Illustrated Books

First edition on ordinary paper.
Bradel binding in half dark green morocco, smooth spine faded, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt.
Work illustrated with a frontispiece by Félicien Rops.

First edition printed on vergé.
Half morocco, spine slightly discolored, covers stained preserved, top edge gilt.
Foxing on the endpapers and in the margins of some leaves.

Illustrated edition with original etchings by Léon Lebègue, one of 30 numbered copies on deluxe Japan paper, deluxe issue.
Our copy, as stipulated in the justification page, is indeed complete with the triple state of the engravings.
Handsome copy.

First edition printed in 1500 numbered copies.
Work illustrated with 30 reproductions of works by Bruno Capacci.
Handsome copy.

First edition, one of 750 numbered copies on white laid paper, the only deluxe copies after 50 Japan and 50 hors commerce.
Work decorated with a self-portrait of the artist as well as illustrations hors-texte, letter-preface by Claude Aveline.
Endpapers lightly shadowed.

First edition, one of 470 numbered copies on coated paper, the only deluxe copies after 30 Coronado "Lys de Gand".
Work illustrated with 21 drawings by Ferro.
Light and minor foxing without significance on the title page.

First edition in French.
Publisher's full blue cloth binding, smooth spine, with the illustrated dust jacket.
Work decorated with 20 color plates and 133 black illustrations.
Handsome copy.

Edition illustrated with 7 drawings by Charles Delort, one of 200 numbered copies on Holland paper.
Work also illustrated, as frontispiece, with a portrait of Edmond About engraved by A. Mongin after a photograph by Nadar, and with head- and tailpieces at the beginning and end of each chapter.
A small tear at the foot of the spine, otherwise a handsome full-margined copy.

First edition printed in 767 numbered copies on pur fil du Marais paper.
Illustrated with 24 hors-texte plates reproducing Magnelli's works exhibited at Galerie Drouin.
Spine and boards slightly sunned, tears at head and foot of joints, handsome interior condition.

First edition.
Illustrated with photographs.
Handsome copy.

First edition.
Publisher's binding in full boards, smooth spine, illustrated first cover.
Work illustrated with reproductions of works by René Magritte.
Pleasant copy.

First edition.
Issue illustrated with 4 original color lithographs at double or full page as well as 20 reproductions of works by Alain Le Yaouanc.
Handsome copy.

First edition on ordinary paper.
Text by Alexandre Cirici.
Issue illustrated with 3 original color lithographs (including the cover) at double page by Joan Miro.
We include an invitation card to the opening of the Joan Miro exhibition at Galerie Maeght on Tuesday April 10, 1973 at 5 p.m.
Light scratches of no consequence to spine.

first edition printed 100 numbered copies on Holland paper.
Our copy is complete, frontispiece, engraving by Jean Coulon it signed and justified.
Rare copy and pleasant.

Banner edition of the first type, second edition after the shell binding. General title leaf bearing the date 1873. Catalogue no. 2 at the end.
Binding known as "À la bannière" or "Au ballon bicolore", royal blue on bordeaux. First plate with balloon. Back cover signed at bottom Lenègre in blind (Lenègre b type), with hexagonal medallion in blind. Gilt edges. Green endpapers. Fine first plate with bright colors and gilt. Spine fairly good, but small scratched areas, one black stain at foot (restoration). Traces of rubbing to edges, headcaps, joints and corners. Dark areas on back cover. Pale scattered foxing, often in margins, but overall rather fresh.
Quite handsome copy.
Novel dating from 1870 set aboard the Great Eastern, a gigantic airship carrying several thousand people on the Liverpool-New York route.

First edition of the French translation, one of 60 copies numbered and justified by the publisher, frontispiece, the lithography Max Ernst shot in bistre on China and signed by the artist, only leading copies. One of the 20 copies in which there is an additional state of the lithograph drawn in blue on China and also signed by Max Ernst.
Stamp of the Alex Grall collection.
Rare and beautiful copy.
The

New edition with 8 illustrations printed separately from the text.
Spine and covers slightly and marginally sunned, small corner losses to covers, one fold at head of half-title page.

first edition on the current paper.
Signed autograph Andre Verdet Rene Colombi "... fraternally in memory of Saint Paul de Vence and friends there.
illustrated book of Dauphin designs.
spine and boards marginally thinned, otherwise nice copy.

First edition, one of 200 numbered copies on vergé d'Arches paper, deluxe copy.
Work illustrated with 5 original hors-texte drawings by André Masson.
Our copy is incomplete of the original lithograph that should accompany the deluxe copies.
Light marks from adhesive tape at head and foot of endpapers.

First edition.
Publisher's full black cloth binding, smooth spine, complete with illustrated dust jacket and flexible cardboard slipcase.
Iconography.
Handsome copy.

First edition, one of 300 numbered copies pure cloth, one draw after 13 Chinese and 37 Japanese.
Signed autograph Francis Carco Paul Lombard.
Book illustrated with 18 original woodcuts by Deslignieres.
A small lack in foot of the first flat, flat with slight angles.

Edition illustrated with original lithographs by Julien Pavil, one of 900 numbered copies on pur fil Johannot paper, the only issue after 100 copies on vélin d'Arches variously enriched.
Spine of chemise lightly stained.
Handsome copy.

First edition of this comic book, one of 92 numbered copies on sélect bouffant paper reserved for the Editions de Minuit bookshop, the only deluxe copies.
Handsome copy.

Illustrated edition with original compositions by Albert Dawant engraved by Boisson and printed intaglio by Ch. Wittmann and printed in 143 numbered copies on vellum.
Half brown morocco binding, spine with five raised bands set with gilt fillets, some rubbing to the joints, boards, endpapers and pastedowns of wood-pattern paper, covers and spine preserved, top edge gilt, bookplate pasted on a pastedown.
Handsome copy.

Edition illustrated with a frontispiece to the etching by Jacques Herold it numbered and justified, one of 32 numbered copies on Holland paper.
Nice and rare copy.

First edition of 199 copies, this one of 50 copies numbered in Roman numerals with a cover multiple on paper especially produced by the Moulin de Larroque.
Text by Bernardo Pinto De Almeida.
With 4 lithographs on handmade paper by José de Guimaraes, all signed and numbered in pencil.
Cloth box (a few marginal dampstains) with a reproduction of the cover drawn by Guimaraes. Small tear of a few centimeters to head of joints of box, internally good.

First octavo edition illustrated with 59 drawings by George Roux.
Hetzel publisher's binding with gilt globe, signed Blancheland plate, bound by Engel, lighthouse spine, second cover of Engel "h" type according to Jauzac.
A few very minor lacks to gilding on the globe of the first cover. Binding very skillfully restored.
Occasional minor worming, as usual.

Edition illustrated with original designs by Raymond Peynet engraved on wood by T. Schmied, one of 200 numbered copies on handmade rag paper.
Spine of the chemise discolored and foxing to the boards of the latter.
Handsome copy.

First edition illustrated with 5 original color illustrations by Valentine Hugo, one of 12 lettered copies on white Rives vellum.
Our copy lacks the original drawing by Valentine Hugo that accompanied the 12 lettered copies.
Handsome copy despite the spine very slightly sunned without significance.

First edition, one of 120 numbered copies on pure linen Marais paper, the only printing after 1 Japan and 11 Rives vellum.
Work illustrated with 3 original color lithographs by Jean Pons.
Small tears to spine.

First edition, one of 188 numbered copies on wove paper, the only deluxe copies.
Work illustrated with original color illustrations by Valentine Hugo.
Handsome copy unfortunately lacking the suite of illustrations as specified in the justification page.

First edition, one of 220 numbered copies on Montval, the only printing with 25 Japan and 20 hors commerce copies.
Work illustrated with original woodcuts by Hermann-Paul.
Rare and light foxing without significance, a crease mark at the head of the second cover, handsome copy.

First edition.
Publisher's binding in full brown grained sheep, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Fine copy complete with its cellophane wrapper as well as its slipcase.

First edition, one of 1000 numbered copies on vellum.
Publisher's binding in full morocco-grained burgundy sheep, smooth spine, double gilt fillets framing the boards, burgundy paper endpapers and pastedowns, top edge gilt, slipcase with burgundy morocco spine, burgundy paper boards.
Rich iconography.

First edition, one of 120 numbered copies on Auvergne laid paper, the only issue after 10 Japan blanc.
Work illustrated with 3 original etchings by Robert Bonfils.
Scratches to one joint, spine and boards uniformly and lightly sunned, small scratches at foot of front board, handsome interior condition.

First edition, one of 1000 numbered copies on laid paper.
Publisher's full burgundy morocco-grained sheep binding, smooth spine, double gilt fillets framing the boards, burgundy paper endpapers and pastedowns, top edge gilt, morocco-edged burgundy slipcase, burgundy paper boards.
Rich iconography.
Handsome copy despite very slight scratches of no consequence to the spine.

First edition illustrated with original woodcuts by Raoul Dufy, one of 1100 numbered copies on Rives laid paper.
Two slight tears to spine, otherwise a handsome copy.

Edition illustrated with 14 original lithographs by Maurice Eliot and printed in 200 numbered copies on vellum.
Our copy contains a triple state of lithographs.
Handsome copy.

Edition printed in 121 numbered copies on vellum and illustrated with 42 original etchings by Tigrane Polat, including a frontispiece, a title vignette, 16 hors-texte and 24 head- and tailpieces.
Our copy is expanded, at the end, with 5 trial plates.
A pale dampstain at the foot of the slipcase.
Handsome copy.

Edition illustrated with 260 original compositions in and outside the text by Adrien Moreau, engraved on wood by Brauer, Froment, Hamel, Méaulle, Rousseau and Thomas, one of 35 numbered copies on China paper, deluxe copies.
A minor tear at the foot of one joint of the first volume.
Handsome copy.

First edition.
Half midnight blue sheep binding, spine with four raised bands decorated with gilt fleurons, marbled paper boards with scratches, marbled endpapers and pastedowns, contemporary bindings.
Work illustrated with 70 figures in the text, 14 phototype portraits as well as 2 folding plans and 6 color graphic plates at the end of the volume.
Preface by Alexandre Lacassagne.
Some foxing affecting mainly the edges.
Rare.

First edition, one of 750 numbered copies on vellum of the Marais, only large paper 16 after China.
Book illustrated with 2 original lithographs by André Beaurepaire.
Our copy is enriched autograph dedication of the author an autograph signed by André Beaurepaire Paul and Madeleine Aveline complete with an original drawing in black ink.

First edition.
Literary contributions by P. Drieu la Rochelle, P. Soupault, D. Ashford, R. Crevel, G. Ribemont-Dessaignes, G. de Chirico.
Issue illustrated with 2 drawings and 6 plates by G. de Chirico.
Spine slightly sunned, otherwise handsome copy.

First edition. Missing plate.
Literary contributions by G. Apollinaire, T. Tzara, R. Crevel, J. Delteil, E. Berl...
Issue illustrated with 10 drawings by E. Josephson and a calligramme by G. Apollinaire.
Spine slightly sunned, otherwise handsome copy.

Edition illustrated with 12 original lithographs by André Masson, one of 220 numbered copies on vellum of the Marais.
autograph dedication of the author autograph signed and dated by Alain Simon to Marcel Pierre and Etiennette.
Our copy is incomplete from its holster, small spots on boards which also include slight red ink discharges margins.
Pleasant inner state.

First edition.
Iconography.
A good copy.

first edition on the current paper.
Precious autograph signed Felicien Champsaur Auguste François-Marie Gorguet who illustrated the book: "In the master painter Gorguet his accomplice and friend ..."
Book decorated with 75 illustrations in black and watercolor stencil Georges Bottini, Auguste François-Marie Gorguet and Charles Lucas.
Cover art by Georges Bottini.
A lack leads the second flat, restored tear on the back.

first edition printed in small numbers on laid Holland paper.
Signed autograph of Leo Riotor Gustave Coquiot.
Illustrated book, frontispiece, a sketch of Auguste Rodin.
The work and adventures, Rodin designer, characters and projects and comments by Leon Riotor.
A small bright spot in the top of the first flat, small marginal tear on the boards, nice interior state.

Edition with 32 original woodcuts by Jean Laueffer, one of 800 numbered copies on vélin du marais paper.
A good copy.

First edition of 130 numbered copies.
With drawings by Alechinsky, Dufour and Hérold.
Manuscript signatures by Michel Butor, Pierre Alechinsky, Bernard Dufour and Jacques Hérold on the justification page.
A good copy in its chemise over marbled paper boards, title label pasted to upper cover.

First edition printed in 3,000 numbered copies.
Publisher's binding in full black cloth, smooth spine, complete with its cellophane wrapper and dust jacket featuring an intricate system of nested covers: the dust jacket doors open to reveal the cover doors which open to show the author's name, title and publisher's name.
Rich iconography.
Light tears to the upper headcap of the dust jacket and to the cellophane wrapper, handsome copy.

First edition, one of 590 numbered copies on laid paper, the only printing after 30 copies on vellum du Marais.
Work illustrated with a frontispiece by Raymond Gid.
Endpapers very lightly and marginally shaded without concern.
Handsome copy.

First edition, one of the numbered copies on vellum, the only issue after 14 coated papers and 15 Arches.
Work illustrated by André Masson.
Spine and covers lightly and marginally sunned without significance, handsome interior condition.

First edition on ordinary paper.
Iconography.
Complete copy with its celluloid representing "The Bride Stripped Bare by Her Bachelors," which has a small fold at head.
Handsome copy.

Illustrated edition with 22 original woodcuts by Raoul Dufy, of which 21 are hand-colored by Jeanne Rosoy and L. Petitbarat, one of 320 numbered copies on natural raffia paper, the only issue after 15 Japan and 35 Holland.
A small stain at the head of the first cover, two tiny corner lacks to the boards, handsome interior condition.

First edition, one of 370 numbered copies on pure Johannot laid paper.
Work illustrated with original drypoints by Jean Edelmann.
Spine lightly sunned at head and foot, handsome interior condition.

First edition, one of 230 numbered copies on Lana laid paper, the only issue after 30 Montval and 6 hors commerce.
Introduction by Guy Laborde.
Work illustrated with a title vignette, 2 headpieces and tailpieces as well as 10 hors-texte plates colored by Chas-Laborde.
Endpapers partially shaded, slipcase worn with lacks.
Handsome interior condition.

First edition reissued under new covers and relay title.
This rare collection was initially published in December 1833 under the title: L'amulette. Étrennes à nos jeunes amis.
Half dark green Russia morocco binding, smooth spine decorated with gilt arabesques, gilt date at foot, gilt fillet on marbled paper boards, three scratches on first cover, marbled endpapers and pastedowns, bookplate pasted on pastedown, covers and spine preserved, elegant pastiche binding signed by Pouillet.
Work illustrated with a title vignette and 8 plates.
Some foxing of no great consequence.

First edition, one of 1500 lettered copies on Lafuma vellum.
Illustrated with a frontispiece by Pierre Falké.
Handsome copy.

The first edition, of which there were no deluxe copies.
Full bottle-green cloth binding, smooth spine decorated with a gilt fleuron, double gilt fillet at foot, marbled endpapers and pastedowns, modest binding.
Work illustrated with drawings by the author in the text.
Some marginal lacks filled on several leaves that were poorly cut.

First collective and posthumous edition, printed on laid paper.
Work illustrated with 20 headpieces and 20 tailpieces by Théo van Rysselberghe in two shades of green in the Art Nouveau style.
Light worming to spine, two small tears at head of boards.
Spine and boards marginally and partially discolored, handsome interior condition.

First edition.
Publisher's full sand cloth binding, smooth spine, complete with its dust jacket which has two lacks at the head of the first cover as well as some marginal tears.
Pleasant interior condition.

First edition of which there were no large paper copies.
Iconography.
A very good copy.

First edition, one of 50 numbered copies on Arches paper, ours specially printed for André Dignimont illustrator of the book, deluxe edition after 5 Japan variously enriched.
Illustrated book, frontispiece, original dry-point André Dignimont.
Precious autograph signed by Pierre Mac Orlan: "A Dignimont, artist, friend to the old Dig, his friend Pierre Mac Orlan..
Beautiful copy exceptionally enriched in 6 states of the frontispiece.

First edition, one of 25 lettered copies on Japan paper, deluxe copy.
Work illustrated with a frontispiece portrait of the author by Jules Pascin engraved on wood by G. Aubert.
Our copy lacks its wide-margined proof normally contained in copies of the deluxe issue.
One joint cracked at head and foot and small tears and corner lacks to boards.

Second edition, one of 500 numbered copies on vélin paper, the only printing after 20 Normandy paper.
With 15 illustrations by Kurt Séligmann.
A good copy.

First edition, one of 800 numbered copies on alfama, the only issue after 20 Marais and 200 vélin de Renage.
Work illustrated with 13 unpublished drawings by Federico Garcia Lorca.
Spine and covers slightly and marginally lightened, pleasant copy.

Maurice LEMAÎTRE
Le Lettrisme devant Dada
et les nécrophages de Dada !
Centre de créativité | Paris 1967| 14.5 x 22.5 cm | original wrappers
First edition, one of 50 numbered copies on Arches paper, this one not justified, the tirage de tête.
Handsome autograph inscription signed by Maurice Lemaître to Eric Losfeld below the justification: “Spécialement réalisé pour Eric Losfeld, quinze ans d'amitié sans nuage (mais pas grande efficacité) [specially made for Eric Losfeld, fifteen years of uninterrupted friendship (but not great efficiency)]. Lemaître 67.”
This copy retains the original drawing by Maurice Lemaître accompanying the 50 copies of the tirage de tête on Arches.
A very good and rare copy.

First edition.
Publisher's binding in full silver boards, complete with dust jacket in perfect condition.
Rich iconography.
Handsome copy.

First edition printed in 250 numbered copies on vergé.
With a frontispiece by Hans Bellmer.
A good copy.

First edition published under the pseudonym Gabriel Senlis, one copy of the printed press service on laid, he was fired from Holland paper in 5 leading copies.
Binding half orange morocco with corners, back with four nerves decorated with a golden floral pattern, name of author and title of piece navy blue morocco, marbled paper plates, guards and contreplats of gray paper, wrappers and back preserved and bound in , gilded head.
Signed autograph Gabriel Senlis Georges Normandy.
Beautiful cover illustrated in color by J. Gosé.
Some little foxing without gravity.

First edition, one of 200 numbered copies on Marais crèvecoeur laid paper, deluxe copy.
Work illustrated with 136 photographic reproductions of towns and villages devastated by bombing.
Spine lightly sunned, small tears to head of back cover.

First edition, one of 100 numbered copies on fine laid paper, the only deluxe copies after 5 on pure thread paper.
Work illustrated with photogravures after a watercolor and pastels by the author.
Spine and covers entirely sunned, small tears to margins of covers, interior in handsome condition.
Rare.

First edition illustrated with photographs.
Foreword by Paul Deschanel and preface by Philippe Pétain.
Fold marks to first cover.

First edition with two drawings by André Gill.
Spine sunned, foxing.
Rare.

First edition, one of 40 numbered copies on Montval laid paper, deluxe copy.
Work illustrated with a frontispiece by Jean Lombard and ornaments by Philippe Burnot.
Our copy, like all copies from the deluxe edition, is complete with its original drypoint in double state by Jean Lombard.

First edition illustrated with a frontispiece drawn by Schmit and engraved by Hilaire Guesnu, 38 plates and vignettes by Schmit, Gavarni, Nanteuil and Schlesinger.
Full green shagreen binding, spine with four raised bands set with gilt dentelle, compartments decorated with quadruple gilt framing fillets and cold-stamped fillets, double fillets and dotted gilt rolls at head and foot, fine hatchings on headcaps, cold-stamped fillets and multiple gilt fillets framing the boards, gilt rolls framing the pastedowns, gilt fillet on leading edges.
Some foxing.
Handsomely illustrated first edition.

Illustrated with original vignettes by Jean Gigoux.
Half dark green morocco with corners, spine with five raised bands richly decorated with gilt compartments and fleurons, gilt date at foot, top edge gilt retaining deckled edges. Binding signed Champs.
Work illustrated, as frontispiece, with a portrait of the author on China paper as well as 600 vignettes here in first printing by Jean Gigoux.
Some rubbing to joints, otherwise a handsome copy.

Illustrated edition with 20 original etchings by Martial and ornaments by Morin, one of 10 numbered copies on China paper, the deluxe issue with 10 on Whatman and followed by 4 on vellum.
The frontispiece is in double state.
About Marie-Roze, Agar, Sarah Bernhardt, Léonide Leblanc, Blanche Pierson, Sarolta, Angelo, Louise Ferraris, Marietta Sacca, Massin, Hilda, Latour, Rosine Bloch, Gabrielle de Cleurcy, Blanche d'Antigny, Odette Reynold, Alice Régnault, Augustine Devéria, Céline Montaland.
Inevitable foxing inherent to China paper, worming to boards.

First edition published anonymously, one of 125 copies on simili-Japon paper.
Work illustrated with a frontispiece by Clairin, an etching by Félicien Rops and a facsimile, on China paper, of a letter by Charles Monselet.
Two lacks at head and foot of spine, handsome interior condition despite small foxing at head of the facsimile on China paper.

New edition published five years after the original of 1836, decorated with a frontispiece, several plates after Marckl and engraved by Quartley, Dujardin and Piaud, with vignettes and tailpieces.
Half green shagreen Empire binding, smooth spine decorated with gilt rococo ornaments, triple gilt fillets on boards and corners, all edges gilt.
Joint at foot of front board slightly cracked.
Some discreet foxing.
Handsome copy elegantly bound in a contemporary Empire binding.

First bilingual edition, one of 75 numbered copies on vélin blanc Lafuma paper, the tirage de tête.
With 30 color illustrations by Rihakou Harada.
Two snags and tears to spine, one small stain to head of upper cover, but otherwise a good copy.

First edition and first issue of the full-page color illustrations by Albert Robida.
Publisher's full grey percaline binding, smooth spine, front cover illustrated with a polychrome composition by Albert Robida, blue-grey paper endpapers and pastedowns, all edges gilt.
Headcaps lightly rubbed as often, handsome copy.

Fourth, de luxe, edition.
Chemises in flexible boards with ties intact.
With 240 engravings after drawings by Julius Schnorr de Carolsfeld.
Spotting to all plates and a few clear marginal dampstains to some.
A rare copy.

Edition illustrated with 5 original etchings of Jacques Herold, one of 100 numbered copies on Arches paper, one draw after 1 Japan 3 colored paper and 15 Roma Netherlands.
Handwritten signature of Jacques Herold to the justification of the draw.
Some slight marginal minor bites on some sheets, first guard partially shaded.

Edition for each volume.
"Bradel" binding vellum way, smooth back, calligraphic inscriptions in the medieval manner on the back and flat, black date tail back, wrappers and back preserved and bound in to each volume, guards and contreplats of handmade paper red head, signed binding Thiebaut.
complete copies of their headpieces and their facsimiles.
Our copy is enriched by an autograph letter (mounted on the first book upside tab) Eugene Mirecourt, a page addressed to Chamfleury in which its distance corresponding to about a piece showing that they have jointly written with Champfleury and does not provide enough promotion to the taste of Eugene de Mirecourt.
Some little foxing, clear wetting at the foot sheets of the second book.

First edition, one of 10 numbered copies on colored paper, the only major paper.
Our copy is complete, like copies of the deluxe edition of the original collage by Jean-Benoît Thirion he signed.
Illustrated book two collages of the author.

First octavo edition illustrated by George Roux and Benett, including 12 chromotypographic engravings.
Hetzel publisher's "golden globe" binding in full red percaline signed Engel, polychrome front board signed Blanchelant, second board type "i" as indicated by Jauzac, lighthouse spine, original blue endpapers, all edges gilt.
Spine slightly sunned, some very minor rubbing to plates, two corners rubbed and original blue endpapers very lightly sunned at margins, as usual.

First edition illustrated with drawings by Adrien Barrère, pseudonym of Adrien Baneux.
Text by Emile Codey.
The work, folded accordion-style, forms a fresco when unfolded.
Tears to spine with minimal lacks, lacks and tears to board margins, handsome interior condition.