Signed autograph inscription by the author.
Text illustrations by François Batet.

Illustrated with 4 original color compositions by Sem, Arnoux, Marty and Chas Laborde, one of the numbered copies on vellum.
Spine slightly cracked at foot, small foxing to boards, handsome interior condition.

First edition, one of the rare copies on vellum of which no mention is made.
The title page tending to come loose, the half-title page apparently lacking in our copy, spine partially sunned.
Rare full-margined copy.

First edition, one of 900 numbered copies on Rives laid paper.
Work illustrated with a portrait of the author as frontispiece and in-text drawings by Pierre Gandon.
Minimal worming on the last endpaper, handsome copy.

First edition printed in a small number of copies on laid paper.
Spine and boards slightly and marginally sunned, pleasant interior condition almost entirely free from any foxing.
Rare.

First edition on alfa.
A good copy.

First edition, one of 500 numbered copies on Lafuma paper, deluxe copies.
Half chocolate sheep binding, smooth spines slightly sunned, marbled paper boards, marbled endpapers and pastedowns, modest contemporary bindings.
Work illustrated with hors-texte engravings.
Like the deluxe copies, our copy indeed contains the double state of each of the engravings.
Rare full-margined copy.

First edition printed in 900 numbered copies on Rives laid paper.
Work illustrated with 20 original woodcuts, initials and tailpieces by Jacques Boullaire.
Pleasant copy.

First edition, one of 800 numbered copies on Lafuma paper.
A light shadow on the endpaper, handsome copy.

First edition in French, one of the numbered copies printed at press.
Signed autograph inscription from one of the translators on the endpaper which has a tear not affecting the manuscript dedication.
Spine lightly sunned with a small minor nick.
Rare.

First edition of the French translation established by Jean Cassou, one of 500 numbered copies on alfa paper.
Text preceded by a study on Inigo de Loyola or the triumph of the military spirit by René-Louis Doyon.
Fine copy.

First edition.
Work decorated with numerous in-text illustrations as well as 31 plates, 15 of which are in color.
Spine marginally faded with some losses at one weakened joint, handsome interior condition.

First edition, one of 50 copies numbered and initialed by the author on Japan parchment paper, the only deluxe copies with 7 Madagascar and 18 extra laid paper.
Rare and handsome copy.

First edition.
Work decorated with original illustrations by Lunel.
A discreet restoration at head of spine which also has a small lack at foot, small marginal lacks affecting the very last pages of the work.
Handsome copy with fragile covers without defect.

First edition printed in 130 numbered copies on handmade laid paper.
Illustrated with a frontispiece by Jean-Marie Albagnac and original etchings by Noël Gouilloux.
Handsome copy.

First edition in French, one of 205 numbered copies on pure laid paper, the only deluxe copies.
Half burgundy shagreen binding with corners, spine with four raised bands, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed by Trinckvel.
Handsome copy.

First edition, one of 25 numbered copies on Rives laid paper, deluxe copy.
A small tear at the foot of one joint at the deckled edges, spine sunned at foot, handsome full-margined copy.

First edition, one of 300 numbered copies on B.F.K. de Rives laid paper, the only issue.
Work illustrated with 2 original lithographs hors-texte by A. Smadja, signed by him in pencil.
Light marginal worming to the first cover, pleasant copy.

First edition, one of the numbered copies on alfa.
Introduction by Henry Miller.
A good copy.

First edition published anonymously.
Bradel binding in full boards covered with marbled paper, smooth spine, hazelnut morocco title-label, original wrappers preserved, binding cold-stamped by Henry Joseph successor to Pierson.
Scattered foxing.
Rare.

First edition, one of 10 numbered copies on Auvergne paper, deluxe copy.
Illustrated with a drawing by the author as frontispiece and wood engravings in text.
Occasional light foxing, handsome copy.

First edition, one of the numbered copies on laid paper.
A slight vertical crease mark on the first cover which also has a stain at the head.

First edition printed on vergé.
A good copy.

Bilingual first edition in Gascon with French translation on facing pages.
One joint slightly cracked at head and foot, minimal marginal spotting to front cover, handsome interior condition.
Rare.

First edition, one of 270 numbered copies on bouffant paper, the only deluxe copies with 7 Marais.
Work illustrated with an original composition by V.R. Geiser on the front cover and a drawing by the author as frontispiece.
Handsome copy.

First edition, one of 500 numbered copies on laid paper, the only deluxe copies with 20 on Arches and 50 on alfa.
Tiny worming without consequence on boards and spine, handsome interior condition.

First edition in French, one of 20 numbered copies on alfa paper, the only deluxe copies.
Two tiny lacks without consequence at head and foot of spine, some small worming.

First edition, one of 21 numbered copies on handmade paper, the only deluxe copies.
Handsome copy.

First edition, one of 21 numbered copies on pur fil, the only deluxe copies.
Handsome copy.

First edition, one of 30 numbered copies on vélin d'Arches, the only large paper copies.
A very good copy.

First edition, one of 20 numbered copies on pur fil, the only deluxe copies.
Handsome copy.

First edition, one of 21 numbered copies on pure laid paper, the only deluxe copies.
Fine copy.

First edition.
Contemporary half navy sheep binding, smooth spine decorated with gilt and blind fillets, a tiny hole at the head of one joint, marbled paper boards.
Work illustrated with in-text vignettes as well as 4 maps and 46 full-page plates. A dampstain affecting the entire text block, occasional foxing.

First edition with original illustrations by Eugène Courboin.
Publisher's full mouse-grey cloth binding, smooth spine, illustrated front cover, very light scratches of no importance to the rear cover, top edge gilt.
Work with illustrations in black and in colour, in-text and full-page.
Handsome copy.

First collected edition.
Bound in full marbled fawn sheep, smooth spines richly decorated with cross-hatched compartments, morocco title and volume labels in burgundy, upper headcaps worn, some tears notably at foot of spines, gilt roulettes on headcaps, covers framed with gilt floral dentelle, second cover of first volume marginally scuffed, gilt pointillé on edges, marbled endpapers and pastedowns, some corners slightly bumped, marbled edges, contemporary binding.
Portrait of the author as frontispiece to first volume.
Occasional foxing.

First edition on ordinary paper.
Signed and inscribed by the author to a friend.
Work illustrated with original photographs by the author.
Spine and covers lightly and marginally sunned without consequence, handsome copy.

First edition, one of 200 numbered copies on laid paper, the only deluxe copies after 5 Holland and 20 pur fil.
Three stains on the spine and back cover, handsome interior condition.

First edition on ordinary paper.
A good copy.

First edition, one of 60 numbered copies on Arches laid paper, deluxe issue after 10 Japan.
Light worming to spine, otherwise handsome full-margined copy.

First edition, one of 105 numbered copies on Arches laid paper, deluxe copy after 21 Japan.
Spine and boards marginally sunned without gravity, a small lack to foot of spine, otherwise handsome copy with full margins.

First edition in French, one of 697 numbered copies on pur fil, the only deluxe copies after 109 reimposed.
Spine and boards uniformly and lightly sunned, two small lacks to foot of spine, a library label pasted to foot of half-title page as bookplate.

First edition.
Minor marginal worming to boards, otherwise a handsome copy.

First edition of this thesis under Nizet resale label.
Covers very slightly and marginally sunned without significance, one crease mark on the back cover, handsome interior condition.

First edition of this thesis.
Spine slightly faded and warped without significance, handsome copy.

First edition.
Light marginal foxing to spine and covers, not serious.

First edition.
Work illustrated with 2 maps of Paris.
Light marginal worming to the front cover, handsome copy.

First edition.
Bound in half red shagreen, spine with five raised bands set with black fillets decorated with gilt fleurons, slight rubbing to spines, marbled paper boards lightly scuffed, corners bumped, minor nicks to edges, contemporary bindings.
Some light foxing.

First edition of the French translation, of which there were no deluxe copies.
Signed and inscribed by the author to Nathalie Sarraute.
Spine slightly sunned, one marginal tear without loss to second cover.

First edition of this offprint, printed in a small number of copies.
Foxing to upper cover, otherwise a rare and good copy, softcover.

First edition.
Signed autograph inscription by the author.
Spine and covers lightly and marginally sunned without significance, a ballpoint pen mark at the head of the front cover, handsome interior condition.

First edition of this thesis defended in 1974 for the degree of Doctor of Letters.
Spine and covers slightly and marginally sunned without gravity, two small stains on the second cover of the second volume, a tear at the head of one joint of the fifth and final volume, otherwise handsome set.

First edition of this thesis defended in November to obtain the degree of third-cycle doctor.
Rare and handsome copy.

First edition.
Iconography.
Spine and covers lightly and marginally sunned without consequence, endpapers lightly and partially shaded, handsome interior condition.

The first edition, of which there were no deluxe copies.
Autograph inscription signed by Henry Bonneville.
Handsome copy.

First edition of this thesis defended to obtain the degree of doctor of letters.
Spine and covers lightly and marginally sunned without severity, otherwise handsome copy.

First edition of this thesis defended in 1978 for the degree of third cycle doctorate.
Autograph inscription signed by Jeanne Isaac on the first volume.
Soft bindings, black cloth spine, yellow soft cardboard covers.
Rare and handsome copy.

First edition.
Rare and handsome copy in its original wrappers.
Small tears with tiny insignificant lacks to spine, title label pasted at head.

First edition, one of 1200 numbered copies on handmade laid paper.
The work illustrated with original lithographs by Jacques Perrenoud.
Handsome copy.

First edition.
Half black shagreen binding with corners, spine with five raised bands, traces of rubbing to spine and joints, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Work illustrated with 120 engravings in the text, 12 plates and 1 chromolithograph hors-texte.
Occasional foxing, handsome interior condition.

First edition.
Signed autograph inscription by Désiré Nisard.
Spine slightly faded, boards marginally soiled with small corner losses, handsome interior condition.

First edition on ordinary paper.
A good copy.

First edition, one of 32 numbered copies on alfa paper, the only deluxe copies.
Handsome copy complete with its illustrated dust jacket.

First edition, one of 900 numbered copies on alfa paper.
Two small lacks at head and foot of spine, otherwise handsome copy.

First edition, one of 25 numbered copies on Madagascar paper, deluxe copy.
Spine sunned and cracked, foxing, tears and marginal stains to boards, erased gift inscription at head of first endpaper, handsome interior condition.

First edition.
Half aubergine shagreen binding, smooth spine decorated with gilt friezes and typographical motifs, headcaps very lightly rubbed, marbled paper boards, corners bumped, marbled edges.
Concerning Madame de Genlis, Mahomet, Luther, L. de Bonald, Saint Bernard, Talleyrand...
Scattered foxing.

First edition, one of 825 numbered copies on antique laid paper.
Illustrated with a frontispiece by J.G. Daragnès.
Some minor foxing of no great consequence.

First edition, a Service de Presse (advance) copy.
Signed autograph inscription from Jean Galtier-Boissière to (André) Rolland de Renéville.
Two small tears on the slightly sunned spine.
Provenance: from the library of André Rolland de Renéville.

First edition, one of 209 numbered copies on laid paper, the only printing with 1 on Japan and 10 on Madagascar.
Signed autograph inscription from Yves Gandon to André Rolland de Renéville.
Work illustrated with a frontispiece by Roland Goujon.
Preface by Léon-Paul Fargue.
Fine copy.
Provenance: from the library of André Rolland de Renéville.

First edition of the French translation by Yves Gandon, one of the numbered copies on white Crèvecoeur laid paper, the only printing with 64 on Rives.
Signed autograph inscription from Yves Gandon to (André) Rolland de Renéville.
Two small stains of no consequence on the back cover, handsome copy complete with its publisher's slip.

First edition, one of 100 numbered copies on pure thread Johannot paper, deluxe issue.
Illustrated work with a frontispiece portrait of the author engraved on wood by G. Poilliot after a drawing by A. Billis.
Spine lightly faded as generally occurs, handsome copy.

First edition, one of 1035 numbered copies on Arches laid paper, the only issue with 25 Japan.
Illustrated work with a frontispiece portrait of the author lithographed by L.A. Moreau.
Spine lightly faded as usual.

First edition, one of 196 numbered copies on Arches paper, the only issue with 4 copies on Japan paper.
Signed and inscribed by André Billy.
Spine and boards lightly and marginally faded as usual.

First edition, one of 975 numbered copies on Ingres paper, the only issue with 5 copies on Japan paper and 20 on Arches paper.
Spine very lightly sunned without significance.